The house on the outskirts of

[Вивьен]

1. Author - not known.
2. Material and equipment manufacturing - oil on cardboard.
3. Size - 15,5 x13, 5.
4. Time of creation - I think that the beginning of XX.
5. Labels, labels, stamps, test tubes - no.
6. Condition (breaks, debris, scrapes) - seen in the photo.
7. Expert opinion - no.
Of course, difficult to understand who is author. Jobs purchased in Odessa. Estimated place of writing etudes - ibid. Question: what kind of design a la vetryachki - "cages for birds? Can anyone bring their own assumptions to determine the author. Thank

[NATA NOVA]

Vivian, horoshiyb interesting study.
I would have to be exhibited so that the visible "signs of the times", with a wide passport (but not flush, and strengthen the sketch above) and always with the glass.
A charming sketch!

[usynin2]

Сообщение от NATA NOVA

Vivienne horoshiyb interesting study.
I would have to be exhibited so that the visible "signs of the times", with a wide passport (but not flush, and strengthen the sketch above) and always with the glass.
A charming sketch!

And how to strengthen the top cardboard? Just stick? "I have some work that I want to draw well, but the inscriptions on them from behind, and give not want to, how technologically to do it?

[ВЯЧЕСЛАВ]

Сообщение от usynin2

And how to strengthen the top of cardboard? Just stick? "I have some work that I want to draw well, but the inscriptions on them from behind, and give not want to, how technologically to do it?

 But why stick? Work will also be located between the glass and paspartu.Prosto to mount in this case is not cut out the window.

[usynin2]

Vyacheslav, Thank you! And that painting will be strongly pressed to the glass, it does not hurt?

[NATA NOVA]

Сообщение от usynin2

And the fact that the painting will be strongly pressed to the glass, it does not hurt?

Ideally, of course, must be a gap between the glass and the picture.
If you do not need to expose the back side, manufacture tiny legs (if the picture is very small-hold), do the awl holes in the cardboard and the back of the fix (with glue and paper blotches)
then the glass will not kasatsyayu
Threat: "In a cardboard mat, of course .. legs can be made of soft wire, one end of the flattening (and then paste.)

[ВЯЧЕСЛАВ]

Сообщение от usynin2

And the fact that the painting will be strongly pressed to the glass, it does not hurt?

It is certainly not talking about fresh, the fresher impasto painting - in this case should certainly be cautious and wait until the paint vysohnut.Vo all other cases, painting under glass, only better preserved because it is not exposed to contaminated dust and oseadyuschey addition, Number of water and some fats present in the air and is a product of human activity.
The force with which the pictorial surface in contact with glass should be very small - just so there was no free movement.

Posted 50 minutes

Сообщение от Vivien

What do you mean? A fishing family Kostandi also lived in a mansion on Marazlievskoy?

Dear Vivian! I do not know what you looked so this board, but believe in my opinion he does not possess any qualities or an artistic or with cognitive-regional studies storon.U us, in southern Ukraine, inhabited by people of different nationalities, united by one thing-the desire for natural beauty byta.Bednost and wealth in this case did not have znachenie.Okrainy southern cities are not built up the barracks, great construction projects of five-year plans were not there, the newcomer manpower available nuzhdalis.Rabochie enterprises are not the same suburb of Odessa, where each family lived in her house, drowned in the green and more like a cottage.
Fishermen Grigor'evka, Sanzheyki, Fontana summer living in huts almost on the shore morya.Kureni line a hedge-lilac (for this specially brought land) and acacias undemanding to salty soil.
And on the submitted cardboard - miserable barrack-like building you ....... that decided to settle my family Kostandi?

[Вивьен]

Сообщение от Vyacheslav

Dear Vivienne! I do not know what you looked so this board, but believe in my opinion he does not possess any qualities or an artistic or with cognitive-sides of local history.

Dear Vyacheslav, but not look to me this board - it is not my picture helps the owner understand that these things may be, the author wants to go. I just ask everyone who can assist in the identification of structures, to help in this matter. Thanks a lot for the release. I did not ask to love this picture, I do not spin and do not sell it, it does not belong to me.

Сообщение от Vyacheslav

And on the submitted cardboard - shabby barrack-like building ....... you that decided to settle my family Kostandi?

And where does the family Kostandi? I have the example of parents KK, who lived in Dofinovke near Odessa, replied to you that not all Greek immigrants lived in prosperity and luxury mansions.

Сообщение от "Vyacheslav, 1077661

southern outskirts of cities are not built up the barracks, great construction projects of five-year plans were not there, newcomer in the labor force available nuzhdalis.Rabochie enterprises are not the same suburb of Odessa, where each family lived in his house, lush, more like a cottage.
Fishermen Grigor'evka, Sanzheyki, Fontana summer living in huts almost on the beach.

  Yes? The need for manpower and the need to populate the vacant land forced the city administration is not interested in where they came from people (mostly runaway serfs, former Cossacks, Greeks and Bulgarians from the Turkish dominions, the Jews of the Polish provinces). Emerged in recent decades the XVIII century and rapidly developing in the first half of the XIX century, Odessa 50-ies of the XIX century, becoming the third largest urban population of Russia (after Saint Petersburg and Moscow) with her, not like other cities, the original way of life. Simultaneously, Odessa became the first city in Russia with such a multi-ethnic population. It's not even the number of nationalities, and in their relationship. In the third-largest city in Russia, the "titular" nation is in the minority. Hundreds of thousands of people, drawn by wages and the propensity for changing places ", or simply easy profit, moved to Odessa. The inertia inherent in the bulk of the Russian peasantry, led to the fact that the Russian could not "get", taking for granted that provided them luck. Therefore, farmers found themselves in very different, but usually the most difficult and menial work. Miners Odessa quarry end of the XIX century, live in the vicinity of Odessa, near developed seams. Odessa was not only a city of big beautiful houses, but also the city dwellers. Slums are constantly replenished by former villagers formed a marginal zone. And are you talking about the lilac bushes are telling ...

[ВЯЧЕСЛАВ]

I raised my hand - my knowledge of the history of Odessa limited. What happened in the first tasyacheletii of Christmas is not aware <!--~ a ~-->, but about marginal zone I liked it - a breath of history in the interpretation of historians of the Bolshevik Party.
That opened the little book about Odessa in 1936 - word for word as you do, there is still about the exploiters and the proximity of the world revolution ..... and there is no petty-bourgeois romanticism from the lilacs!

[Вивьен]

Marginality (pozdnelat. marginalis - marginal) - a sociological concept, which stands for intermediate, "border" of rights between any of the social groups, that a certain effect on his psyche. The concept emerged in American sociology in 1920 to describe the situation neadaptatsii immigrants to new social conditions.
I noticed that when you have nothing to say on the subject, you start to move away from it ...<!--~ a ~--><!--~ a ~--> "But it does not change my to you very good relationship