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Язык оригинала: Русский #1 |
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Гуру
Регистрация: 21.06.2009
Адрес: Санкт-Петербург
Сообщений: 4,848
Спасибо: 1,493
Поблагодарили 2,736 раз(а) в 1,335 сообщениях
Репутация: 5002
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For Sale:
Valeriy Lucca 1. Sketch with a banana, 1995, 115 x 68 cm, org. /Cm. those. 2. The figure of the archaic trace, 2000, 140 x 90 cm, oil on canvas /cm. those. 3. Italian Midday, 1991, 81 x 70 cm, org. /Cm. those "- I'm afraid of white blank canvas. Because it is in itself is perfect, and it's scary to mess up. But when inside there is something that most of this fear, then I start to feel free to smear the paint. Often is ripped apart to find the size, because this is too vertical, this is too horizontal, this small, this big, I can handle ..? For me, it is very often even unsolvable problem: you start painting and you realize that you did not get into it. And then, instead of making it in two weeks or a month, it does not go one, two, left to rest, five years got - no, it is still not talking. And so here it is ten years old, does not let any way or that way. " The End of a Beautiful Era Valery Lucca was born in 1945 in a village in pease Yaroslavl region. In 1977, he graduated at the Leningrad Institute of Painting, Sculpture and Architecture named after Repin in Leningrad and also began his active artistic activity. In the late 1970s, graduates of the Academy of Arts Vyacheslav Mikhailov and Valery Lukka with Felix Volosenkov declared themselves as creative group seeking, like all creative groups, the search for new means of expression. To build the necessary artistic effect they used colorful textured layers. Thus, artists disowned well-known and revered tradition of painting, trying to approximate their work to life and turn them into something organic. However, their work is not deprived and literary references to the eternal mythological images, but the first part was devoted to the physiology is texture. Lucca scholar wrote several paradoxical characteristic of his manner - they called it a peculiar, individual style "conceptual expressionism." His painting is really different sincerity and often painful hysteria, but as a true product of postmodernism, not without irony, and is full of quotations from classical art. Attempting saturation art life by refusing the customary techniques and subjects, for pulling a load of associations and prejudices found its apologists. All three innovator canonized art critics and fans, called them a group of "three heroes". The works are in collections: The State Russian Museum, St. Petersburg, State muzeyistorii St. Petersburg; Russian Museum of AS Pushkin, St. Petersburg, Anna Akhmatova Museum at the Fountain House, St. Petersburg; нонконформистскогоискусства Museum, St. Petersburg, City Sculpture Museum, St. Petersburg, The State Museum of Theatre and Music Art, St. Petersburg, the Central Exhibition Hall "Manege" , St. Petersburg; Tsentriskusstv Sergei Diaghilev, St. Petersburg; hudozhestvennyymuzey Astrakhan, Astrakhan, the State Museum of Karelia, Petrozavodsk, Museum of Fine Arts of the Republic of Tatarstan, Kazan, Far Eastern Art Museum, Khabarovsk; Калининградскаягосударственная Art Gallery, the Museum of Art kulturyNovgorodskoy Earth Novgorod Regional Art Museum, Novgorod, Novosibirsk Regional Art Gallery, Novosibirsk; Permskayagosudarstvennaya Art Gallery, Perm, Russian Fund of Culture, Moscow, Tver Regional Art Gallery, Tver, Yaroslavl hudozhestvennyymuzey, Yaroslavl, the Museum of Russian Art, Kiev, Ukraine; Jane VoorheesZimmerli Art Museum Rutgers , USA, New Brunswick; State Art Gallery, Norwegia, Mandal; Art Museum, Estonia, Narva, as well as in numerous private collections in Russia and abroad. Последний раз редактировалось bykinist; 10.11.2012 в 00:26. |
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