Salustiano

[Albrecht]

Salustiano artist born in 1965 in Seville, Spain. Works in mixed media, using natural mineral pigments and acrylic resins.
In my subjective view spectacular, but the search, if the red was just a series of paintings, but not all, would have been much better, but the artist has found a chip and began to exploit it. I can not say that I am very close to his work, but some work worthy of attention.

[artcol]

Сообщение от Albrecht

artist Salustiano was born in 1965 in Seville , Spain . Works in mixed media , using natural mineral pigments and acrylic resins .
In my subjective view spectacular , but the search, if the red was just a series of paintings , but not all , would have been much better , but the artist has found a chip and began to exploit it . I can not say that I am very close to his work , but some work worthy of attention .

So what ?

[Albrecht]

Сообщение от artcol

So what?

and then

________

[artcol]

Сообщение от Albrecht

and then

________

For pigments - is a Seriy-mu

And these things work - just garbage feature some, hence the question:

So what?

[iside]

Сообщение от Albrecht

Salustiano

I love these pictures, read about Salustiano recent article in the Italian magazine Arte e Mercato

[fabosch]

Сообщение от iside

I like these pictures, read about Salustiano recent article in the Italian magazine Arte e Mercato

iside, really after the first bought paintings by this artist you would have bought a second?
I think the first one you would very quickly bored.
Artist working even in the same manner, but just one simple techniques very quickly become boring.
And it seems that the change of color only exacerbate this situation

[artcol]

Сообщение от fabosch

iside, really after the first bought paintings by this artist you would have bought a second?
I think the first one you would very quickly bored.
Artist working even in the same manner, but just one simple techniques very quickly become boring.
And it seems that the change of color only exacerbate this situation

All attempts to mix something on the test of antiquity in an era not even celluloid, and the figures are doomed to similar comments <!--~ 10 "->

[iside]

Gentlemen, you can write whatever you want, and put it in a variety of verbal forms of expression and reasoning, but if we are spectators in the root, then the situation is very simple: I like this artist and I would have bought it, you do not like the artist and you would have it not bought.

Of all the participants at this forum most of all I was on the same wavelength with the AlexanderG, the similarity of our views and tastes formed from a long stay abroad and not in the environment of the Russian-speaking immigrants, and it is completely poured into the culture of another country. So many times he said that art has a geography, but it seems to me that since the end of it and no one knew or would not understand. Simply put, what's popular in Russia (I'm not talking about the master already included in the story) may be less popular in Europe, something that is popular in Europe, less popular in Russia, and quite unpopular in the Middle East, for example, and t . etc.

For example, there are a number of Italian artists who have already taken place, of which half of the participants at the forum have never heard or seen, but it does not prevent them from having a good secondary market abroad, and even set records. I've been following auction sale of their works at various auctions around the world and I know that the geographical principle is more like. They sell well in Milan, is worse in London, and not at all in New York. About that, there would be a buyer on growing. market - I generally keep quiet. What follows from this that the artists are bad? Or the Americans do not understand a damn thing in art? Or vice versa Italians buy their native junk that nobody else should?

Or the reverse example, recently spoke with one Arab artist living in Paris, so here in Paris, his paintings sold at an average of 13 thousand euros, while in Dubai - 30 thousand dollars and above. What is the French do not understand the true art? despite the fact that the artist, also a professor at the Academy?

Returning to the artist Salustiano. This is a European artist, where the tradition of figurative painting quality and very strong attachment to them by the buyers is also available as a predilection for any Calligraphy in the Middle East.

Therefore, Salustiano, and placed (long since have not seen such an impressive list), and sold and even has a secondary market, as it were, my friends, you're not appreciated, the caravan moves on.

Сообщение от fabosch; 1527351"

iside, really after the first bought paintings by this artist you would have bought a second?
I think the first one you would very quickly bored.
 

Yes, I would have bought it, one picture precisely, about the second would be decided only after buying the first

Сообщение от artcol; 1527361"

All attempts to mix something on the test of antiquity in an era not even celluloid, and the numbers are bound to these comments

artcol, would respond with sarcasm, but I will answer correctly.

You are mistaken. <!--~ 1 "-" and "kneaded" and gets a "good comments" and is sold with a bang. Like any other style, the paintings in this genre have their own audience, their lovers and their customers. No need to project their personal predilections or antipathies to the global art market, because, firstly, artmarket is too big, and you and I are in it grains, and secondly, it looks like something, well, too unprofessional, In my opinion

[fabosch]

Iside, our discussion makes sense only if you understand the original premise. I read the topic Albrecht 'as well as a call to check out what he likes, though with reservations. In this sense, I allowed myself to speak out regardless of how he (the artist) somewhere appreciated. At least I is misunderstood. Therefore, he did not even surf the 'Net to see that he still does. From this point of view, what you say is meaningless. We, in this case, I think, is not talking about investments. What is it to me that in Italy I had selling in two years more. I just have a different approach. I will never buy a work if I have it not "novel." For me, investing in such cases are never the deciding factor. I'm not an investor - I am a collector.
And what you write about regional specifics, I'm familiar with. Let's say I buy in St. Petersburg artists, which no one will buy in Moscow - where they just do not know. But for me it does not change anything. To me, they are close and the road (not in terms of money), because in them I see something I do not see in the Moscow artists - a very special spirit of St. Petersburg, a kind of reflection of the genius loci. Perhaps, the Italians see it as Salustiano its merits, which I do not see. For me, it merits the add too little, and how much it cost me, really, it does not matter. One caravan that goes - it's not in my direction.

[iside]

Сообщение от fabosch

From this point of view, what you say is pointless

And thank you