The issue of literacy promotion - Форум по искусству и инвестициям в искусство

Anna Bezoo · 10-10-2009, 14:18

Dear experts
Help Council for promotion of the artist. It is about heritage.
It is interesting to do this itself, and not just sell the whole collection.
I have heard different opinions: that it is better to work with a gallery (the dealer). Like, if you take the work in different galleries or dealers to sell different, it is bad form and collectors will be interested in painting "that is all." And the opposite view that the right to use as many galleries, so that the name was recognizable. What do you think about this?

манна · 10-10-2009, 15:00

I am also interested in this question. Please advise if the best way, but it never came to the seminar "How to unleash the artist."

олег назаров · 10-10-2009, 15:38

to advise the need to understand what is at stake .?... that the artist ?.... for each case needs a different approach .... to start Put a biography, and although a dozen works

манна · 10-10-2009, 16:38

Put name and examples of works can not. We can say that the artist known in narrow circles. I like it very much, the work I have to eat it (a little). The artist died. And for chance I might be really a lot of his paintings. In fact, very significant, if not most of the inheritance. Therefore, and supported the issue.

Кирилл Сызранский · 10-10-2009, 16:42

Quote:

Originally Posted by manna

In fact, very significant, if not most of the inheritance. Therefore, and supported the issue.

And in life, you say-

Quote:

artist known in narrow circles.

But the well-known that? Exhibitions were, the press?
It is important to know your target. Maybe you want to unwind, but leave a legacy, not to sell is one way.
You can untwist with commercial purpose. There's another approach.
It interesting, I agree.

Семен Семенович · 10-10-2009, 17:17

Quote:

Originally Posted by manna

Put the name and examples of work I can not.

I have not decided yet how you work, do not call names.
First, divide the whole collection on, say, three parts. First, the closest to you, do not show anyone. The second part, the largest, section is in two parts: the wholesale sale (the future dealer, who will you do) and sales after the promotion. And, finally, the third part, to start working with the distinguished (good) dealer ...
Do not work with several dealers - each will pursue its own goals - the work will go away, sorrow will ...
Good luck ...

[color="# 666686"]Posted 6 minutes[/color]

Quote:

Originally Posted by Anna Bezoo

It is interesting to do this itself, and not just sell the whole collection.

Themselves doing. But to master the art market can be well-connected and finances. If you have them - success will be (assuming, of course, quality of goods).

Самвел · 10-10-2009, 20:50

I do not know whether my proposal correctly, but I think so. Firstly if you have enough work, you have to lay out some part. If you decide to sell some part, it should be part of the best works, but not vice versa. Do not sell things that are weak, or let the buyer choose their own. And remember what dolshe you will find a buyer, the better you sell, and let the promotion of a working man who bought you some work. Do not hurry. There were times when I sold some work, but I have not bought, then I am only too glad to this event. Well, like this one yard in 1954, I sold at one time for $ 200, a bargain for $ 150 like I did not give, then I made the price $ 500, also did not buy when I bought the thing does not make it more expensive one would buy for $ 2000, but I do not give, and then it all depends on the needs, if I need it and selling for $ 10. Now I'm not selling him for $ 5000, and I had a buyer Armenian, and each time I asked when I matured. Armenian Yard in 1954 to \ m size 44.5h33.5. Movses Baghramyan. Member of the Union of Soviet Art.

Jasmin · 10-10-2009, 20:55

Quote:

Originally Posted by Samvel

when the thing can not be bought, I'm doing it more expensive, one would like to buy for $ 2000, but I do not give, and then it all depends on the needs, if I need it and selling for $ 10.

And what is the logic in that? Explain, please. It is better to sell the same for two thousand, than later for 10.

Самвел · 10-10-2009, 20:57

Quote:

Originally Posted by Jasmin

And what is the logic in that? Explain, please

There is no logic, the logic is the enemy rather than the advisor.

Jasmin · 10-10-2009, 21:00

Quote:

Originally Posted by Samvel

There is no logic, the logic is the enemy rather than the advisor.

And what a chip? Share ...

10-10-2009, 14:18	Original language: Russian #1
Anna Bezoo Пользователь Join Date: Jul 2009 Location: Киев Posts: 46 Thanks: 33 Thanked 14 Times in 6 Posts Reputation: 22	The issue of literacy promotion Dear experts Help Council for promotion of the artist. It is about heritage. It is interesting to do this itself, and not just sell the whole collection. I have heard different opinions: that it is better to work with a gallery (the dealer). Like, if you take the work in different galleries or dealers to sell different, it is bad form and collectors will be interested in painting "that is all." And the opposite view that the right to use as many galleries, so that the name was recognizable. What do you think about this?

10-10-2009, 20:50	Original language: Russian #7
Самвел Гуру Join Date: Aug 2008 Location: Москва-Шуши. Posts: 4,525 Thanks: 4,922 Thanked 5,759 Times in 1,470 Posts Blog Entries: 2 Reputation: 10306	I do not know whether my proposal correctly, but I think so. Firstly if you have enough work, you have to lay out some part. If you decide to sell some part, it should be part of the best works, but not vice versa. Do not sell things that are weak, or let the buyer choose their own. And remember what dolshe you will find a buyer, the better you sell, and let the promotion of a working man who bought you some work. Do not hurry. There were times when I sold some work, but I have not bought, then I am only too glad to this event. Well, like this one yard in 1954, I sold at one time for $ 200, a bargain for $ 150 like I did not give, then I made the price $ 500, also did not buy when I bought the thing does not make it more expensive one would buy for $ 2000, but I do not give, and then it all depends on the needs, if I need it and selling for $ 10. Now I'm not selling him for $ 5000, and I had a buyer Armenian, and each time I asked when I matured. Armenian Yard in 1954 to \ m size 44.5h33.5. Movses Baghramyan. Member of the Union of Soviet Art. Attached Thumbnails

Similar Threads
Thread	Thread Starter	Forum	Replies	Last Post
Question on Nemukhin	Сергеич	Investing in Art	10	23-10-2009 12:49
Have a question	makarena	Costs, valuation, attribution	8	03-06-2009 14:57
Question odessite	Кирилл Сызранский	Appraisal	5	22-04-2009 15:52
Linguistic question	LCR	Chatter	12	12-01-2009 13:35
The question of authorship	Стахий	Costs, valuation, attribution	5	22-12-2008 13:22

10-10-2009, 15:00	Original language: Russian #2
манна Гуру Join Date: May 2009 Location: Москва Posts: 1,407 Thanks: 5,752 Thanked 5,017 Times in 1,178 Posts Reputation: 9956	I am also interested in this question. Please advise if the best way, but it never came to the seminar "How to unleash the artist."

10-10-2009, 15:38	Original language: Russian #3
олег назаров Гуру Join Date: Apr 2009 Location: Санкт-Петербург Posts: 1,161 Thanks: 3,614 Thanked 2,528 Times in 734 Posts Reputation: 4798	to advise the need to understand what is at stake .?... that the artist ?.... for each case needs a different approach .... to start Put a biography, and although a dozen works

10-10-2009, 16:38	Original language: Russian #4
манна Гуру Join Date: May 2009 Location: Москва Posts: 1,407 Thanks: 5,752 Thanked 5,017 Times in 1,178 Posts Reputation: 9956	Put name and examples of works can not. We can say that the artist known in narrow circles. I like it very much, the work I have to eat it (a little). The artist died. And for chance I might be really a lot of his paintings. In fact, very significant, if not most of the inheritance. Therefore, and supported the issue.