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Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues.

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Старый 24.08.2010, 11:32 Язык оригинала: Русский       #1
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По умолчанию Vitaly Statsinsky-coryphaeus Jolly images "

Funny pictures it did not change either in the same journal, or with illustrations "sacred stories" which are no longer for children (with normal mentality). Although perhaps only once, when, as a witness fiasco (or elevation) of friends, created a series of "Bulldozer Exhibition eye of the beholder.

 Vitaly Kazimirovich Statsinsky - graphic artist. Born Oct. 6, 1928 in Kyzyl-Orda, the Kazakh SSR.
In 1941, aged 13 years was a member of an amateur group of teenagers, who procured arms and preparing for the defense of Moscow from the Germans. "Fits a freight train, he jumped from the soldiers:" Guys, wherever there something ... a piece would be bread ... "But instead gave arms. For a pack of tobacco you could get a box lemons. "He was arrested and stayed in Butyrskaya three months. There, at the request of criminals drew tattoos. It was his first artistic experiments. This was followed by the court and V. Statsinsky received two years probation (as the organizer of the gang).
After the war he entered the Moscow Polygraphic Institute and graduated in 1953. In 1956 he began working in the new journal "Funny Pictures". "Even then I was absolutely convinced that children need to draw differently than adults. We must be sure to bunny five fingers, always a little white tail and so on."
 The problems at work: Every three months we were called to the Central Committee of Komsomol. Here is something brewing for the next scandal, and we decided to call with a Agnia Barto, but she said she was busy. Semenov said: "Vitali, the most reliable - it Mikhalkov. Call. Came. He began meeting this Pustynin of "Crocodile": Behold, the children's magazine of the Central Committee of the Komsomol, and what's going on - at number 15 dogs, 26 cats, all kinds of frogs, mice, and the pioneers almost there. And suddenly, Sergey, as always, stammering: "I think that the magazine is very good. And if there will be 26 good mice, rabbits and petrushek, this is better than 25 bad pionerchikov! "
 In the mid-60's left the magazine: "I got all of this ideology, and especially the endless calls to the authorities. I have already made this magazine what he wanted. His wife often said: "Vitali, choose - or you are an artist, or chief artist." I left the "fun" and began to paint for Detgiz "for" Goslit "," Sovpisa. "" I brought copies "Merry pictures" to 10 million. " Now-118000 pcs.
  A few years later he joined the senior artist in the "Gingerbread Man".
On the "Bulldozer Exhibition", which involved all friends: "I was invited, but I did not go. I was a spectator, watching these guys in jeans with a Komsomol badge zashvyrivali pictures on a truck - was shouting, cursing, in the course of someone climbing into the back, snatched my story ... my father taught me to be very careful. I've had enough Butyrki. If you guys asked for a picture or a lithograph, I gave, but to like this - "Long live the so-and Good-bye is" - to this I had never gone. "
  Nevertheless, refused to knock the KGB friends and acquaintances, for the opportunity to go abroad. For refusing to paid career, and all the rest, as a consequence. In 1978 he emigrated to France. Currently lives in Paris.
  George Costakis contributed to the acquisition of a house in Paris, across the street from Pere-Lachaise.
"Being a traditional classic illustrator sadly, this is a very difficult profession. You go to the text, but when something out of you vyhlestyvaetsya, it is not always appropriate, something does not work. There are moments when I can two or three months is absolutely nothing to do. "
 But it did eventually.
http://www.liveinternet.ru/users/ale.../post14940504/
It is very interesting http://www.inostranets.ru/archive/20..._4/art11.shtml
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Fed вне форума   Ответить с цитированием
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Старый 24.08.2010, 12:46 Язык оригинала: Русский       #2
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George Costaki contributed to the purchase of his home in Paris, across the street from Pere-Lachaise.
That's how legends born "

Your own house! You should have seen this "house".
When Vitaly arrived in Paris, his cousin helped him buy a couple of pennies this ruin, which he immediately turned into a branch Flea Market - Vitali pathological collector of everything. They lived in different people and dogs at one time there were going to even build a Russian church, it was fun and nice place ...
And then the Paris city council expropriated this microscopic piece of land together with the house. About to buy something in Paris for compensation was impossible even to think, and Vitali and his wife Tania moved to a house in the town of Provins, near Paris ...



