Pyotr Konchalovsky

[LCR]

Сообщение от IrinaC

It's all emotion and desire to help the robbed man, but officially it is impossible to restore justice, because the fight will be against the official policy of that time, government decisions and move the layers of history no one shall be taken, it will be necessary to change the laws, and the question: where to stay? at which redistribution?

Well, why not? There Yura wrote that Rita Kriukova managed to regain confiscated, and in this poor Pebbles much more reason to demand repayment.

[IrinaC]

Сообщение от LCR

Well, why not? There Yura wrote that Rita Kriukova managed to regain confiscated, and in this poor Pebbles much more reason to demand the return.

Liana, I sincerely wish the success of this case, and even than could be helped. Litigation know not by hearsay, and sometimes amazed how even in a legal state for years to stretch out the trials, and only in non-legal as Russia, not even begin.
As for the paintings Ruslanova, where you can read about the process with R. Kriukova?
As far as I know, from the Tretyakov Gallery All the pictures Ruslanova back to itself after rehabilitation

[Евгений]

PP Muratov, Painting Konchalovsky, M., "Creativity", 1923
VA Nikol'skii, Petr Petrovich Konchalovsky, M., "Vsekohudozhnik, 1936
"Pyotr Konchalovsky" [album], Moscow, Soviet Artist, 1948.
K. Kravchenko, Petr Petrovich Konchalovsky, M.-L., "Art", 1949.
"Pyotr Konchalovsky. Selected Works [introductory essay MB Babenchikov], Moscow, Soviet Artist, 1950.
Notes OV Konchalovskaya. Konchalovskaya OV our way of life. December 1956. Manuscript. Archive family.

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«Petr Petrovich Konchalovsky. Selected Works [introductory essay M. Neumann], Moscow, Soviet Artist, 1956.

"Petr Petrovich Konchalovsky." [The album. Introductory article Sokolova], M., "Art", 1958.

A. Winer, Materials and Techniques of Painting PP Konchalovsky. [Pp. 72-86 in coll. "Materials and technique of painting Soviet masters"], 1958

Vsevolod Ivanov, artist Pyotr Konchalovsky. - Vsevolod Ivanov, Collected Works, vol.8, M., 1960.

ML Neiman, Portrait Painting PP Konchalovsky. - "Reports of the Institute of History of Art Academy of Sciences of the USSR, Moscow, Vol. USSR, 1960.

Konchalovsky. Artistic heritage /introductory article Frolov. , 1964

ML Neumann, P. Konchalovsky. Creative career of one of the greatest painters of our time. M., 1967.

AI Morozov, Painting late Konchalovsky. The development of artistic vision. Abstract of dissertation for the degree of candidate of art history. M., 1969

PP Konchalovsky Album reproductions. L., 1973. [Introductory article VS Kemenova.]

Watercolors and drawings PP Konchalovsky [13 cards] M., 1973

VS Kemenov, Konchalovsky. L., 1973

Colors of the earth. Album reproductions. [Introductory article by Korzukhina.] Moscow, 1974

PP Konchalovsky [set of postcards] L., 1976

The stylistic analysis of still lifes PP Konchalovsky from the collection of Ami. Barnaul, 1982.

Konchalovskaya NP Priceless Gift. M., 1983

Exhibition catalogs
Catalog of the exhibition of works of Pyotr Konchalovsky, M., 1922

Exposition Pierre Kontchalovsky, Paris, 1925 [Preface de Monzie].

Exhibition of paintings and drawings PP Konchalovsky, M., 1926

Catalog of exhibition of paintings by PP Konchalovsky, M., 1927

Exhibitions of paintings by Pyotr Konchalovsky, M., 1928 [Introductory article AA Sidorova]

Catalog of the exhibition of works of Pyotr Konchalovsky, L., 1929 [Introductory article without a signature.]

Exhibition of paintings honored art Pyotr Konchalovsky, M., 1930

Exhibition of Honored Art Worker P. Konchalovsky, M., 1932 [Introductory article: N. Maslennikov, Painting Pyotr Konchalovsky, V. Nikolsky, creative history Pushkin]

Exhibition of Honored Art Worker P. Konchalovsky, M., 1935 [Introductory article without a signature.]

