Photo from the exhibition "What you have to." Gagosian Gallery (Gagosian Gallery) - Форум по искусству и инвестициям в искусство

Vladimir · 26-09-2008, 16:26

Until October 25, 2008 in Moscow, in the building of "Red October", an exhibition of works of contemporary Western art, "What you will» (http://www.gagosian.com/exhibitions/...bout-to-rece /), brought by Larry Gagosian Gallery (Gagosian Gallery). Catalog of the exhibition will be only two weeks, but we allowed to take pictures with Konstantin. Plus managed to talk with Victoria Gelfand, director of the Gagosian Gallery in London.

Читать дальше...

The specific prices, she said did not (call them only privately to potential buyers - such a policy), but on strategic issues to clear. Gagosian second time in recent years brings exposure to Russia, because previous experience in Barvikha Luxury Village turned out to be quite successful in commercial terms. Nevertheless, Russia has yet to open a branch does not plan to, while they are working in shifts. "In Russia we find a great space and we bring high-quality work. While we use this model work in Russia, and not to open a branch ", - says Gelfand. Meanwhile, the branch is not here, then all transactions will be carried out in Europe. The model appears to be both at the Moscow Fine Art Fair. People are determined to shop here, and then things return to London, and where the transactions occurred.
The exhibition in Moscow of about 70 artworks. Range from 20 thousand dollars to 30 million. Asked, what is 30 million - can egg Koons, who has been the "face" exposure? Apparently not - Baroque egg Jeff Koons in general is not for sale (well, so to speak). Interestingly, not all sold. And Gelfand said that not even all of the imported works hung in the hall. Obviously, part of the show only a select audience. And from the same posted in the hall of paintings of the most expensive is the abstraction of de Kooning in 1981 (how much it costs - does not say). Of the most valuable works, striking - Giacometti sculpture, abstraction Arshila Hills valuable time, a small abstraction of Pollock, de Kunningov couple, a pair of paintings by Roy Lichtenstein. Deming Hearst was not one. Naturally, he asked, why? Answer: because the idea of the exhibition - both abstract and "Readymade" influenced contemporary artists and works have been selected precisely those which reveal the subject. And Victoria Gelfand emphasizes that this exhibition includes the works of those artists with whom the gallery is not working exclusively - they have chosen, because they have helped to show this theme. Honestly, in my opinion, a contraindication to participation Hurst such a theme is not - well, for there is no court no. On the other hand discussed the success of Damien Hirst at the recent auction. Frankly, I expected to hear criticism of the act of successful British artist (after all, his career Hurst obliged including the Gagosian Gallery, and then "went into the round" and risked demolish the market). But Gelfand said, conversely, that the reaction to the auction of Hirst's beautiful, "people are relieved, the day after the stock market declined seriously. And then 223 of the object turned out for the evening and all sold, only two things do not sell. " Director of the Gagosian Gallery in London also noted that the price of the Hirst auction were about the same as in the galleries. Not cheaper than many feared. As for buyers, here you can guess. For example, assume that among the buyers at the auction were a lot of speculators who are difficult to get through the work of Hurst representing his gallery.
And now, in fact, the picture story. Let's see what we have to? And start with the elderly.

Attachment 40775
David Smith. Kubi II. 1952.
Attachment 40785
Roy Lichtenstein. Entablature. 1974. Canvas, see Vol 52,4 x 254
Attachment 40795
Roy Lichtenstein. Incomplete picture. 1986. Canvas, see Vol 152 x 259. Note the shape of the canvas, especially the upper right corner.
Attachment 40805
Willem de Kooning. Untitled VII. 1977. Oil on canvas. 177 x 208.
Attachment 40815
Willem de Kooning. Untitled XVI. 1981. Oil on canvas. 177 x 208.
Not sure whether arranged top-bottom. If only a piece of floor for some guidance. A tag can see, then, is correct. Two of the shares for 4 years, and the feeling that one day.
Attachment 40825
Arshile Gorky. Pastoral. 1947. Oil on canvas. 111,8 x 142,2 interesting and very expensive artist of Armenian origin. Along with Pollock, one of the major figures in American abstract expressionism.
Attachment 40835
Jackson Pollock. The rhythmic dance. 1948. Paper, oil, enamel. 81,3 x 61
Attachment 40845
Lucio Fontana. The spatial concept. Atteza 1959. Acrylic on canvas. 118 x 88
Attachment 40855
Gerhard Richter. Untitled. 1984. Oil on canvas. 200 x 180
Attachment 40865
Gerhard Richter. A B Tower II (646-2). 1987. Panel, oil. 97 x 92. The name is simple, memorable at times

Included in the top five most expensive among the living artists. Thanks, incidentally, is not an abstraction, as figurative work of "Candle".

