III Moscow International Biennale for Young Art

[naletova]

Today, the CHA opened the III International Biennial of Young Art. Moscow for the third time this area becomes biennial. The competition, held from September to December 2011, received 2700 applications submitted by artists under the age of 35 years from 77 countries worldwide. Biennial program includes basic and strategic projects, special exhibitions and parallel programs, as well as scientific and educational events.
The chief curator of the Biennale - Katrin Becker, a German art historian and head of the Video Forum of New Berlin Art Association (nbk - Neuer Berliner Kunstverein). In the biography of Becker - large-scale projects in Berlin, New York, Barcelona, ​​personal exhibition of Louise Bourgeois, Matthias Mueller, Arthur Zhmievski, Andrew Monastery and Dmitry Prigov.
Central House of Artists is hosting a major project Biennale, titled "Under the sun of tinsel." This name reflects the core problem of the exhibition - indistinguishability of "genuine" and "false", loss of personal identity in the absence of a common direction of development. In the short-list of the main project included 81 work 80 authors - some artists and art groups (a total of 98 artists) from 32 countries. Among them, 11 artists from Russia, 7 from Germany, Austria 6 of 6 from the United States, 4 from Pakistan, four from South Africa, three from Britain, three from Israel, three from Iran, as well as artists from Argentina, Belarus, Vietnam, Georgia Indonesia, Spain, Italy, Kazakhstan, China, Mexico, Netherlands, Poland, Romania, Swaziland, Slovakia, Thailand, Turkey, Finland, France, Czech Republic, Chile, Switzerland and Sweden.
Biennale site: http://youngart.ru/

[naletova]

Exhibited mostly photography and installation.
Painting in the traditional sense at all.

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6. Inside this " bunker " Cave of the cement.
9-10. Curtain with mileyshim pattern. On closer examination it appears that adorn her images - entirely Fighting and shooting " soldiers of fortune ."

In general , the show I had the boring. Seemed scarce and secondary thoughts (all of which have already been around videno ), uninteresting to the aesthetics ... And the " trouble-free " for the implementation of ...

[naletova]

6. Inside this " bunker " cave of cement.
9-10. Curtain with nicest picture. On closer examination it appears that adorn its image - entirely Fighting and shooting " soldiers of fortune ".

Overall, the exhibition I had the boring. Seemed scarce and secondary ideas (all this somewhere already videno ) , uninteresting on aesthetics ... And the " trouble-free " for the implementation ...

[Maskit]

After visiting the exhibition , pleasure and other emotions , I never got it. Perhaps there have been affected and some global issues , but their implementation does not cling . I liked the angular sculpture made ​​of tin , curtains and much graphics work , but it's only against the background of other junk - poor . Went down and caught his breath at the Ihmalyane artist and in his room at the Slepysheve . Tomorrow will go up again, through the power to try to force myself to take something in the current anti iskusstve.Sovremennoe and would like to see stronger and more interesting , and the type of work they put up bags debris does not feel joy , and it was already over the hill in the 70s . Current ideas should inspire , not alienate . I think this show empty waiting rooms, and soon forgotten.

[Магнолия]

Originally Posted by Maskit; 2165481"

does not cling to the embodiment

Rethinking the process of " so_znaniya " I considered the history of human days ( from the absorption of expression and information to memorize .) It is suggested to postpone this process for Hyperpersonality , that is, the people ( the people ). For the observer is less interesting than sleeping awake. Perhaps there comes a stage of sleep ?

[Люси]

Originally Posted by naletova; 2165351"

III Moscow International Biennale for Young Art

Today visited biennalle young iskusstva.Stalo terrible for art and for the young pokolenie.K what we roll ? Except for the 3.2 objects and some funny pictures and curtains to watch the original there is nechego.Vse bylo.Neuzheli with imagination and inspiration of the young is so bad ? Again, books, bags .. the word depression is solid ..

[Seriy]

and where do the artists?
If the curators selected garbage bags and do not take the canvas-oil?
Curators can not create a decent show, their impotence, and we see it.

[Maskit]

Seriy, oil on canvas , and may not be the best bags musorom.Delo etom.Prosto not all want to see the current and the young art was represented by more provocatively , emotional , powerful, expensive and technologically . And thence in most their young have worked with an eye on the abstruse , boring and recycled . Probably worked kuratorshi and selection , but I think if it was presented a strong and smart work , she would by her own work is not proshla.Kazhdaya should speak for itself, and the trouble many of the featured works, that they need to explain and guide toward the viewer , and to participate in this process do not want to , does not catch the idea and implementation . More powerfully in the exhibition looks like a hanging in the corner of the fire extinguisher . I would like to wish the young creators of contemporary art to be younger

[Seriy]

Maskit, low-tech , trash art, IMHO , is gone . It would be desirable , that the object of art was made ​​with high quality and inventive .
But it costs money and time, which nobody wants to risk in order to simply participate in a competition - in fact participate in this contest is almost nothing. And secondly, all the good competition of young artists is not enough. And they have seen for myself , abroad.
I am for a canvas -oil because they can buy and hang on the wall, in contrast to the concrete cube. Clear language of painting a greater number of visitors, and is bound by a thousand threads to the history of art. T e in the case of x -m at least some context , it will emerge by itself , the properties of the object.

  And do not agree that the young is certainly fervently and boldly. In his youth , by contrast, seek to emulate someone , and the courage to go against the flow only in the lack of maturity , alas ... Picasso was a brave and cheerful when? after 50 .

[Магнолия]

Originally Posted by Seriy

but where do the artists ? If the curators selected garbage bags and do not take the canvas - oil? Curators can not create a decent show , their impotence , and we are seeing .

Look "at the root" : Chief curator of the Biennale - Katrin Becker , a German art historian and head of the Video Forum of New Berlin Art Association (nbk - Neuer Berliner Kunstverein). In the biography of Becker - large-scale projects in Berlin, New York, Barcelona , personal exhibition ...
A new breed of "successful" curators - unable to create a decent show, because all the power go off to raise money for the meters of exhibition space .