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Язык оригинала: Русский #11 | ||
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Гуру
Регистрация: 19.09.2008
Сообщений: 5,529
Спасибо: 4,883
Поблагодарили 11,836 раз(а) в 2,947 сообщениях
Записей в дневнике: 8
Репутация: 22525
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Цитата:
"In those years, unusual art forms arose spontaneously as a ubiquitous and lively response of the masses into a revolutionary situation. And at the same time they were initiated and directed by the Soviet authorities, since it serves to strengthen it and introduce the ideology of Bolshevism in the national consciousness. Each artist and local cultural center was operating, as they could. This explains the characteristic of the art of those years the sharp quality and stylistic differences and different attitudes to the artistic traditions, which defines a mixed picture of artistic life in the 1920's. And at the same time all its manifestations has undeniable spontaneously emerging community of style and originality arising from the uniqueness of the historical time. It was creative, full of energy utopian dreams, - faith in the imminent attack brighter future for all people on Earth. " "The colorfully painted with agitation trains and agitparohody agitbarzhami, surrounded by a specific sound atmosphere, carrying with him the agitators and speakers fitted kinoustanovkami and theatrical propaganda team, covering the whole route many posters, newspapers and other printed products, reaching the remotest corners and played in those years considerable educational role in the devastated and divided country, almost devoid of other means of communication and information about what's happening. During movement and frequent stops, these colorful pockets of the "new culture" attracted universal attention, here songs and ditties, he spoke of consultations and on the spot to deal with practical matters. Immediately actors perform satirical and heroic representations on current topics, performed puppet theater with popular among the people resilient and all-conquering Petrushka. " "In the decoration of the city, painting agitation trains and agitparohodov in bold exhibitions and other manifestations of" art poster-form "in the first years of Soviet power took part in almost all artists, regardless of their artistic direction. Many of them became prominent masters of art of XX century - Kazimir Malevich, VE Tatlin, MZ Chagall, Kuzma Petrov-Vodkin, B. D. Korolev, II Nivinsky, A . Osmerkin, AA Exter, B. Efimov, NM Kochergin, NE. Gerasimov, DS Moore, M. Cheremnykh, A. Labas, AG Tyshler, NA varnishes, IS and NY Efimova and others. Alongside them worked many obscure and forgotten artists do, which also made a considerable contribution to the art agitmassovoe early Soviet years. The names of some of them back from oblivion thanks to archival research compilers of this collection. " Mterial extensive. Here's the link: http://www.plakaty.ru/ [color="# 666686"]Posted 20 minutes[/color] Цитата:
In my opinion, nothing wrong with that, the artist strives to earn there. Artist - a professional and he should earn by their labor. The state was still quite generous customer and that is not unimportant demanding. The quality of Soviet posters was very high even in the most exacting taste, because orders are often carried out by first-class artists. [color="# 666686"]Posted 27 minutes[/color] This really happened. Restrictions on free communication with colleagues, and indeed with people from other countries, have been a fatal mistake of Soviet power. [color="# 666686"]Posted by 39 minutes[/color] Bureaucracy forever! Nothing helped. Now, perhaps, even more difficult to break. |
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| Эти 6 пользователя(ей) сказали Спасибо Тютчев за это полезное сообщение: | K-Maler (03.09.2009), Santa (13.09.2011), SergeiSK (13.09.2009), олег назаров (19.10.2009), Ухтомский (01.09.2009), Черномашенцев Владимир (03.09.2009) |
| Метки |
| figuration narrative, sotheby's, narrative figuration, pop art, contemporary art |
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| Тема | Автор | Разделы | Ответов | Последние сообщения |
| Free figuration | LCR | Contemporary Art all over the world | 1 | 13.07.2008 11:58 |
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