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Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues. |
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Язык оригинала: Русский #1 |
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Heroes tracks Natalia Nesterova make regular scheduled activities: they eat, stroll, play a variety of games, catching butterflies, meet the ships, dance, fall in love. But for some reason butterflies fly away, disappear on the dining table forks and spoons, ships, without stopping, pass along the coast, and lovers can not find a common language.
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Язык оригинала: Русский #2 |
Авторитет
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Eugene
About Nesterov already talked http://forum.artinvestment.ru/showthread.php?t=585 You can add the price forecast for it? |
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Язык оригинала: Русский #3 |
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It would be interesting, but I'm not an expert on Nesterova.
Just like an artist. |
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Язык оригинала: Русский #4 |
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Natalya Nesterova: «I think my only teacher of his grandfather, Nikolai Ivanovich Nesterov, who loved Cezanne, and to some extent imitated him. I loved the treat at home kept the album of the Museum of Western Art. I knew almost from the cradle of Derain, Van Gogh, Matisse, Gauguin, Dufy, Marquet, of course - Cezanne. So I brought up from childhood in the first place in French art.
He died when I was 7 years old. That's when I realized that some kind of my life was over. And it's true. He drew for me, watching me draw. The fact that he invested in me, I carry all my life. He released me as if from a sling, and since I'm flying and flying. He gave a motion to my thoughts and feelings. " The curricula vitae 1944 was born on April 23 in a family of architects in Moscow 1962 She graduated from the Moscow Art School 1968 graduated from the Moscow Art Institute. Surikov 1969 Adopted by the Union of Artists of the USSR 1982/86/89, won the All-Union Competition "Best Picture of the Year" 1990 Awarded Silver Medal of Arts 1991 became a professor of painting at the Russian Institute are Performing Arts 1994 I received the title of Honored Artist of Russia 1997 Elected a corresponding member of Academy of Arts 1999 State Prize of Russia in the field of fine arts 2001 I received the title of academician of Arts 2002 She was awarded the prize "Triumph" 2004 Awarded Gold Medal of Arts Добавлено через 1 час 20 минут The works are in collections The State Tretyakov Gallery, Moscow. The State Russian Museum, St. Petersburg. Museum of Modern Art Solomon R. Guggenheim Museum, New York, USA. The Montreal Museum of Fine Arts, Montreal, Canada. China National Museum of Art - Museum Ludwig P., Beijing, China. National Museum of Contemporary Art, Seoul, South Korea. P. Ludwig Museum, Cologne, Germany. Gallery of Modern Art, "Palacio Forti", Verona, Italy University Museum, "Yeshiva", New York, USA The Jewish Museum, New York, USA The State Museum of Oriental Art, Moscow. Moscow Museum of Modern Art, Moscow. Ludwig Forum, Aachen, Germany. National Museum of the "Women in Art", Washington, USA. National Museum of the Jewish B'nai B'rith Kluttsnik, Washington, USA. Jane Zimmerli Museum Vurhes, New Jersey, USA. Kolodzei Art Foundation, Highland Park, New Jersey, USA. Hofstra Museum, Hofstra University, Hempstead, New York, USA. Slovak National Gallery, Bratislava, Slovakia. P. Ludwig Museum, Budapest, Hungary. Museum of