Razyskivayu of Mikhail Roginsky

[Кирилл Сызранский]

Allena, th! Impressive material detailed.
It is interesting to look slowly.
Thank you!

[Wladzislaw]

Сообщение от Allena

On the uncertainty Roginsky.

I would suggest to promote pay denyuzhku and register on the site artfacts.net, to go all the exhibitions and public collections, and constantly update information. It was then known to be. And do not forget to write an article in "Wikipedia", in English there is only blank CD. And Google, which enjoyed unrealistic cloud people, issues from the Wikipedia article first.

[Маруся]

Сообщение от Veronic

Roginskii personality and his creativity is not a second time and that's enough. But, what-would you say, not all of his work will like.

Yesterday, inspired by a comment suddenly remembered:
"work of art is a fragment of nature (life), seen through the prism of the nature of the artist, but now ... and I can see through the prism of my nature" (Max Friedländer)

In the passage cited as an example of another artist, but in my opinion, it explains a lot in the issue "like - not like and why.

[fross]

Сообщение от Wladzislaw

I would suggest to popularize denyuzhku pay and register on the site artfacts.net, to go all exhibitions and public collections, and constantly update information. It was then known to be. And do not forget to write an article in "Wikipedia", in English there is only blank CD. And Google, which enjoyed unrealistic cloud people, issues from the Wikipedia article first.

The point is that in the popularization of the name Roginsky not need. Only in the last issue ArtChronika his name, I believe, in three articles by different authors. I especially liked by Levashov, who spoke about the artist - I quote:

that no discount should be called great. It would be - by virtue of scale, skill, quality of life lived, but it is impossible, because he himself did not agree. It disagreed with the recognition of a precursor of Russian pop-art and sots-art and generally could not stand the abstract patterns, clichés, trends and brands.

[LCR]

Here are 4 more work, the location of which is unknown to me, all four of the 1970's. Put them here, but if somebody knows the current owner?
The first work - a painting of the very Natasha, etching with a collection of Alshibaya hung here Alena. This tempera on hardboard, the exact size I do not know, somewhere 50x40.
Three tram - one 1975 (tempera on hardboard) and two in 1977 (one - tempera on hardboard, the second-watercolor on paper).
Pictures lie in color, but nothing like I do not have (so and am looking to gain size and how to otsnyat_.

[LCR]

Yesterday vyadem, which again many thanks, told me (Lord, have the opportunity to get acquainted with people fully justifies the existence of this forum - if it needs justification) that the auction Gina Shapiro, to be held on November 22 , 4 works exhibited Roginsky 1970.
Just in case I want to confirm the authenticity of all 4. The first three were written in Moscow before our departure (distemper, of course, not oil, as the inscription in the cyber-auction catalog), 4-I - in 1978, soon after his arrival in France.

I was amused at the inscription on the tram Shapiro, who reportedly exhibited at the Bulldozer Exhibition, and argues that the painting was physical evidence of careless handling of the KGB works of art, later, fortunately, restored. All this, of course, complete nonsense and rubbish, the Bulldozer Exhibition or Michael, nor his work did not participate

Pictures fear lies in color, but the rich, and so happy - there are no others.

[dedulya37]

Сообщение от LCR

I laugh at the inscription on the tram Shapiro, who allegedly was exhibited at the Bulldozer Exhibition, and argues that the painting was physical evidence of careless handling of the KGB works of art

This is a common sales gimmick to attract the attention of the public.
Yesterday on TV I heard a phrase that is memorable.
Nana, the phrase about you: Today, in an era of global mythmaking eyewitness priceless.

[LCR]

Recovers photo Roginsky against Shapirinogo tram from the exhibition in the Pavilion of Culture VDNH. Put it, but at the same time and Misha at the entrance to our basement on the streets of Marx and Engels.
The author of both - Oleg Kaplin, a wonderful photographer and a very wonderful man, together with Volodya Sychev (which is currently being show in Paris, I will post a small selection) and Igor Palmin - chronicler of the artistic life of Moscow 60-70-80's.

[LCR]

This work 1989-90. I have just written a story about Fomicheva.
Unfortunately, the photos are bad, but still, in my opinion, the similarity is striking, right?

[Кирилл Сызранский]

Сообщение от Cyril Syzransky

And in another hall landscape "Pokrovskoe-Steshnevo".

Now "Pokrovskoe" hangs in front of "wall Roginsky" and have fun even Still Life with Cabbage 63rd year.
6 works by 5-m (as tretyakovtsy perceive themselves as visitors-top) floor! Six!

Сообщение от Cyril Syzransky

And in the hall of the newest trends on the third floor of the 4 other things: "Red Door" and "Red wall"-on the left wall of the hall and "Green Door" and "gray wall"-on the right wall .

A? Exactly ...