Boris Lurie-"NO! Art"

[Люси]

June 1 , the Zverev Centre of Contemporary Art, opened a great exhibition of Boris Lurie -"NO! art".
- We are opposed to fantasy served market , against established pyramids " art market " - embedding - mode , " decorative " , these games are euthanized culture . " The words of the manifesto of "NO! art", which in 1959 created the New York artist Boris Lurie , said everything about his art and social position .
From early childhood, engaged in drawing , Boris Lurie pretty early moves away from figurative painting , and then completely abandons the aesthetics of art of mass potrebleniya.V his last interview he says : " all went out of desperation because we were all from the art world , we have seen that in this world is , and we said : Fuck you all , we want to be artists , but we will them to ourselves, we are not with you on puti.I if you want us to breakup, go and try . "

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He was born in Leningrad in 1924, grew up in Rige.V beginning of the second world war the Germans had killed his mother, sister and grandmother, and Boris and his father were sent to Buhenvald.Koalitsionnye troops liberated it in 1945, along with other prisoners and then Boris moved to New York and has lived there all zhizn.Holokosta, creating works that connect his feelings poshlosi mass culture and the recent experience of meeting with the World zlom.Seriya works titled "Feel Paintings" in a shocking form of embodied protest against the promotion of promiscuity, making a fetish of femininity: the pictures striptezershi and pin-up images side by side with his slogan: in 1964 he makes sculptures in the form of piles of crap, a series of collages titled "chained" - "Bound women's shoes," "Bound Rose," "Bound rolls of toilet paper" ... are connected in their creativity and aesthetics of social protest, Laurie became a critic of the art market, calling it "racketeering, rather than supermarkets." He wrote a famous article "MoMA as a manipulator" (1970) and the manifesto "Charter exhibition" Art and Politics " for exposure to Karslrue.Eto first solo exhibition of the artist in Russia.

[Люси]

He was born in Leningrad in 1924, grew up in the beginning of the Second World Rige.V war the Germans had killed his mother, sister and grandmother, and Boris and his father were sent to Buhenvald.Koalitsionnye troops liberated it in 1945 along with other prisoners and then Boris moved to New York and lived there all zhizn.Holokosta, creating works that connect his feelings poshlosi mass culture and the recent experience of meeting with World zlom.Seriya works titled "Feel Paintings" in shocking form represents a protest against the promotion of promiscuity, fetishization of femininity: the pictures striptezershi and pin-up images side by side with its slogan in 1964, he makes sculptures in the form of piles of crap, a series of collages titled "Bound chain" - "Bound women's shoes," "Bound Rose," "Bound rolls of toilet paper" ... are connected to the creativity and the aesthetics of social protest, Lurie is a critic of the art market, calling it "racketeering, rather than supermarkets." He wrote a famous article "MoMA as a manipulator" (1970) and manifest "Charter exhibition" Art and Politics " for exposure to Karslrue.Eto first personal exhibition in Russia.

[Люси]

and a little more ...