Vladimir · 26-09-2008, 16:29

Attachment 40875
Piero Manzoni. Black and white. 1962. Oil on canvas, stone, kaolin. 100 x 79. The artist, remembered his passion for plastic materials. At this time, though kaolin.
Attachment 40885
Alberto Giacometti. A woman stood. 1956. Casting 1989. Comparable work in the exhibition a few pieces.
Attachment 40895
Alexander Calder. Nice work, but the tab was clearly not from her, so the names do not tell.
Attachment 40905
Dan Flavin. Tatlin Monument 22. 1964. Fluorescent lamps. That's a bridge to the Russian avant-garde. Very expensive artist Flavin. But no more Tatlin. When they arrived at the exhibition together with Konstantin, lights were still switched off. When will you see an extinct Flavin?

Vladimir · 26-09-2008, 16:38

Attachment 40915
Richard Prince. Untitled (hood). 2008.
Attachment 40925
Sherry Livigno. Reindeer skull. 2006. Height 137 cm, bronze. Most of all I liked.
Attachment 40935
Anselm Reilly. White ground. 2008. Canvas. See ie, lacquer. 255 x 204
Attachment 40945
Marc Newson. Low Poloka Raven. 2008. Marble. Height 75 cm
Attachment 40955
Christopher Wool. Untitled. 1989. Aluminum, alkyd varnish, see Vol 228 x 152.
Attachment 40965
Peter Doig. Untitled. 2008. Canvas, wax. 266 x 177
Attachment 40985
Christopher Wool. Untitled. 1987. Aluminum, see Vol 182 x 122.
Attachment 40995
Mike Kelley. Memorable things number 46. 2008. Board, see Vol 123 x 184. Do you have the same, but with pearl buttons? No? We seek
Attachment 41025
Ed Ruscha. The Waste Land. 1990. Acrylic on canvas. 137 x 304

Vladimir · 26-09-2008, 16:39

Attachment 41005
Jeff Koons. Baroque Egg with Bow. 2006. Height - 1,5 meters. Chromium-plated steel with enamel. Not sold, but on the previous sales price potential is clear - about 20 million
Attachment 41015
Takashi Murakami. I want to get wet under the rain cell. 2008. Acrylic on canvas, gold leaf. 225 x 231

Евгений · 26-09-2008, 18:01

dedulya37, Sasha, Volodya simply confused, a lot of pictures .. byvaet.Vystavka super ..

[color="# 666686"]Added after 4 minutes[/color]

Quote:

Originally Posted by Vladimir

Arshile Gorky. Pastoral. 1947. Oil on canvas

Nice work ..

Vladimir · 26-09-2008, 19:03

Quote:

Originally Posted by Eugene

Arshile Gorky. Pastoral. 1947. Oil on canvas

Nice work ..

I catch myself thinking that I liked best horns

Why would it? Maybe the opening of hunting season?

Евгений · 26-09-2008, 19:46

Quote:

Originally Posted by Vladimir

Maybe the opening of hunting season?

No Dear Volodya: a girl or woman you change, the subconscious, of him not to leave ...

Tamila · 26-09-2008, 21:29

A Pollock, in the picture is not the case looks like live. Live a better impression) Thanks for the photo essay.

Самвел · 26-09-2008, 21:52

Arshile Gorky. Pastoral. 1947. Oil on canvas. 111,8 x 142,2 interesting and very expensive artist of Armenian origin. Gagosian also an Armenian, by the way I, too, and I know that when one sells the other Armenian Armenian, it is called a seller of air. Although I love the Hills.

Vladimir · 27-09-2008, 01:11

Quote:

Originally Posted by Samvel

when one sells the other Armenian Armenian, it is called a seller of air.

I wonder why say so? By Vozdaniku Adoyanu, Gorki, despite high prices, are looking at and Russian collectors, collecting Russian art. Still, our little man. Although formal relations with Russia had little, except in passing, he moved to the West after the events of 1915. About Gorki film is a documentary (and it's called "Arshile Gorky") and art, which I think is called "Ararat" and a couple of years ago brought on a festival, where there was a limited run. It's a deal comes with a DVD movie, but somehow "semi-underground" through his. Before I never came: (Where to get it?

[color="# 666686"]Added after 5 minutes[/color]

Quote:

Originally Posted by Tamila

A Pollock, in the picture is not the case looks like live. Live a better impression)

Well this is inevitable, so it should be. On the horns of the same - live on a large scale, and the photo - just kind of pathetic. Egg Koons good alive orgomnoe, well done. And sculpture of David Smith's Cubi II is good. Pollock was under glass, but it is great to spoil the impression.