Contemporary Art ART4.RU, Moscow. Marc Chagall Museum, Vitebsk. Museum of Art. Radishchev, Saratov Art museums and galleries in Arkhangelsk, Alma-Ata, Bishkek, Bryansk, Vologda and Yekaterinburg, Yerevan, Kiev, Izhevsk, Ivanovo, Irkutsk, Kurgan, Kursk, Krasnoyarsk, Kemerovo, Kiev, Magadan, New Jerusalem, Novosibirsk, Novokuznetsk, Nizhny Tagil, Obninsk, Omsk, Orenburg, Perm, Petrozavodsk, Rostov, Rostov-on-Don, Saratov, Syktyvkar, Tallinn, Tarusa, Tbilisi, Tomsk, Khabarovsk, Yakutsk. Photographs of museum work that found on the internet (of course some quality leaves much to be desired). Some did not work properly skopirovat.Podpisi files. Последний раз редактировалось манна; 19.01.2012 в 23:38. Причина: Добавлено сообщение |
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Язык оригинала: Русский #5 |
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The works are in collections
The State Tretyakov Gallery, Moscow. The State Russian Museum, St. Petersburg. The Museum of Modern Art Solomon R. Guggenheim Museum, New York, USA. The Montreal Museum of Fine Arts, Montreal, Canada. China National Art Museum - Museum Ludwig P., Beijing, China. National Museum of Contemporary Art, Seoul, South Korea. P. Ludwig Museum, Cologne, Germany. Gallery of Modern Art, "Palacio Forti", Verona, Italy Museum of the University "Yeshiva", New York, USA The Jewish Museum, New York, USA The State Museum of Oriental Art, Moscow. Moscow Museum of Modern Art, Moscow. Ludwig Forum, Aachen, Germany. National Museum of the "Women in Art", Washington, USA. National Museum of the Jewish B'nai B'rith Kluttsnik, Washington, USA. Jane Zimmerli Museum Vurhes, New Jersey, USA. Kolodzei Art Foundation, Highland Park, New Jersey, USA. Hofstra Museum, Hofstra University, Hempstead, New York, USA. Slovak National Gallery, Bratislava, Slovakia. P. Ludwig Museum, Budapest, Hungary. Museum of Contemporary Art ART4.RU, Moscow. Marc Chagall Museum, Vitebsk. Art Museum. Radishchev, Saratov Art museums and galleries in Arkhangelsk, Alma-Ata, Bishkek, Bryansk, Vologda, Yekaterinburg, Yerevan, Kiev, Izhevsk, Ivanovo, Irkutsk, Kurgan, Kursk, Krasnoyarsk, Kemerovo, Kiev, Magadan, New Jerusalem, Novosibirsk, Novokuznetsk, Nizhny Tagil, Obninsk, Omsk, Orenburg, Perm, Petrozavodsk, Rostov, Rostov-on-Don, Saratov, Syktyvkar, Tallinn, Tarus, Tbilisi, Tomsk, Khabarovsk, Yakutsk. Photographs of museum work that found on the internet (of course some quality leaves much to be desired). Some did not work properly skopirovat.Podpisi files. |
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Эти 18 пользователя(ей) сказали Спасибо манна за это полезное сообщение: | Grigory (20.01.2012), I-V (20.01.2012), luka77 (20.01.2012), lusyvoronova (20.01.2012), Mariya (20.01.2012), Maskit (20.01.2012), mihailovoh (20.01.2012), prosto_valentina (01.05.2014), Seriy (20.01.2012), Tsop (20.01.2012), Евгений (20.01.2012), Ильин (01.02.2012), Кирилл Сызранский (20.01.2012), Лара (09.11.2014), Люси (01.02.2012), Магнолия (24.01.2013), таша (23.01.2013) |
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Язык оригинала: Русский #6 |
Злой санитар форума
Регистрация: 31.07.2008
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If you remove the numerous points in the title of the picture, then booted without any problems.
What I did ...
__________________
Должен кончиться любой бой. Победит, сомненья нет, свет. Я возьму букет цветов-слов, И раздам моим друзьям - Вам! |
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Язык оригинала: Русский #7 |
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1 - " The Table ", 1969. , 140x200 cm . Tretyakov Gallery, Moscow.
