26 Antique Salon

[Konstantin]

We Vladimir Bogdanov, the penultimate day, bypassed some quantity of galleries with a mini survey, prepared this article appears on the site. In general - yes general feedback with the sign ". Can expect in anegdote "The horror, the horror, the horror" and was "Yes, the horror, but horror, the horror, the horror." Visitors were less, but not at the expense of the salon. Fewer of those who look, but most of those who ask the price. It is obvious that people came to use the crisis. At one stand (I will not say what, anything not allowed to shoot without interview) tightly traded owner and visitor. Visitor with the words now 140 000 right now (and climbing with his hand in his pocket, and obviously not in rubles) - come on. A master vigorously shook his head and refused.

[Кирилл Сызранский]

Konstantin, great article, then, wait, sir!

[Konstantin]

Now you read. http://artinvestment.ru/invest/analy...xvi_salon.html

[Кирилл Сызранский]

Konstantin, I was confused with those for years, but just 9-year fall was not yet.
This slip of the pen, of course.
autumn of 2009 at the Salon came a third smaller than the previous year. (c)

[Wladzislaw]

Сообщение от Konstantin

Now you read. http://artinvestment.ru/invest/analy...xvi_salon.html

The article has a link to a profile Anatoly Kaplan's site. In the hold there is clearly not his job. In my opinion, there is no need to think long to put the red light.

http://artinvestment.ru/auctions/154...?work_id=37409

[Тютчев]

Сообщение от Cyril Syzransky

You have personally seen this picture?

Several times. Believe me not a bad thing.

[Кирилл Сызранский]

Tjutchev, but I this thing "fairly good" also observed several salons. I was really in the Acanthus Natalia Guseva and-out knows me and the client to go there once summed: "Listen to what they say." But there can tell-about "brand" savrasovskie scratching the handle of the brush on wet at the forefront of this lake?
For me, the thing questionable.

[Тютчев]

Kirill, I already wrote above that Savrasov is weak. We are accustomed to the museum things, repeatedly published, those that hang in the Tretyakov Gallery for years. And there are those, like this. I have seen other works of similar quality. Korovin, too, is weak, but present. There is not quite udavshiesya things and other artists. The artist also a human being, not a machine for the production of masterpieces. A Savrasov was a very "human", and nothing human was alien to him. The fate of the artist, which is no longer with us - is "finished product". We have the ability to peer into the details of his life, finding new touches. But to deny the biography of the creator in order to preserve some ideal image, in my opinion, not correct. This picture shows the tragic fate of the artist.
       Savrasov such it is, and perhaps that is why he gave us interesting and close. And without this figure history of Russian art would be some sort of incomplete.

[Кирилл Сызранский]

Сообщение от Tjutchev

We are accustomed to the museum things, repeatedly published, those that hang in the Tretyakov Gallery for years.

The Tretyakov also different Savrasov. Later everything written after 1882-the year, when he almost walked away from the exhibition activities, for example.
"Rannya spring," Forest of frost "," Spring ", etc., attributed to the fact that the 80-90-mi gg.
And I have long heard about the "drunken Savrasov," when it comes to controversial works. : D
And you, an hour there, not the owner of this landscape?

[SAH]

Liked delight hearing this prediction: Ildar Galeev. "Galeev Gallery" Tools for investing, it turns out, not so much. So the art market will rise before the others. In the meantime, people are able to stand-by. Everyone is trying to guess when the bottom will be reached. And, once we feel will simply "Jordania".