[color="# 666686"]Added after 13 minutes[/color]

Quote:

Originally Posted by Samvel

Gagosian is also an Armenian

Here on the forum is an interview with Gagosyanom old (not in this exhibition) http://forum.artinvestment.ru/showth...light =??????? He started with trade posters - posters with movie stars. Although I kazhzhetsya that this is largely a genre legend to confirm the logic of the "American dream"

But all the same fellow. Sdalal so that now everything in his mouth look.

26-09-2008, 16:26	Original language: Russian #1
Vladimir Гуру Join Date: Mar 2008 Posts: 8,085 Thanks: 3,353 Thanked 25,444 Times in 5,540 Posts Reputation: 23525	Photo from the exhibition "What you have to." Gagosian Gallery (Gagosian Gallery) Until October 25, 2008 in Moscow, in the building of "Red October", an exhibition of works of contemporary Western art, "What you will» (http://www.gagosian.com/exhibitions/...bout-to-rece /), brought by Larry Gagosian Gallery (Gagosian Gallery). Catalog of the exhibition will be only two weeks, but we allowed to take pictures with Konstantin. Plus managed to talk with Victoria Gelfand, director of the Gagosian Gallery in London. Читать дальше... The specific prices, she said did not (call them only privately to potential buyers - such a policy), but on strategic issues to clear. Gagosian second time in recent years brings exposure to Russia, because previous experience in Barvikha Luxury Village turned out to be quite successful in commercial terms. Nevertheless, Russia has yet to open a branch does not plan to, while they are working in shifts. "In Russia we find a great space and we bring high-quality work. While we use this model work in Russia, and not to open a branch ", - says Gelfand. Meanwhile, the branch is not here, then all transactions will be carried out in Europe. The model appears to be both at the Moscow Fine Art Fair. People are determined to shop here, and then things return to London, and where the transactions occurred. The exhibition in Moscow of about 70 artworks. Range from 20 thousand dollars to 30 million. Asked, what is 30 million - can egg Koons, who has been the "face" exposure? Apparently not - Baroque egg Jeff Koons in general is not for sale (well, so to speak). Interestingly, not all sold. And Gelfand said that not even all of the imported works hung in the hall. Obviously, part of the show only a select audience. And from the same posted in the hall of paintings of the most expensive is the abstraction of de Kooning in 1981 (how much it costs - does not say). Of the most valuable works, striking - Giacometti sculpture, abstraction Arshila Hills valuable time, a small abstraction of Pollock, de Kunningov couple, a pair of paintings by Roy Lichtenstein. Deming Hearst was not one. Naturally, he asked, why? Answer: because the idea of the exhibition - both abstract and "Readymade" influenced contemporary artists and works have been selected precisely those which reveal the subject. And Victoria Gelfand emphasizes that this exhibition includes the works of those artists with whom the gallery is not working exclusively - they have chosen, because they have helped to show this theme. Honestly, in my opinion, a contraindication to participation Hurst such a theme is not - well, for there is no court no. On the other hand discussed the success of Damien Hirst at the recent auction. Frankly, I expected to hear criticism of the act of successful British artist (after all, his career Hurst obliged including the Gagosian Gallery, and then "went into the round" and risked demolish the market). But Gelfand said, conversely, that the reaction to the auction of Hirst's beautiful, "people are relieved, the day after the stock market declined seriously. And then 223 of the object turned out for the evening and all sold, only two things do not sell. " Director of the Gagosian Gallery in London also noted that the price of the Hirst auction were about the same as in the galleries. Not cheaper than many feared. As for buyers, here you can guess. For example, assume that among the buyers at the auction were a lot of speculators who are difficult to get through the work of Hurst representing his gallery. And now, in fact, the picture story. Let's see what we have to? And start with the elderly. Attachment 40775 David Smith. Kubi II. 1952. Attachment 40785 Roy Lichtenstein. Entablature. 1974. Canvas, see Vol 52,4 x 254 Attachment 40795 Roy Lichtenstein. Incomplete picture. 1986. Canvas, see Vol 152 x 259. Note the shape of the canvas, especially the upper right corner. Attachment 40805 Willem de Kooning. Untitled VII. 1977. Oil on canvas. 177 x 208. Attachment 40815 Willem de Kooning. Untitled XVI. 1981. Oil on canvas. 177 x 208. Not sure whether arranged top-bottom. If only a piece of floor for some guidance. A tag can see, then, is correct. Two of the shares for 4 years, and the feeling that one day. Attachment 40825 Arshile Gorky. Pastoral. 1947. Oil on canvas. 111,8 x 142,2 interesting and very expensive artist of Armenian origin. Along with Pollock, one of the major figures in American abstract expressionism. Attachment 40835 Jackson Pollock. The rhythmic dance. 1948. Paper, oil, enamel. 81,3 x 61 Attachment 40845 Lucio Fontana. The spatial concept. Atteza 1959. Acrylic on canvas. 118 x 88 Attachment 40855 Gerhard Richter. Untitled. 1984. Oil on canvas. 200 x 180 Attachment 40865 Gerhard Richter. A B Tower II (646-2). 1987. Panel, oil. 97 x 92. The name is simple, memorable at times Included in the top five most expensive among the living artists. Thanks, incidentally, is not an abstraction, as figurative work of "Candle". Attached Thumbnails