2 - " become empty park ," 1984. , Oil on canvas , 130h170 see, Ludwig Forum for International Art , Aachen. 3 - " The Palace Alley ", 1984. , Oil on canvas 120x140 cm , Ludwig Forum for International Art , Aachen. 4 - "The Birds" , 1990. , Oil on canvas , 140h150 see, the China National Museum of Fine Arts . 5 - "The Birds" , 1999. , Oil on canvas , 60x50 cm , "The Tree" , 1999. , Oil on canvas , 60x50 cm , Modern Art Gallery " Palace Forti " , Verona. 7 - "Dinner ," 1990. , Oil on canvas , 120x120 cm , Solomon R. Guggenheim Museum , New York . 8 - " Roses ", 1981. , Oil on canvas , 116h92 see , the State Russian Museum, St. Petersburg. 9 - " Peterhof " , 1986. , Oil on canvas , 97h89 see , the Montreal Museum of Fine Arts . 10 - "The Boy ", 2000. , Oil on canvas , 72h55 see , the Jewish Museum , New York . Добавлено через 9 минут Nesterov currently: «My life I can not imagine without my work. It absorbs my imagination, feelings, thoughts. I think about her always, no matter where I was, whatever did that to me would not happen at different moments of my existence. I was born into a family of architects. My grandfather, Nikolay Nesterov, was a fine artist. On the walls of our house hung his work, which I left to wander. He drew me a little, Pictures, taught me to play and feel. I remember that set off to travel in a carriage made from a chair, with a felt boot instead of a horse's head. Then I started to draw itself, and as long as I can remember, this session I did not disappoint, not tired, and wondering how in his childhood. I always think that I had not yet reached, I am learning and strive to make that run away and hide from me. So my life is like escaping persecution thread. Maybe at some point me and enjoy what I do, seems that I have achieved something, then I think my work is over. And while I'm running or, or whip, or nesus behind his thoughts, trying to express or embody them on canvas. And how do I do it - to judge you. " Nesterov participated in more than sixty individual and group exhibitions at home and abroad. SELECTED SOLO EXHIBITIONS • 2011 - "Reflection of Lost Time", Vologda Regional Art Gallery, Vologda. • 2005 - "Reflections of the lost time." The State Russian Museum, St. Petersburg, Museum Ludwig Forum for International Art, Aachen, Germany, The State Tretyakov Gallery, Moscow, National Museum of Women's artistic creativity, Washington, USA. • 2001 .- "Natalia Nesterova. Russian journey ", the National Jewish Museum, Washington, USA. • 2000. - "Natalia Nesterova. The picture. Lazarus guess. Sculptures. "Museum of Modern Art. Plastov, Ulyanovsk; - "Natalia Nesterova," Historical Museum, Obninsk; - "Natalia Nesterova. Paintings, "Tarusa State Gallery, Tarusa. • 1997 - "Natalia Nesterova." Central House of Artists, Moscow. • 1997 - «Natalia Nesterova. Painting ». Gallery of Russian Art, Tallinn. • 1996 - Hal Bromm Gallery, New York, USA. • 1995 - Maya Polsky Gallery, Chicago, USA. • 1994 - Hal Bromm Gallery, New York, USA. • 1993 - "Natalya Nesterova: 10 paintings." Gallery "Moscow Palette", Berlin, Germany. • 1993 - Gallery "Art Nouveau" (together with sculptor Lazarus Gadaev), Moscow. • 1993 - Maya Polsky Gallery, Chicago, USA. • 1992 - «Natalia Nesterova». The Montreal Museum of Fine Arts, Canada. • 1992 - In collaboration with T. Nazarenko. Gallery Fernando Duran, Madrid, Spain. • 1991 - "Natalya Nesterova: new art." Maya Polsky Gallery, Chicago, USA. • 1991 - "New Art. Natalia Nesterova '(from private collections). Charles Cowles Gallery, New York, USA. • 1990 - «Natalya Nesterova. Recent works from Moscow ». HAL Bromm Gallery, New York, USA. • 1989 - "Natalia Nesterova and Lazarus Gadayev." Central House of Artists, Moscow. • 1988 - "New Works from Moscow." HAL Bromm Gallery, New York, USA. • 1974 - One-day exhibition. Artist's House at Kuznetsky Most, Moscow. Добавлено через 18 минут Vladimir V. Orlov. The Mysterious World of Natalia Nesterova. Old photo. Reproduced in the album "Natalia Nesterova," published "Aurora." Fifty-ninth year, Dzintari. A pupil of fifteen years going to write the sea and people on shore. In hand - sketchbook. Malchish pants a little below the knee. Jacket cheater. Shoes, sandals, long-distance walking on a sinful the ground. Blond hair tousled by the wind though. And there is no wind. Difficult a teenager. Tomboy. With such a NAMA. And she Nama herself. In Looking gloom (or audacity), stubbornness, call someone. Independence. Autocratic. And discontent (photographer?). "Why did you stop me? I've got to go. "And that already knows where to go.
