Cosmoscow in September 2016

[Vladimir]

In the morning there was a press-показ, has not settled yet, so first impressions. Briefly: I liked Granny @- no. The main claim is all too respectable. From exhibitions of contemporary art are waiting for all-таки what-то very bright, bullying, provocation, to stunned. Need sex, politics, rejection of authority, reactions to the challenges of modernity. In General, expect a "slap in the face to public taste". And Cosmoscow this tight. The word "all".

Interesting like a lot, but stunned is nothing. All presented sold primarily to commercial art. So, to hang on the wall and family while not rebelled. On the other hand, can and should be: people came to trade and not to show off. And boring excessive propriety is a natural payback for potential commercial success.
However, it is more of a grunt, because compare still no one. Competitors komosko no, since I was blown away art-москва.

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Yes, and boring, of course, not at all. Among the boldest and most memorable things – and Vasily Slonov, Rinat Voligamsi Alexander Sharov (11.12). The Kremlin stars awkwardly, icon salaries of rubber, chemical protection means in the headdress. Ask a gallery owner – not self-fulfilling if not real Cossacks? Answers: all decent @- time, and then the entrance is heavily guarded and highly paid @- two. On one of the salaries Slonova (left) notice the oak in the background. The artist said that it was about biblical prophecy. They say, once an ancient oak tree wither, wait for the end of the world. Therefore, for the oak has long struggled, but he has recently dried up.