Pyotr Konchalovsky. XXXV years of creative activity. Exhibition of works of art., Leningrad, 1941. [Introductory article Beskin O. "Petr Petrovich Konchalovsky"]

Catalog of the exhibition of works honored art Pyotr Konchalovsky, Krasnoyarsk, 1946

Catalog of exhibition of People's Artist of the RSFSR Pyotr Konchalovsky, M., 1947. [Introductory article K. Kravchenko "Pyotr Konchalovsky. Fifty years of creativity"]

Pyotr Konchalovsky. To the 75 anniversary of his birth. Catalog of the exhibition, Moscow, 1951. [Introductory article Vsevolod Ivanov.]

Exhibition of the People's Artist of the RSFSR, member of the Academy of Arts USSR Petr Petrovich Konchalovsky, M., 1956. [Introductory article Sokolova "In memory of Petr Petrovich Konchalovsky (1876-1956)"]

Exhibition of the People's Artist of the RSFSR, member of the Academy of Arts USSR Petr Petrovich Konchalovsky, L., 1956. [Introductory article Sokolova "In memory of Petr Petrovich Konchalovsky (1876-1956)"]

Exhibition of watercolors and drawings of the People's Artist of the RSFSR, member of the Academy of Arts of the USSR, State Prize winner Petr Petrovich Konchalovsky (1876-1956), Moscow, 1960. [Introductory article K. Kravchenko]

Exhibition of PP Konchalovsky. Kiev, 1965.

PP Konchalovsky Exhibition of works. Catalog., M., 1968. [Introductory article VS Kemenova]

Pyotr Konchalovsky, People's Artist of the RSFSR, member of the Academy of Arts USSR, 1976-1956: the centenary of the birth. Catalog of the exhibition, Moscow, 1976 [Preface VA Kemenova]

Petr Konchalovsky at Abramtsevo: Katalogog, M., "Soviet Artist, 1977 [Introductory article NE Midler]

PP Konchalovsky Catalog - Capajebo, 1979

"Unknown Konchalovsky. Exhibition for the 125 th anniversary of the artist. [Bus. costaviteli: NB Avtonomova, AG Lukanova] M., 2002

ARTICLES (before 1961)
A. Winds [D. Arkin], Konchalovsky. - "Screen", 1921, April 25.

L. Varshavsky, Pyotr Konchalovsky. - "Screen", 1921, December 13.

A. Nuremberg, Exhibition of paintings by PP Konchalovsky. - Pravda, 1922, May 6.

Nicholas Tarabukin. Konchalovsky and Cezanne (over some misunderstanding). - "And Theater Studio, 1922, № 1-2.

AE [Abram Efros], Exhibition PP Konchalovsky. - "Among Collectors", 1922, № 4

PP Muratov, Recent work Konchalovsky. - "Russian Art", 1923, № 1.

Ya Tepin, Konchalovsky. sketches of contemporary Russian art. - "Today", almanac, 1926.

AVLunacharsky, Exhibition of paintings by Konchalovsky. - Izvestiya, 1926, April 4.

D. Aranovich, the studio artists. - "Evening Moscow", 1926, June 2.

V. Lobanov, Exhibition of paintings by PP Konchalovsky. - "Evening Moscow", 1926, March 16.

Ya Tugenhold, two exhibitions. - Leningradskaya Pravda, 1927, March 27.

Ya Tepin, Exhibition of paintings by PP Konchalovsky. - Krasnaya Niva ", 1927, № 17

D. Aranovich, Exhibition PP Konchalovsky. - "Red panorama. 1927, № 18

L. Varshavsky, Creativity PP Konchalovsky. - "The reader and writer, 1928, № 17

AVLunacharsky, exhibition in honor of the Red Army. - Izvestiya, 1928, 24 masrta.

