Unsolicited, but promised Hopper

[Сергеич]

Here Tselkov, he only happy with his Antonina,

And the pictures some monsters, but Tselkov me very much. By abstayatelstv often in the same room and on the wall hangs a meter Tselkov - superhuman beauty.

[fross]

Originally Posted by Sergeyitch

And the pictures some monsters, but Tselkov me very much. By abstayatelstv often in the same room and on the wall meter Tselkov - inhuman beauty.

What can you do, some even in the Kondo child hanged.

[LCR]

Let's I've put a few more hoppers. Sergeyitch, of course, does not approve, but I know that there are fans)))

[Glasha]

Originally Posted by LCR

but I know that there are fans)))

There is,

In turn, ask: is it really may not like?
(what we are all still different)

[Meister]

and can be lined with all the same biography? Nobody against? I now personally did not know until you looked ...

HOPPER, EDWARD (Hopper, Edward) (1882-1967), American painter, representative of magic realism.
Born in Nayak (piece of New York) July 22, 1882 in the family store owner. Deciding to become a painter, he studied at the New York art school (1900-1906), where his principal mentor was Henry R. (Henray). In 1906-1910 made three trips to Europe. Been heavily influenced by local as an American ( "School of garbage cans", the head of which was Henry) and the French Impressionists. Took part in the avant-garde exhibition "Armor Show" in New York (1913), but generally remained indifferent to the radical avant-garde art.

Having mastered the technique of etching and lithography, before 1924, earned his living in advertising and book and magazine illustrations. In 1920 formed its distinctive picturesque style that has found the best expression in the urban genre, interiors, and landscapes of New York and provincial America. Austere, cold in tone, relatively small format of Hopper's paintings are imbued with the lyrical melancholy poetry of empty spaces, or (if available figures) the motives of human loneliness and alienation (House by the Railroad, 1925, the Museum of Modern Art, New York; two tiers of windows lighthouse, 1929 , Metropolitan Museum of Art, New York; Early Sunday morning, 1930, the Whitney Museum of American Art, New York; Polunoschniki, 1942, the Chicago Art Institute). Similar topics regionalism things Hopper, however, denied the latter characteristic of social grotesque, embodying the "golden mean" in depth-contemplative realism.

Over the years, his painting has increased the emotional role of light, appears at times the main "hero" images (Sunlight on the second floor, 1960, the Whitney Museum of American Art, New York).

Hopper died in New York on May 15, 1967. Many of the paintings by the master, using the big popularity, became national art archetypes, frequently figuriruya on book covers, in visual advertising, dispersing record copies of postcards and posters.

Taken from here - http://www.krugosvet.ru/articles/91/.../1009127a1.htm

[Pavel]

My favorite hudozhnik.Kstati model, as the French influence at the genius transformed into a purely American national art. Later admitted during the fall in prices on all of his prices fell.
Is that the way to eat eggs! Caviar bored after the second lozhki.Uzh I then znayu.V every refrigerator in the city is pollitrovaya bank or an iron box, and then the 3x-liter bottle with caviar, and earlier, before Hruschika, caviar sold in the market of collective farms in wooden tubs, black and red -privoznuyu.No tastiest roe-pressed, when cut off from just a buloshnoy, hot, two fingers thick slice, buttered, put your cut with almost the same size loaf, thick, shiny piece of pressed caviar, and then, leisurely eats. Try it you'll like.

[LCR]

Lay out, I'm moving you a little graphic Hopper. The first picture, with a steam locomotive - picture, the rest - etchings (including etching, which said Frosya - picture number 3). Date of creation given in the caption to play.

[Кирилл Сызранский]

Originally Posted by fross

The fact that the etching of which we spoke is worth several hundred thousand dollars.

Originally Posted by LCR

including etching, which said Frosya - picture number 3

All saw-№ 3, "hundreds of thousands of dollars" ...
I do not understand just where is this etching was discussed.

[fross]

Lausanne (Switzerland) /www.fondation-hermitage.ch /by October 24
The Hermitage Foundation is proud to present summer of 2010 a large retrospective of Edward Hopper (1882-1967), one of the most famous American artists of the twentieth century. With a large number of works, mostly from the Whitney Museum of American Art in New York, whose history is closely connected with the artist, the exhibition includes more than 160 papers describing all periods of art Hopper. Organized in a chronological and thematic order, it also includes a magnificent collection of drawings, watercolors and prints, to show the creativity of the artist.
"My aim in painting has always been to move with the greatest accuracy are my impressions of nature" - Hopper explained, adding, "If you could say it in words, there would be no reason to paint."

[Тютчев]

Originally Posted by LCR

Here Tselkov, he only happy with my Antonina, not to mention the overwhelming majority of Soviet academics, the popular and highly respected, which, judging by their work, should remain in permanent nirvana.

According to your logic in the same "permanent nirvana" must remain and remain at the present time academics, and ordinary workers of the capitalist labor U.S., UK, France, Italy and so on. One nabivshy nauseam, Hirst is worth? A Lempicka ?!... And how many of these countries, artists Sirs, peers, members, etc. etc.? Or you believe that academics wrongly given only in the USSR? And then, among Soviet academics were very good artists. And speaking of great artists are rare always and everywhere! Less than a well-known and highly respected ... The presence or absence status does not say about the artist that he is good or bad in their art. It says about anything, but not about this. And this is confirmed by the stories of all times and societies.