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Старый 24.08.2010, 14:43 Язык оригинала: Русский       #3
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On the "Bulldozer Exhibition", which involved all friends: "I was invited, but I did not go. I was a spectator, watching these guys
I will not argue, but to read and write stories that the terms of invitees was quite narrow. Someone did not come (Sitnikov). And someone has joined the contrary (Bordachev). Invited artists were shown in a homemade invitation. That's it.
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Старый 24.08.2010, 14:56 Язык оригинала: Русский       #4
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The space of dialogue is reduced, so I decided to ask you to LCR in this topic, because also like to shestidisyatnikah, the more that Statsinskogo criticized for work - you have written about the work Posav:
".. You have no ability to fine art ...".
 It's really interesting test, I present 4 works. What they are different art and true?
  Is it possible to speak of the possible success of the artist? Here's an excerpt from an article Izvestiya He emigrated ... to the more important reason: it ceased to understand even colleagues in an informal workshop of art.
In the West Roginsky career did not work. Then Roginskii become a recognized artist, held a large retrospective exhibition at the Tretyakov Gallery, but even those who have long followed the creative Roginsky, ceased to understand what he was doing. His paintings of recent years seemed too realistic, and could look something like the products Mossich. Roginsky once again gone too far. "
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Старый 24.08.2010, 15:03 Язык оригинала: Русский       #5
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but even people who long followed the creative Roginsky, ceased to understand what he was doing.
Who are these people?

Цитата:
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His paintings in recent years seemed too realistic, and could look something like the product Mossich.
What is a "picture"?
_________________
You've now made the day! I'm sitting in rzhu voice, I'm sorry.
You have your message in part Roginsky have written or etokompilyatsiya from some opinions? I see there quotes, references to "Izvestia".



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SAH (24.08.2010)
Старый 24.08.2010, 15:08 Язык оригинала: Русский       #6
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Article here http://www.izvestia.ru/culture/article184360/



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Старый 24.08.2010, 15:12 Язык оригинала: Русский       #7
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And, Nikita Alexeev.
Then everything is clear.

You let us next time just link will not be much time and questions for you.

That same Alekseev in the same newspaper:
Цитата:
created his works depicting the front door, cooking, shopping bag with the potatoes, impoverished mart grocery store or kitchen tiles, excellent Mikhail Roginsky. In trying to label him "the father of Russian pop-art" Roginskii fiercely resisted. In the late 60's - early 70's in the Soviet Union began to do something more akin to pop art. But because all were eating American canned tomato soup and washing laundry powder Heinz, and for the reason that Western art has become a reference material with which I had my hands with soap "Strawberry", to compete by means of art, made at home.
http://www.izvestia.ru/culture/article2715763/



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Старый 24.08.2010, 15:26 Язык оригинала: Русский       #8
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I'm sitting in rzhu voice, I'm sorry.
  Answer why Roginskii you like. Seriously, I'm interested.
 I Roginskii not like it, like many others, but I do not speak for its capabilities, for example, that he can not draw, because I know that he worked as a teacher. There is a dispute to which flow it belongs to, sort of came to a controversial opinion that the pop-art. But, in my opinion, there's no need to argue is pure punk. Against punk have nothing, Gaza Strip, DK and the more civil defense. But when people who put on a post like punk, they say that others do not know how to sing - was surprising.



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Старый 24.08.2010, 15:33 Язык оригинала: Русский       #9
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answer why Roginskii you like.
I do not like it, but I just love it and long. It so happened that all the painting nonconformists I met through his paintings.

Fed, here on the forum about Roginsky lot of material. I'm in your questions had the view that you have with these topics have not yet met.
You read, and may then ask questions of others and will not be painting Mikhail Roginsky compare with the songs of the group "Gaza Strip".

I'm just now replying to you, begin to duplicate the words of those topics.



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Старый 24.08.2010, 15:52 Язык оригинала: Русский       #10
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answer why Roginskii you like. Seriously, I'm interested.
I Roginskii not like it, like many others, but I do not speak for its capabilities, for example, that he can not draw, because I know that he worked as a teacher.
Like do not like this is deeply personal, professional artist who Roginskii brightly displayed the talent in their works age 60-80-may 90, the era of the USSR. I also think that the artist is still undervalued by the market (this is when it comes to niche artinvest) is quite original and honest in the work of an artist.
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others can not sing - is surprising.
Excuse me, but funny as you are comparing Posava and Roginsky?



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