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Добавлено через 2 часа 4 минуты Sawa Yamschikov Creates: Natalia Nesterova It would seem that my profession is an art restorer does not require a deep dive into the modern artistic life. But first, I was curious by nature, and secondly, I am confident that in working the old art, stay away from what is going on today with you, it means - to rob you. Fortunately, the artists with whom I associate, too, have never stayed away from work on the discovery and restoration of monuments. They were regular visitors to our exhibitions, thereby continuing the fine tradition that has developed in the early last century. Then broke out in Russia as it is now would say, "boom" over the ancient Russian painting. And all of these discoveries, all the major exhibition of Russian icons had a direct bearing not only professionals, academics, N. Kondakov or DV Aynalov, but also well-known artists, including Vladimir Serov, KA Korovin, I. Grabar. The latter, as we know, was a great art critic.
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Natalya Nesterova: "I myself choose its own path" SAVVA driver. Natasha, I am very happy that I meet with you in the loop "to create". I've already talked with Volodya Vasilyev, Slava Starshinova with Marlen Hutsieva with Valentin Rasputin, with a wonderful our critic Valentin Kurbatov. And for me, Natasha, two questions for the beginning of our conversation. The first of these. We have already spent quite a lot. Methuselah age not everyone has, but we consider ourselves sredovekami. What do you think lived through in the most important thing for yourself? What is most memorable? Not a single moment, and maybe going through all my life line, which you cherish? Natalia Nesterova. Sawa, you started with artists named Korovin, Serov, and yet they have learned to my grandfather. We have a family and painters. I know that I have driven. Of course, this is love. An incredible love and gratitude to his grandfather, grandmother, your mother. Generally, I think my teacher in life all the same grandfather, although he died when I was not a lot of years, seven. But it was already 53 years old, and every day I think of him. He gave that promise, the impetus that brought me to the road, which I do not want to turn off in another direction.
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Последний раз редактировалось манна; 20.01.2012 в 17:52. Причина: Добавлено сообщение |
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Эти 13 пользователя(ей) сказали Спасибо манна за это полезное сообщение: | Grigory (20.01.2012), luka77 (20.01.2012), lusyvoronova (20.01.2012), prosto_valentina (01.05.2014), Tsop (20.01.2012), Евгений (20.01.2012), Кирилл Сызранский (20.01.2012), Лара (09.11.2014), Люси (01.02.2012), Магнолия (24.01.2013), Маруся (20.01.2012), таша (23.01.2013) |
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Язык оригинала: Русский #8 |
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N.Nesterova currently: «My life I can not imagine without my work. It consumes my imagination, feelings, thoughts. I think of her always, wherever I was, no matter what did, what would happen to me or at different moments of my existence.