F. Roginskaya, Exhibition of paintings Konchalovsky. - Izvestiya, 1928, April 26.

B. Volga, Y PP Konchalovsky. - "Evening Moscow", 1928, April 18.

YA.T. [Ya Tepin], Exhibition PP Konchalovsky. - Pravda, 1928, May 9.

Denisov, Painting Konchalovsky. - "Life of Art, 1929, № 13.

VV Voinov, Exhibition PP Konchalovsky. - "Red Panorama, 1929, № 14.

Cherniavsky, Creativity Konchalovsky. - "Art", 1929, № 5-6.

F. Roginskaya, Exhibition PP Konchalovsky. - Izvestiya, 1930, March 2.

E. Labas, Art for art's sake. About Konchalovsky. - "Work and Art, 1930, March 20.

V. Kostin, In search of "human Pushkin. - "Soviet Art", 1932, September 3.

Lunacharskii, exhibition of paintings by PP Konchalovsky. - "New World", 1933, kn.5

V. Lobanov, road master. - "Evening Moscow", 1933, January 5.

Ephedra, artist and model. - "Soviet Art", 1933, January 14.

S. Dynamo, Liberal Akathists instead of criticism. - Literary Gazette, 1933, January 29.

Efros, Exhibition Konchalovsky. - Izvestiya, 1933, March 1.

KF Huon, PP Konchalovsky - "Izvestia", 1935, May 11.

E. Viktorov, two years of work. - Literary Gazette, 1935, April 5.

VS Kemenov, Exhibition of paintings by the artist Konchalovsky. - "The Truth", 1935, March 30.

Sobolevskii, What next? - "Evening Moscow", 1935, April 12.

Andreev, No theme. - "Soviet Art", 1935, April 17.

V. Kunegin, The artist Pyotr Konchalovsky. - Iskra, Maloyaroslavets, 1937, June 15.

F. Peschanskaya, In the Studio PP Konchalovsky. - "Evening Moscow", 1937, December 22.

"Meeting with the master." - "Soviet Art", 1940, February 18.

A. Bassehes, Painting PP Konchalovsky. - "Soviet Art", 1941, April 6.

NI Sokolova, image and skill. - "Evening Moscow", 1943, August 20.

V. Ivanov, "Lermontov" Pyotr Konchalovsky. - "Literature and Art", 1943, № 16

NI Sokolova, Architecture eyes of painters. - Izvestiya, 1944, December 17.

NI Sokolova, Artist Konchalovsky. - "Evening Moscow", 1945, April 8.

"Meeting with the master." - "Soviet Art", 1945, February 18.

E. Borisov, V.masterskoy Konchalovsky. - Ogonyok, 1946. № 2.

M. Neiman, poet of abundance. His 70 th Konchalovsky. - "Soviet Art", 1946, № 10.

M. Neiman, Painting PP Konchalovsky. - Pravda, 1946, April 11.

"Life on the canvases. - "Krasnoyarsk worker", 1946, May 14.

V. Kostin, Painting Pyotr Konchalovsky. - "Evening Moscow", 1947, March 5.

N. Dmitrieva, artist and reality. - "Soviet Art", 1947, March 7.

M. Levin, a prominent Russian artist. - "Red Warrior", 1947, March 12.

E. Ryabchikov, Fifty years of the easel. - "Komsomolskaya Pravda", 1947, 30 February.

NI Sokolova, Exhibition of paintings by Peter Konchalovsky. - "Soviet Information Bureau, 1947, February 19.

Dmitriev, anniversary of the oldest artist. - "Moskovskaya Pravda", 1951, March 26.

V. Tasalov, love of life. - "Soviet Culture", 1956, August 21.

P. Antokolsky, the exhibition PP Konchalovsky. - Izvestiya, 1956, August 7.

A. Kamensky, Big world of the artist. - Literary Gazette, 1956, August 9.

V. Nikolaev, cheerful talent. - "Komsomolskaya Pravda", 1956, July 27.

K. Kravchenko, a talented painter. - "Evening Moscow", 1956, July 12.

AD Chegodaev, Pyotr Konchalovsky. - Zh. "Art", 1956, № 7.

