How to unleash the artist

[I-V]

If we turn to the memories of the Vollard, then himself, he primarily attributed to the dealers - in a sense to buy cheaper - sell more expensive, and quite vigorously protested being called a collector ...

[Seriy]

IV, yes, that's part of humanity , still has not adopted modernism . That think - modernism was inevitable and natural or imposed . Here is my idea and take .

As for price lists , first had the idea to do - n - l , with tiny pictures on two pages , so you can take with you. Then I decided that was too hard :-) simply must be on the label will show the price .
For thoughts are Inet home and two of my site.

[Maskit]

I think the idea of ​​painting can not be changed, but can rely on the memories dopolnyatsya.I type-Picasso sozhelel on the deed is not entirely ethical. Would you still remember Ekliziasta and I knew then to.i and realized that it's not that.

[I-V]

Сообщение от Seriy

So think-modernism was inevitable and natural or imposed on

I am afraid that modernism was inevitably imposed

[Maskit]

Nothing is inevitable can not be imposed . All pre-set at the top. And in painting, as in the periodic table , new elementy.I have not yet otkrytye.Kstati if I Gray dealer , I would beat it with his work . Poprobyval Or would beat the topic Noah's Ark , a pair of every creature , in anticipation of , the disaster is very necessary to save aktualno.Ne art world , save his work and the great matrix sohranitsya.Uspehov him .

[Seriy]

Maskit, but I'm interested not just because, but for practical purposes . After all, there were artists who have tried and successfully , to overcome this gap with the previous modernist painting. For example , Tamara Lempicka , which in this context, I delights . And mannerism , and Derain, cubism and wrapped in a brilliant cover of a large-circulation magazine .. T e is a modern but friendly, close to one and all . Some see only the red lips bow , not realizing how much for these sponges be adjusted to actual pictorial material to the picture was a lively, modern , and not nanaftalinennoy like Zatski .

[Кирилл Сызранский]

Сообщение от Seriy; 1916451"

And to whom everything was clear in 1886 ?

For example, buyers - Americans. A little?
In the 86th year , yes - in the last year Impressionist exhibition , 8th .
And this is the year when the first Van Gogh in Paris , then came the same when he saw the Impressionists . Compare it to this dark painting and see how he started writing after that trip to Paris, where, for example , he explained that Pissarro something of his theory, he demonstrated his technique.

[Peter]

Сообщение от Maskit

Nothing is inevitable can not be imposed . All pre-set at the top. And in painting, as in the periodic table , and new elements .

Very deep thinking nablyudenie.Lyudi yourself ( only 10-12 percent according to research ) poets , writers , collectors, artists offer , it becomes property of the same vseh.Tak and artists , some his head punched a wall , while others move into this opening ..

[Artoil-A]

Сообщение от Maskit

Nat , we're talking about promotion or moral decency ? Zero no artist can not do the dirty technology . Just . as mediocre Just as above mediocre. Made 2-3 .... sell their small kartinok.potom poke her imaginary uspehom.pytayas zalezhi.Inogda can sell a lot , suckers .

If the artist makes a zero morphological analysis of the semantics , engineering and manufacturing technology pictures of successful artists of the local market and, therefore, finish my studies , success will be expressed in the following year - brought a picture on the opening day and bought it for an hour - two exposures.
Other options for selling there . The more deposits.

[Fed]

Сообщение от Artoil-A; 1988391"

analysis of the semantics

I do not know what will help him Linguistics.
Morphological analysis might help. But I have seen the level of the artists of his work and appreciate it ... A morphology . analysis rather for professors who thought most likely decide that some form of success for sales than painting pictures .
That is, object of thought and the subject will never dock , merged into the relationship of creativity. <! - ~ 1 ~ ->