I was born in a family of architects. My grandfather, Nikolay Nesterov, was a fine artist. On the walls of our house hung his work, which I left to wander. He drew me a little, Pictures, and taught me how to play and feel. I remember being set off to travel in a carriage made from a chair, with a felt boot instead of a horse's head. Then I started to draw itself, and as long as I can remember, this session I was not disappointed, not tired, and wondering how in his childhood. I always feel as if I had not yet reached, and I'm learning, and strive to make that runs away and hides from me. So my life is like escaping persecution thread. Maybe at some point, and I like what I do, seems that I have achieved something, then I think my work is over. And while I'm running, or, or whip, or nesus behind his thoughts, trying to express or put them on canvas. And how do I do it - to judge you. " N.Nesterova participated in more than sixty individual and group exhibitions at home and abroad. SELECTED SOLO EXHIBITIONS • 2011 - "Reflection of Lost Time", Vologda Picture Gallery, Vologda. • 2005 - "Reflections of the lost time." The State Russian Museum, St. Petersburg, the Museum Ludwig Forum for International Art, Aachen, Germany, The State Tretyakov Gallery, Moscow, the National Museum of Women's artistic creativity, Washington, USA. • 2001. - "Natalia Nesterova. Russian journey ", the National Jewish Museum, Washington, USA. • 2000. - "Natalia Nesterova. Pictures. Lazarus is anyone's guess. Sculptures. "The Museum of Modern Art. Plastov, Ulyanovsk; - "Natalia Nesterova," Historical Museum, Obninsk; - "Natalia Nesterova. Paintings, "Tarusskaya State Gallery, Tarusa. • 1997 - "Natalia Nesterova." Central House of Artists, Moscow. • 1997 - «Natalia Nesterova. Painting ». Gallery of Russian Art, Tallinn. • 1996 - Hal Bromm Gallery, New York, USA. • 1995 - Maya Polsky Gallery, Chicago, USA. • 1994 - Hal Bromm Gallery, New York, USA. • 1993 - "Natalya Nesterova: 10 paintings." Gallery "Moscow Palette", Berlin, Germany. • 1993 - Gallery "Art Nouveau" (together with sculptor Lazarus Gadaev), Moscow. • 1993 - Maya Polsky Gallery, Chicago, USA. • 1992 - «Natalia Nesterova». The Montreal Museum of Fine Arts, Canada. • 1992 - In collaboration with T. Nazarenko. Fernando Duran Gallery, Madrid, Spain. • 1991 - "Natalya Nesterova: new art." Maya Polsky Gallery, Chicago, USA. • 1991 - "New Art. Natalia Nesterova '(from private collections). Charles Cowles Gallery, New York, USA. • 1990 - «Natalya Nesterova. Recent works from Moscow ». HAL Bromm Gallery, New York, USA. • 1989 - "Natalia Nesterova Gadayev and Lazarus." Central House of Artists, Moscow. • 1988 - "New Works from Moscow." HAL Bromm Gallery, New York, USA. • 1974 - One-day exhibition. Artist's House at Kuznetsky Most, Moscow. |
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Язык оригинала: Русский #9 |
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Vladimir Orlov. The Mysterious World of Natalia Nesterova.
Old photo. Reproduced in the album "Natalia Nesterova," published by the "Aurora." Fifty-ninth year, Dzintari. A pupil of fifteen years going to write the sea and people on shore. In his hand - sketchbook. Malchish pants a little below the knee. Jacket-cheater. Slip-on shoes for long walking on the sinful the ground. Blonde hair disheveled like the wind. And there is no wind. Difficult teenager. Tomboy. With such a NAMA. And she herself Nama. In view gloom (or rage), stubbornness, call someone. Independence. Autocratic. And discontent (photographer?). "Why did you stop me? I have to go. "And we see that already knows where to go.