Vs.Ivanov, Hand artist. - "Literature and Life", 1958, 21 September.

Ivanov, painter of happiness. - "Literature and Life", 1960, July 13.

A. Kamensky, blood and flesh of beauty. On the work of the artist Pyotr Konchalovsky. - "Youth", 1961, № 4


Articles in foreign languages:

Remon, L'exposition Pierre Kontchalovsky. - "Antiquare", 1925, 10 mars.

Tihonov, Petr Kontchalovsky. - "Painting, sculpture and graphic in USSR. Illustraited almanac VOKS ", 1934, October.

A. Romm, P. Kontchalovski. - "Revue de Moscou", 1940, № 10, October.

V. Ivanov, Lermontov de P. Kontchalovski. - "La literature Internazional", 1943, № 6.

T. Slochevskaia, Con el pintor P. Konchalovski. - "La literature Internazional", 1945, № 1.

A. Romm, La pintura de Petr Konchalovski y sut temas espanoles. - «Literatura Sovietica», 1946, № 4.

E. Shakhbazyan, Konchalowsky. Art show. - "Moscow News", 1947, mars.

E. Tager, En visite chez Piotr Kontchalovski. - «La literature sovietique», 1947, № 4

M. Neiman, Pyotr Konchalovsky. - "Soviet Literatura", 1947, № 3.

[uriart]

IrinaC, not all returned. Kryukov long sought the return of the Tretyakov Gallery of works that do not want to return.
You can talk to her. If my memory serves me it works in CHA deputy director. Or earlier work.

[IrinaC]

Сообщение от uriart

IrinaC, not all returned. Kryukov long sought the return of the Tretyakov Gallery of works that do not want to return.
You can talk to her. If my memory serves me it works in CHA deputy director. Or had previously served.

I think that Krukova demanded paintings, which had already been to deal with the time given to their family
Camilla Benediktova quite possible that had already received compensation for the property as all victims of political repression (peanuts preschetam).
  As this edifice ago vozvernut?
(may I'm wrong, one must know all the details of each case)

[Евгений]

Andrei Konchalovsky.
Grandfather Peter Konchalovsky.

My grandfather would not let the house of Mayakovsky, his great-grandfather drove Leo Tolstoy. Funny, but my ancestors in addition to all famous and what drove no less distinguished of his contemporaries.

My grandfather, Pyotr Konchalovsky, was a deeply Russian, but no European could not live. In his house all breathed in Europe, not to mention the fact that the painting he was sezannistom. The first time he traveled to Spain, somewhere in the very beginning of the century, along with his father Vasily Ivanovich Surikov. They painted sketches throughout Europe.
My grandfather spoke excellent French - wife was Surikova polufrantsuzhenkoy, so that my grandmother was French as it first.
I often wonder why our family did not touch repression? Could in fact, and hurt already in the prewar years. During the war - really is not planted, mass planting began again in 1947 with the start of the campaign against cosmopolitans. At this level Pyotr Petrovich hit was a snap, he was thoroughly profrantsuzhenny. Although it was an academician, but to write a portrait of Stalin, incidentally, refused.
Happened in 1937. To the anniversary of the revolution, all academics should have to write portraits of the leader. Proposed and Pyotr Petrovich. He did not know how to get out, said the portrait would write, but only if Stalin would pose for him every day.
- You thinks? Comrade Stalin no time. Make picture.
- I can not. I am a realist. From the photographs of portraits of not writing.
This grandfather is not forgotten - until 1956 no one-man show he was not.

