Past: New Society Painters, 1922

[Кирилл Сызранский]

By the way, Amshey Nuremberg was the son-Yuri Trifonov.
"In Paris they visited the artist Nina and Flint, with whom he had once befriended the father of Nina Markovic Amshey Nuremberg. Kremen lived on the edge, and get in his small apartment in a huge apartment house could only be on the outside iron staircase, like a fire. But once he was famous, and Amshey Markovic believed that "Lenya talented than Mark, but he was not lucky."

The same is confirmed and even the great Marc Chagall, when we met him in St Paul is in his eightieth year.

Amshey Markovic served at one time an important place in the life of V. First, he was the father, no, firstly, with him was very interesting to talk about painting, about the occupation of the artist. Yu dreamed in his youth to become an artist. Amshey Markovic was a man of extraordinary, interesting artist, and the fate bright. Notebooks survived his time living in Paris in the twenties. "Rotunda", art exhibitions, friendship with Marc Chagall, Soutine, Flint, Modigliani ... "
http://magazines.russ.ru/druzhba/1998/10/trifonov.html
Amshey Markovic Nuremberg 1887 (Yelisavetgrad Kherson Province) - 1979 (Moscow), after six years of study in Odessa (1904 - 1910) continued to receive professional education in private academies in Paris (1911 - 1912). At the same time became acquainted with Chagall, with whom he shared a workshop during the year in the hostel artists La Ruche (The Hive) in the streets of Danzig. From 1910 began to participate in exhibitions, was a member of associations TYURH (Association of South Russian Artists), "Association of Independent Artists" (1918, Odessa), Knife (New Society of Painters) (1922), "Moscow Painters" (1925), AHRR -- AChRs (1926 - 1929). In 1918, led the private studio of "free workshop" in Odessa. In 1919 headed the Department of Arts gubkomissii museums in Odessa. From 1920 he worked in the "windows GROWTH" under the leadership of Vladimir Mayakovsky. In 1922 he read in VHUTEMAS lectures on modern Western art. In 1922 - 1925 worked as art reviewer in the newspaper Pravda. In 1927 the direction of AV Lunacharskogo was in a creative assignment in Paris. Later, during the two years he worked as an artist in the Museum of the Revolution.
Older brother David Devinova-Nyuenberga.