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Язык оригинала: Русский #10 |
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Sawa Yamschikov
Creates: Natalia Nesterova It would seem that my profession is an art-restorer does not involve a deep dive into the modern art life. But first, I'm curious by nature, and secondly, I am confident that in working on old art, stay away from what is happening today with you, it means - to rob you. Fortunately, the artists with whom I talk, too, have never stayed away from work on the discovery and restoration of monuments. They were regular visitors to our exhibitions, thus continuing the fine tradition that has developed in the early last century. Then broke out in Russia as it is now would say, "boom" on the ancient art. And all of these discoveries, all the major exhibitions of Russian icons had a direct bearing not only professionals, academics, or N.P.Kondakov D.V.Aynalov, but also well-known artists, including VASerov, KA Korovin, I.E.Grabar. The latter, as we know, there was also a great art critic.
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Natalya Nesterova: "I choose my own path" SAVVA driver. Natasha, I am very happy that I meet with you in the loop "to create". I've already talked with Volodya Vasilyev, Slava Starshinova with Marlen Khutsiev, Valentin Rasputin, with our great critic Valentin Kurbatov. And for me, Natasha, two questions for the beginning of our conversation. The first of these. We have already spent quite a lot. Methuselah age is not given to everyone, but we consider ourselves sredovekami. What do you think lived through in the most important thing for you? What is remembered most? Not a single moment, or maybe going through all my life line, which you value? Natalia Nesterova. Sawa, you started out with artists, named Korovin, Serov, and yet they have learned to my grandfather. Our family were painters. I know that I have driven. Of course, this is love. An incredible love and gratitude to his grandfather, grandmother to my mother. Actually, I think my teacher in my life did my grandfather, although he died when I was not many years to seven. But it took almost 53 years, and every day I think of him. He gave the promise, the impetus that led me to the road, which I do not want to turn off in another direction. [SPOILER] You said this about my duty to the mother, and that I was with less work. On the contrary, when my mother was quite ill, I tried to work as much as possible, because my studio is up and could not. But I was doing pictures, sometimes drawing on paper, or bring pictures. And seeing as how my mother looked at them, I knew it was all in my life. Sometimes she would say something incredible compliment, and more I did not need. Not yet two years old, my mother died, and I feel some movement of his idling. You're talking about Barkhin. We are now working together in the RATA, the former GITIS. And learned a long time - our mother and my father attended one year at the Institute of Architecture. I can not say that they have an encyclopedic knowledge of how to Sergei. Not at all, I have, they are very chaotic, but the family, succession, really, really mean a lot. This greatly simplifies the life and work. SJ You just entered the Surikov? N. No, it has finished first in art school, MSKHSH. SJ Tell us a little about MSKHSH. After all, there came so many wonderful people. N. Of course, because it is very early, with children 11 years dipped into a real, serious work. By the way, less capable, perhaps, get to school more than gifted. Because this was originally gifted, as if tired after seven years of continuous teaching. Someone from our class went to the literature, some of the architecture, but had some very talented people who were held as artists. I studied with Igor Makarevich, Tanya Nazarenko, Volodya Lyubavovym. SJ After all, what was then MSKHSH was next door to the Tretyakov Gallery, meant a lot. N. Another would be. We just ran out and found themselves in the Tretyakov Gallery. SJ Who was your teacher at the Surikov Institute? N. I they were different. In my opinion, in the third year we have moved into the shops. On the third or fourth, unfortunately, it was so long that I do not remember exactly. In the studio doing a Gritsai Zhilinsky and Shil'nikov. They let us out of the institute. SJ Surikov Institute is, in general, the traditional academic school. And Gritsai and Žilina - people with good classic basics. How much would Dima Žilina no different as a contemporary artist, he still is based in ancient art, in Italian. N. Again, all original. My grandfather in the School of Painting, Sculpture and Architecture, studied with Falk, with Sergei Gerasimov. I have his diploma, signed by Malyavin ... He