Theater work Dmitry Stelletskii

[LCR]

Сообщение от VYACHESLAV

In 1914, DS Stelletskii briefly worked with La Scala and the Grand Opera in Parizhe.Po likely this design sketch for one of the performances in these theaters of the time. Unfortunately hopes for a more long-term relationship is not justified. If you strongly want, you can dig up the repertoire of 14-15 years, and ..... more precisely defined.

It seems to me to be sought among the operas of the late XVIII century, say, from the Italian by Mozart.
If this type of lantern in his hand, it may even be Leporello from "Don Giovanni!" Mozart (actually more like "Cosi fan tutte", but in the early century, this opera is not set). Then the character on the bench, it's Donna Anna, mourning has just murdered his father. A? As you are such a version?

If you reject it, then uzhno search setting, say, Pergolesi and phenomenally prolific Paisiello (the more so that the landscape is, in my opinion, could pass for a Neapolitan) - some kind of "Serva-padrona" or "Nina, o sia La pazza per amore ".

If this is not opera, it seems to me to focus on Goldoni (incidentally, the Italians end of the XVIII vekv often took his comedies of intrigue to the libretto) and Gozzi, who in the early twentieth century was in vogue.

[In principle, we can not completely exclude the hypothesis that this "Turandot Busoni, written in 1911 by the same name by Gozzi's comedy, though, and La Scala and the Paris Opera were probably too conservative, to put it so soon after its creation ]


No, with Giovanni, like, did not converge. But Gozzi quite plausible - in his plays are always full of all sorts of animals. In general, I do not know