26-09-2008, 16:29	Original language: Russian #2
Vladimir Гуру Join Date: Mar 2008 Posts: 8,085 Thanks: 3,353 Thanked 25,444 Times in 5,540 Posts Reputation: 23525	Another elderly: Manzoni, Giacometti, Calder and Flavin (dedication Tatlin) Attachment 40875 Piero Manzoni. Black and white. 1962. Oil on canvas, stone, kaolin. 100 x 79. The artist, remembered his passion for plastic materials. At this time, though kaolin. Attachment 40885 Alberto Giacometti. A woman stood. 1956. Casting 1989. Comparable work in the exhibition a few pieces. Attachment 40895 Alexander Calder. Nice work, but the tab was clearly not from her, so the names do not tell. Attachment 40905 Dan Flavin. Tatlin Monument 22. 1964. Fluorescent lamps. That's a bridge to the Russian avant-garde. Very expensive artist Flavin. But no more Tatlin. When they arrived at the exhibition together with Konstantin, lights were still switched off. When will you see an extinct Flavin? Attached Thumbnails

26-09-2008, 16:38	Original language: Russian #3
Vladimir Гуру Join Date: Mar 2008 Posts: 8,085 Thanks: 3,353 Thanked 25,444 Times in 5,540 Posts Reputation: 23525	The tribe of young, ambitious: Prince, Newson, Ruscha ... Attachment 40915 Richard Prince. Untitled (hood). 2008. Attachment 40925 Sherry Livigno. Reindeer skull. 2006. Height 137 cm, bronze. Most of all I liked. Attachment 40935 Anselm Reilly. White ground. 2008. Canvas. See ie, lacquer. 255 x 204 Attachment 40945 Marc Newson. Low Poloka Raven. 2008. Marble. Height 75 cm Attachment 40955 Christopher Wool. Untitled. 1989. Aluminum, alkyd varnish, see Vol 228 x 152. Attachment 40965 Peter Doig. Untitled. 2008. Canvas, wax. 266 x 177 Attachment 40985 Christopher Wool. Untitled. 1987. Aluminum, see Vol 182 x 122. Attachment 40995 Mike Kelley. Memorable things number 46. 2008. Board, see Vol 123 x 184. Do you have the same, but with pearl buttons? No? We seek Attachment 41025 Ed Ruscha. The Waste Land. 1990. Acrylic on canvas. 137 x 304 Attached Thumbnails

26-09-2008, 16:39	Original language: Russian #4
Vladimir Гуру Join Date: Mar 2008 Posts: 8,085 Thanks: 3,353 Thanked 25,444 Times in 5,540 Posts Reputation: 23525	Jeff Koons and Takashi Murakami Attachment 41005 Jeff Koons. Baroque Egg with Bow. 2006. Height - 1,5 meters. Chromium-plated steel with enamel. Not sold, but on the previous sales price potential is clear - about 20 million Attachment 41015 Takashi Murakami. I want to get wet under the rain cell. 2008. Acrylic on canvas, gold leaf. 225 x 231 Attached Thumbnails

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26-09-2008, 21:29	Original language: Russian #8
Tamila Гуру Join Date: Apr 2008 Location: Москва Posts: 1,037 Thanks: 1,161 Thanked 4,290 Times in 830 Posts Blog Entries: 4294967295 Reputation: 3500	A Pollock, in the picture is not the case looks like live. Live a better impression) Thanks for the photo essay.

26-09-2008, 21:52	Original language: Russian #9
Самвел Гуру Join Date: Aug 2008 Location: Москва-Шуши. Posts: 4,525 Thanks: 4,920 Thanked 5,759 Times in 1,470 Posts Blog Entries: 2 Reputation: 10306	Arshile Gorky. Pastoral. 1947. Oil on canvas. 111,8 x 142,2 interesting and very expensive artist of Armenian origin. Gagosian also an Armenian, by the way I, too, and I know that when one sells the other Armenian Armenian, it is called a seller of air. Although I love the Hills.