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I think it saved our family that, in his speech at the beginning of the war, Stalin among the great names that gave the world the Russian nation, called the two artists - Repin and Surikov. It is revered as historical, we made it into the category of untouchables. Because my grandmother, Olga, the language is often very immoderate, sank what others would never forgiven. When was the Minister of Culture, she snorted: "Oh God, that he is!". The Soviet authorities treated quite clear. Lifestyles, which he and his grandfather were clearly given to understand it.
My grandfather lived in the hills, a hundred and ten kilometers from Moscow, to move closer to never have wanted: he knew, if banished, will be here to stay.
Grandfather could well not to return to Russia. In 1924, he had in Paris was a very successful exhibition, began selling paintings, he might have to work and earn, and exhibitions. But he came back, went to Novgorod Novgorod people to write, and then some time traveling, Russia is never left, but always longed for Europe.
My grandfather was a European, who was to live in Russia.
In his house I always felt a special pre-revolutionary westernized world, the adults with grandchildren always spoke in French, was full of Spaniards.
During the revolution the family lived in the studio Konchalovsky Petr Petrovich on the Garden Ring at the Triumphal Square, in the very entrance, where Bulgakov lived. Workshop, incidentally, survived and is still owned by Konchalovsky.
Among them were Khlebnikov, Burlyuk. This came Mayakovsky in his yellow shirt, with a carrot sticking out of his pocket handkerchief instead. My grandfather was a "Jack of Diamonds", by the time the futurists bubnovovaletchiki quarreled. "Futurists nothing to do here," - said the old man and slammed the door in front of the Mayakovsky. Here he painted. Here lived the family. It was cold. Been heated stove. Mom on her cooking.
Konchalovskie were familiar with Chaliapin, visited them in Capri. At the same time there lived Gorky. With son Fyodor Chaliapin, Fyodor, mom very friendly. Then he was friends with him and I, he was shot in my "inner circle" and was the only guest at my wedding with Irina. We returned from the registrar's office, sat down to dinner, came Fyodor ... Now he is no longer alive. I can not forgive television director, erased record his interview. Six hours later he told us so unique!
Life in the family Konchalovsky was labor. My grandfather worked from morning till night - if not written, it was making stretchers, pulling on his own canvases, nailing wallpaper young studs, very grounded. He was a passionate hunter. Had a pointer, a real hunting dog, and not one. There were hounds. Sometimes he took me with him, the dog ran ahead, I went back. The gun was muzzle-loading, cartridge laid the front, rear poured powder, percussion cap was placed. With a gun my grandfather went to snipe. I remember when he first allowed me to shoot out of it - my whole jaw discourage.
In addition to painting and hunting, my grandfather had two passions - juniper sticks and garden knives. And of those, and others had done the whole collection. Sticks made of juniper, the handle carved from the root. How wonderful they smell! Handles for knives made of curved cherry wood blades - from the spit, acutely sharpened off with copper - very beautiful obtained knives all dressed very simply, in the manner of American farmers. From the cheap blue linen material (denim at the time we did not know) sewed suits - for my grandfather, for his uncle. Artist such clothing is very convenient: pockets for tools, easy to wash, easy to remove. Legs put American soldiers' boots leatherette, in the early postwar years, they were sent under Lend-Lease.
It was a Russian house, enlightened house, the house Russian artist, one of the few who remained of the old way of life. Unfortunately, the institution of large families around the world die. In this house he was alive. Grandpa, Grandma, Uncle Misha (his grandfather's famous painting - "Misha, go for a beer") and his wife, their two children and a third, from his uncle's first marriage, mother, I, my sister Kate, Nikita, Nikita nurse - Twelve people lived permanently house in the summer. And how many more came and the guests arrived!
My grandfather loved to eat, like Spanish food. He built a smokehouse, he smoked ham, made a ham, Spanish - jamon. I still remember the feeling of the mysterious shadow of the pantry, smelled smoked ham, hanging bundles of onions, peppers, honey is in banks, in bottles - Georgian wine. These ham, onions, peppers, bottles of wine my grandfather wrote in his canvases. Classic set for still-life paintings are very popular with Zurbaran, other Spaniards. The house smelled of these living still life, smoked ham, turpentine, paint, leather and tar.
My grandfather lived as a Russian petty nobleman end of XIX century: bred pigs and cultivated by lilacs and apples, took med. We had a horse, "Little Star", I was able to harness it. There was a cart. There were two cows and sheep. The way of life was severe, but of quality, solid.
My grandfather is a picture of the "Window of the poet": a candle, table, window, outside the yard, just piled snow. I do not know why such a name. But everything in the house breathed Pushkin's grandfather adored him, he knew all by heart.
His famous portrait of Meyerhold with the tube, against the background of the carpet, my grandfather wrote when he has been robbed of the theater. That is, in fact, instead of a portrait of Stalin, he wrote a portrait of the man on whom had been hung from the ax, which all shunned, which ran. I think this was a political challenge. Although my grandfather did not dissent was typical, the man he was soft enough, not dwelt on the principles - it was simply in the best sense of the word Russian artist, which in itself is a system already hated.
Grandfather is very appreciated by Prokofiev. Funny, but in the house were reticent about Shostakovich. It would seem that now situation is the opposite: Shostakovich was erected on a pedestal, Prokofiev consider opportunistic. I think Prokofiev world music critics underestimated.
When my grandfather wrote a portrait of Prokofiev, he composed "Visions Fugitives", suited to the piano, played pieces. Once during a music-making grandfather said:
- Sergei, here would be a little longer, to extend to more ...
- That's the trick. Just because you want to here longer, I change my tone.
My older sister of my mother's first marriage, while Katya was still quite small. Once, when his grandfather with Prokofiev went to dinner, she went to the portrait and it was dirty - the bottom where I could reach. My grandfather came back, saw the bungling and waved his hand and drew where she nagryaznila, pine cones on the ground. This portrait of Prokofiev's very well known, especially because of its beautiful portraits very much. Nobody knows that Peter Petrovich was a co-author - Katya.
For studies grandchildren and children in the house were not serious. Serious thought only the business of his grandfather. We were forbidden to draw
His main and sole judge in all matters concerning the paintings, considered the grandfather of my grandmother, Olga. If she said: "Here remake", he reworked. None of the canvas did not let go without her approval. If she says no, he could safely take a knife and cut the canvas, throw. Usually in such cases, it simply perenatyagival it on the other side. Grandmother's verdict was final.
My grandfather was an interesting character. He never belonged to anyone in the conflict, everything said ironically, in the first place - about the Soviet regime. Of course, the patient had a wound that he had any of his solo exhibition, and Alexander Gerasimov - almost every six months. When, after Stalin's death, his show finally took place, he smiled and chuckled: "Well, yes, so here ..." I understand how much of it was hidden. After all, he was a very great artist!
http://andreikonchalovsky.com/my_lif.../ded/ded.phtml

