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Original language: Russian #21 | |||
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Гуру
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Original language: Russian #23 | |
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Гуру
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What the redesigned , too, is understandable and interesting , too, is why: gallery developed a resource? there is a more effective form of communication with the author and the viewer /buyer ? the state runs into the art of business or can do - the art ? profitable area of the restaurant fit ? ... Hundreds of reasons , I wanted to hear (and they appeared ), the competent comments.
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Original language: Russian #24 | |
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Гуру
Join Date: Mar 2008
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| The Following 10 Users Say Thank You to Vladimir For This Useful Post: | Allena (16-04-2012), Art-Galera (15-04-2012), Artforboy (15-04-2012), emir (14-05-2012), Maskit (16-04-2012), parsley (16-04-2012), zarajara (15-04-2012), Вивьен (15-04-2012), Кирилл Сызранский (15-04-2012), Люси (16-04-2012) |
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Original language: Russian #26 |
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Гуру
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Yesterday at the mall, "Color" lecture by Sergei Popov held on contemporary art. Gallery owner told me about the "fat days" prior to the crisis. Reminisced about the explosive growth of the prices of the sixties and seventies. The fact that the rise was premature and our art is not managed properly sound in the world. I remember the apt phrase, attributed to Paul Pepperstein that institutions (museums, biennale, etc.) "bribe" can be, and the market can not be corrupt. In the sense that in the medium term, they can not manipulyarovat - "invisible hand" will return prices to the equilibrium level of the market.
What did you talk about the crisis? The fact that the decline of interest in Russian and is associated with decreased interest in Russia as a whole. Newsmakers Today - China and Southeast Asia. And Russia does not produce processes, interesting world. It is believed that the auction firm Phillips BRIC will no longer be held. Because the gap in interest in the vast country today. Another told of the information distortions. For example, channels are unlikely to come into the gallery, no matter how steep it was not a show. The country has a stereotype - Fu-commerce. Well, to the hidden advertising is not rebuked. And in the museum "camera" will come, which is understandable. Well, what to do? Out of any situation, even negative, we must try to benefit. What does this mean in this case? Perhaps the opportunity to buy good stuff at a discount. Prices and so substantially adjusted downwards. And now the buyer says gallery owner can choose the range of 150 to 150 000 euros. Perhaps in the beginning of the week will be launched by an article Popov, with his eye on the reformatting of the galleries.
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Original language: Russian #27 | |
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Новичок
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This series of lectures? Or just played Sergei? Tell us, please. |
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| The Following User Says Thank You to parsley For This Useful Post: | zarajara (16-04-2012) |
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Original language: Russian #28 | |
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Гуру
Join Date: Mar 2008
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| The Following User Says Thank You to Vladimir For This Useful Post: | zarajara (16-04-2012) |
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Original language: Russian #29 |
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Гуру
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Belatedly tell. We're with Konstantin went on Monday at a press conference "reformatted" galleries - Salakhova, Gelmanov and Selina. That impression.
Press conference of the three "closing" galleries collected over hundreds of spectators - fellow gallerists, collectors, journalists, supporters and the merely curious. However, something sensational to learn it only by those who never watched the press in the past month and a half. In general, version of the main motivations of galleries was confirmed: in the present conditions to make the nonprofit organization is easier than commercial. Plus, fatigue, impact, and perhaps the core moral obligations, hanging on his feet. In a non-profit structure have more flexibility - and you can "raise funds" can be money in the budget and other forms of state qualify, you can participate in foreign exhibitions, do not save every penny. Finally, it is more convenient to communicate with the sponsors (not business at the business the money requested, and non-profit organization). That is, instead of constantly thinking about how to make ends meet, former gallery owners will be able to focus on an ambitious and exciting curatorial projects. At least in theory. Moreover, it is not a commitment to renounce commerce. If you want to sell something, you can always find the options. Collectors, buyers ignore, certainly not prove. In general, the plan they have - to leave the stage no one is going. Get - well. With the state as a state. However, Gelman has complained that the state as a business - not the best partners for the arts. In the sense that the interests do not coincide. Instead, ask for some loyalty, others - comfort. And the best partner of art - the territory. Both need a drive, development, public interest. Therefore, he himself headlong into a large-scale regional project "Cultural Alliance." That's something like that. In general, there is no catastrophe, but there are new challenges that need to respond.
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| The Following 7 Users Say Thank You to Vladimir For This Useful Post: | Allena (26-04-2012), Art-Galera (25-04-2012), zarajara (26-04-2012), Кирилл Сызранский (25-04-2012), Люси (26-04-2012), манна (25-04-2012), Сима (25-04-2012) |
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Original language: Russian #30 | |
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Гуру
Join Date: Mar 2008
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From the state to ask some help - just stupid, any project is considered very material benefit to officials at all levels, not any action from the perspective of the country, business in it, but as a process to get more and better without the process. And the struggle of pressure groups for the opportunity to stick to financial flows. |
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| The Following 8 Users Say Thank You to Konstantin For This Useful Post: | Art-Galera (25-04-2012), emir (14-05-2012), iside (26-04-2012), silent (28-04-2012), zarajara (26-04-2012), Кирилл Сызранский (26-04-2012), Люси (26-04-2012), манна (25-04-2012) |
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