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Сообщение от Guriev, Igor

with green paint in general had a problem until the 19 th century.

See on Dutch painting - so there is very little green landscapes, and all earthworks color.

While there Van Eyck somewhere found.

I somehow do not quite understand your remark.
And why did you get that in summer landscapes of old Gollancz little green? They are the grass and foliage in your, vermilion wrote, or what?
Or do you just from the old Dutch Van Eyck acknowledge?
Look landscapes Golitsiusa Hendrick, Jacob van Geel, Jan Yozevsa Goyen, Paulus Potter, Peters, Solomon Jacobs Ruisdael.
Simply go to the Pushkin Museum.
See Dutch.
Is it possible in the network without leaving your home.

P.S. Coverage in the media, and in the temples - sanctify.

P.P.S. Returning to the theme of Russian icon painting, I would like to note that the example given by Cyril Syzran on the icon of the Yaroslavl letter, is no exception. Almost all icons of 18 th century Yaroslavl letters (including murals) is replete with green. As, however, and in icons of the 19 th century Palekh.