Website Andrei Konchalovsky http://www.andreikonchalovsky.com/ 

[Ninni]

Сообщение от Eugene

Andrei Konchalovsky.
Grandfather Peter Konchalovsky.

... grandfather drove Leo Tolstoy . Funny, but my ancestors in addition to all famous and what drove no less prominent of his contemporaries.

http://www.andreikonchalovsky.com/ [/SPOILER]

It turns out Leo Tolstoy NOT LESS OUTSTANDING than Petr Petrovich Konchalovsky ..... : p
Lord ... "modesty" overt ...

  Thanks to Andrew that enlightened ... : p

[dedulya37]

Ninni, you casually read. PRA Grandfather drove Tolstoy, not his grandfather - Peter Petrovich.
My grandfather drove Mayakovsky. Last'm not stronger, "given" than Peter Petrovich.

[fross]

Great-grandfather probably stressed.

[Art-lover]

Сообщение от fross

great-grandfather probably Surikov.

Just stressed. Maximilian Voloshin because it describes (with words Grabar):

About the gap Surikov with Tolstoy I have heard this story from IE Grabar: "He'll never told how he drove home from Tolstoy?" A very typical of him. His wife nearly died at that time. And Tolstoy got into the habit of him every day walking to her kept talking about the soul and death. so frightened her that she was after the whole day crying and asks: "Do not you let this old man to frighten me." Vasily Ivanovich So the next time he came thick, with top of the stairs at him: "Get out, evil old man! To here more of your spirit was not! ". This is Leo Tolstoy's something ... So out of the house and drove".

Andrei Konchalovsky on this issue made clear that

Tolstoy came to him (Surikova) dying wife, asked what she feels, and described it in "The Death of Ivan Ilyich»

.