Anatoly Zverev Gallery Seasons

[alexvadim]

80 Anatoly T. Zvereva hometown said rapidly - meeting friends at the grave, a performance with the renaming of the bridge on the bypass channel in honor of the genius of the painter, booze in Zverev Center of Contemporary Art. Tomorrow in the Saratov Museum opens exhibition Radishchev Zverev meeting Igor Kuznetsov. Paris, where he had never visited, but where he made his finest hour, and do not forget successor of Picasso http://artinvestment.ru/invest/paint...ts_zverev.html.
Today in the House "Russia" in the Sretensky Boulevard, where the living Zvereva drove Soviet artists, led by Ilya Kabakov, a former master's house with a back door, and now Gallery "Seasons", an exhibition of the new assembly - a hundred works of two hundred and forty, collected by parts of the collections Kostaki, Markevich, Vulfovich. Something we've seen in "House Nashokin" http://forum.artinvestment.ru/showthread.php?t=111633, but most importantly - the folder gouache, drawing in the country, GD Kostaki in Bakovka from 58 to 63 years - is exposed for the first time and a stunning impression of arbitrariness, from cubism to expressionism, Russian Pollock and Cobra in a nutshell: what a pity that charmed magic Zverev patrons 60x not wise to do a lot of work AZ on canvas. However, Pollock himself believed AZ academics - when the 59th was brought to him, "Cathedral" on the American show, he said went much further by drawing a broom cocks on the plywood in a nearby park Sokolniki (in 1968, AA Amalric was the first biography of Alexander T. Zvereva commissioned by the Novosti Press Agency - then it was never published http://dipart.livejournal.com/3330.html).
Of the artifacts are not only poetry and instruction on the game of checkers, but the notebook main portrait of the capital - hundreds of women's phones, "Tanya, Mira, G-24 569." Paradoxically, to understand the origin of the name and works of the first artist in Moscow last half-century is more complicated than in the portraits of the Renaissance. Zverev requires careful selection, art unit, collecting slides for the future of the catalog, reasonable, and just setting depicted in his portraits and sketches of people. Curator Victoria Stupin took an important step towards this Zverev.