http://top.rbc.ru/society/24/07/2008...html?permanent Look - I do not believe my eyes. It is clear that the theater in the Cuban démarche until more than "fundamentala", but my thoughts tend to materialize.
In fact, the Cuban missile crisis is directly related to our post-war iskkusstvu. Rockets in 1962 identified the emotional development and to create vector art "underground". Why? There is a version set out in an old article here:
http://www.directorinfo.ru/Article.a...43&iid=615
That's right paragraph:
Nina Moleva in his article "Manege, which no one saw" brings yet another explanation of demonstrative behavior Khrushchev in the apparent absence of inspiration. In 1962 the Soviet Union withdraw missiles from Cuba. In the eyes of the old Bolsheviks from the party leadership decoupling "Caribbean crisis" look like a weakness of Khrushchev. Put pressure on him, forcing to take decisive steps and increase order. On the other trouble turned up artists. In short, Khrushchev was forced to perform the role of "stricture", hemmed on all sides circumstances. Indirectly, this confirms the fact that Nikita Sergeyevich quickly "cooled off". In 1963 he took his reconciliation with Eliem Belyutin, "new reality" allowed to work on. Unknown Ernst also wrote a conciliatory letter to Khrushchev. The incident was closed.