Сообщение от Cyril Syzransky
Vedus, oh vedus ... And I am not alone, it consoles me. Now, for example, that "Russian Flax" in 1967 hangs in the Tretyakov Gallery on the Crimean one stand-partition with the "spring" Plastova ahead Plastov, circumvent this barrier, this stand-Stozharau. Art critics from the Tretyakov also underway. There is another still life weighs, "Bread, Salt and Bratina, 1964, but two landscapes," Village Andreykovo "1958 and" Serdla "69-second, I think.
And you are from St. Petersburg, then in Russian, there also is a permanent exhibit. "Arrival at the foremost gathering of farmers," in 1959, for example, or "Vazhgot. White Night" 67-th.
I, the creation of not just give, and that you understand, not Stozharau needful townsfolk espluatiroval rustic theme, he created the topic, and in Soviet art, and only then it became a fashionable topic, then.
And "Conversation", which dedulya37 has shown from the Saratov Museum is also an old thing-55-year. And you can still be "The Samovar" show, TG, 1956
Yes, there are few art museums in Russia, where there Stozharov. All of the custom? Nothing in the painting do not understand, do not see that
We, in Samara, too. "Moscow buns" in 1964
How is it with color, objects as written? Without art selection?
Speaking of things. That's what told about them, about these subjects son Vladimir.
Items for this still life Stozharau collected specifically.
In Moscow not far from the "Eliseevsky" grocery was "Filippovskaya" bakery. There was always fresh bread, because had its own bakery. The artist has found an old bakery employee and asked her to stick together and bake buns of her childhood.
Well, she's already tried! All the ridiculous figures of animals and birds, she vypekla own.
Drying and rolls were bought in an ordinary bakery, apples frustrated at-law in the country, a pack of lump sugar was brought from somewhere in the North, the teapot is taken from his wife, and the samovar - from personal collection.
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