loved icon, admired some Russian artists, but really still professed the French, above all, Cezanne - it was his love. And the grandfather of a little similar to Cezanne. So when I opened my eyes, I saw the work of this particular plan, and it goes on in my life so far. I am drawn to Cezanne, like a magnet, even though I love so many artists, and very different. SJ Natasha, I know your work well and I understand that the role of Cezanne in your resignation and development, indeed, great. But that's what matter. "Cezanne" and "Picasso," as was once one of the teachers of the School of the name in 1905, like many artists, but if there is no basis related to our life, our heritage and modernity, the "Cezanne" and "Picasso" far-fetched. The authors may be, and capable people, but only their art is secondary. You have the same Natasha, only professionals can turn up some influence of Cezanne. But I would never say that you at least to a small extent "by Cezanne." N. The fact that I never let her into itself. I bow before Antropov, Soroka, Venetsianov, Vrubel. SJ We tend to ignore the historical facts, and now especially. I am an international person and I know that Russian icons are not born here. After all, the ancient painters, despite the very limited movement, and went to Italy, and in the Byzantine lands, and even in Egypt. But Western artists have learned from our own. At the beginning of the XX century, when they began to open the icon, it is the interpenetration of cultures studied art history in detail. And the academic and more popular. Suffice it to recall the work of my favorite Pavel Pavlovich Muratov and my teacher Nikolai Petrovich Sychev or not my favorite person Punin. Not a favorite, because he wrote in the newspaper Lunacharsky that Gumilev to the wall should be put. But the article about his Rublev very accurately shows the relationship of Russian icon painting with the Italian Renaissance. And this is probably the best answer to those who say now: "No, I do not have any contact with the West." Let the Pope and Patriarch to decide whether to meet them, but I leaven of patriotism advocates always say: "If you are against the contacts, break for the start of the Assumption Cathedral in the Kremlin." Because he already had built a Catholic, a "Fryazin," as it was then called, -, Aristotle Fioravanti. The Kremlin sent customers to start him in Vladimir, the Yuryev-Polsky, in Suzdal. As a result, the Italian architect built a truly Russian Cathedral. And with what joy I see in Italian churches, icons, written by our craftsmen. Carmelite convent in Venice ordered my friend iconographer Archimandrite Zinon icons, and one he had sent there. That level of relations, which can be pursued. Russian portrait painters of the XVIII century - the same Antropov, Roars, Levitsky, provincial artists usually received his early education in the icon-painting workshops. But, talking to had come to Russia to catch happiness and ranks Caravaque, Roslin, many were able to take over and they have - no stealing, and combining with our tradition. I love and Caravaque, and Rotary, and Roslin, but Levitsky, Roars, the entire layer of provincial portraits - much larger-scale phenomena. It seems to me, Natasha, the power of your art is just that, being able to see the world differently, you can not refuse from the classic basics. Without this base, probably nothing would have happened. N. It's by far. Now I read your article, which is a remarkable statement by Richter. He said that a person has two homelands. The first - the one where he was born, and the second - Italy. I thought it was pretty cool. SJ Yes, it's origins. But then begins its own way. I would like to ask you about how you came to him after Surikovki? What guided you? That provided the impetus? N. The fact that I am able to restrain his feelings. This taught me a grandmother, and she was a great teacher. Now I do not remember, but I guess I wanted to try, and so, and that, I tried to go the right way. N. N. N. N. N. N. N. N. N. It's wonderful. N. N. |
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Эти 18 пользователя(ей) сказали Спасибо манна за это полезное сообщение: | artcol (20.01.2012), fabosch (20.01.2012), Grigory (23.01.2012), I-V (01.02.2012), K-Maler (21.01.2012), luka77 (20.01.2012), lusyvoronova (20.01.2012), Maskit (20.01.2012), prosto_valentina (01.05.2014), Tsop (20.01.2012), Евгений (20.01.2012), Кирилл Сызранский (20.01.2012), Лара (09.11.2014), Люси (01.02.2012), Магнолия (24.01.2013), Маруся (25.04.2014), таша (23.01.2013) |
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Nesterova help with the assessment | Anton | Costs, valuation, attribution | 4 | 23.05.2008 11:06 |
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