Anatoly Osmolovsky

[Евгений]

It can be called a political artist number one in Russia. All of his vigorous, powerful, no one to defeat (the "novovolnovaya" abstruse poetry, film, performances, exhibitions, and fights, lectures) is focused on identifying the absurdity and self-sufficiency policy and, at the same time, it depends on the language of culture. Deprived of pragmatic goals, built in the absolute, political activity becomes a kind of intellectual beauty, fascinating antietichnost.

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Incidentally activities Osmolovsky captures the reality of political culture in modern Russia - literal understanding of political power, as will the terror, the mutual corruption of the media and big politics, its similarity with criminal mischief, where the current figure - whether Carlson, or Munchausen - liar -shalunishki, at any moment ready to start a brawl or a splash in the opponent's juice. The material of his art - the whole range of political technologies and methods of influence: from the anarchic bullying and provocation (fight with nepolyubivshimsya writer, climb a bronze idol - Mayakovsky, or scatter the audience cakes), and ending with theorizing revolutionary agitation and the spread of compromising.

Web site: http://osmopolis.ru/