Lackeys Vladimir Fedorovich (1932-2002)

[Dogel]

Hello, see the discussion is welcome ....

Lackeys Vladimir Fedorovich (1932-2002)

Honored Artist of the RSFSR (1975).
Born at the station. Leo Tolstoy, the Ryazan region.
He graduated from Ryazan Art School (1948-1951) and the Institute. Repin Academy of Fine Arts of the USSR (1951-1957).
Painter. Worked primarily in the area of genre and historical paintings, the author of canvases devoted to the working class.
Member of the Russian Union of Artists since 1960.
Since 1957 - a permanent participant of regional exhibitions. Exhibitor Area ("Big Volga", 1964, 1970, 1974, 1980), respublikaskih (Moscow, 1960, 1965, 1970)-Union (Moscow, 1957, 1967) art exhibitions.
Chairman of the Board Gorky organization CX RSFSR (1975-1977, 1982-1983).
Solo exhibition: N. Novgorod, 2003, St. Petersburg, 2003.

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Vladimir lackeys (1932 - 2002). A revolutionary or a lyric?

One of the most talented graduates of the St. Petersburg Academy of Arts of the second half of XX century, Vladimir lackeys gained fame as a master of monumental historical paintings, "Soldiers of the Revolution" (1964), "You fell a victim" (1969), "Builders" (1959). Artist name thundered throughout the Union, and his canvases are constantly exposed to the set-union and zonal exhibitions. Russian Museum acquired his painting "The soldiers of the revolution" straight from the exhibition "Big Volga", held in Kuibyshev (Samara) in 1964 [1].

Incredible success for the time the young artist has allowed VA Holuevu receive substantial financial support from the Union of Artists. All the time he devoted to creativity, traveling around the country and the world [2]. Always carried with him a paper and pencil sketching with friends, artists and scientists, workers of the mills and factories. His incredible performance gave great results [3].

Already at this time, influenced by Rudolf Frents and Evsei Moiseenko, V. lackeys who have studied at the Academy of Arts [4], formed the style of the artist. Themes of the revolutionary struggle, and work, people he passed with expressive lines, major strokes, bright and yet harmoniously compiled in color stains. Historical subjects and portraits of heroes of labor distinguish the desire for a romantic compilation.

Within a few years of V. lackeys deserved reputation as a master of social themes, and in 1975 he was awarded the title of Honored Artist of Russia. The activities of the artist in Gorky (Nizhny Novgorod), where he moved at the invitation of the Gorky branch of the Union of artists contributed to the formation and subsequent flowering of the Nizhny Novgorod school of art. Under the influence of his work grew more than one generation of talented artists of Nizhny Novgorod [5].

However, there is another side of V. Holueva, which is rarely reflected in the union and republican exhibitions, so it is still the least known. Being a man of versatile, possessing an encyclopedic knowledge, he never ceased to be interested and admire the surrounding world, as reflected in the many lyrical images that the artist has created throughout his life. This romantic Volga landscapes and paintings of rural life, and still lifes, and portraits of women, which make it possible to take a fresh look at his work.

In these works confront us with the artist-philosopher, who in the silhouette of Russian churches, or in the vast clouds of heaven sees the basis of the universe. He looks to the past, but portrays him as a present, which we do not notice the bustle around him. Russia's image appears in the powerful architecture of ancient cities - Pskov, Novgorod, Moscow Kremlin. Nostalgia sounds kinds Petersburg.

Who was one of the most outstanding masters of the Soviet realist school of painting? Talented creator of large-scale paintings work, people of the Soviet people or fine lyricist and philosopher?

One thing is clear - the name of Vladimir Holueva is in line with the names of the leading Soviet masters: Alexander Deineka, Vladimir Serov, Tkachev brothers, Vyacheslav Zagoneka and other worthy disciple of Rudolf Frents and Evsei Moiseenko, Vladimir lackeys are not only fully implemented the covenants of the teachers, but and managed to create his own unique style of romantic socialist realism.

[1] This story is described in the memoirs of artist A. Kamanin, published in the book: Folk Artist AM Kamanin. To the 100 anniversary of his birth. Nizhny Novgorod, 2005. - S. 18.

[2] In the direction of the RSFSR Academy of Arts Vladimir lackeys about a year spent in the creative business trip in Italy, and also toured other European countries.

[3] Drawings and sketches B. Holueva made on the torn out of notebooks and notebooks, sheets are stored in the collection of the artist's family, and constitute one of the most brilliant art historians and unknown aspects of his creativity. Among them are portraits of famous scientists and artists.

[4] V. lackeys studied at the Institute of Painting, Sculpture and Architecture. IE Repin Academy of Arts of the USSR from 1951 to 1957 in a class of battle-painting under the guidance of RR Frents. In connection with his death in 1956, the overall management class through the PI Ivanovo, and a thesis ("Great Beginning" - the first clean-) V. lackeys have already written under the influence of his friend and teacher E. Moiseenko.

[5] V. lackeys of the only artists Gorky, who was twice elected to the post of Chairman of the Board of Gorky Union of Artists of the RSFSR (1975 - 1977, 1982 - 1983).

Source: Antique Review. № 1, 2007.

[Dogel]

Vladimir lackeys (1932 - 2002). A revolutionary or a lyric?

One of the most talented graduates of the St. Petersburg Academy of Arts of the second half of XX century, Vladimir lackeys gained fame as a master of monumental historical paintings, "Soldiers of the Revolution" (1964), "You fell a victim" (1969), "Builders" (1959). Artist name thundered throughout the Union, and his paintings were constantly exhibited at the set-union and zonal exhibitions. Russian Museum acquired his painting "The soldiers of the revolution" straight from the exhibition "Big Volga", held in Kuibyshev (Samara) in 1964 [1].

Incredible success for the time the young artist has allowed VA Holuevu receive substantial financial support from the Union of Artists. All the time he devoted to creativity, traveling around the country and the world [2]. Always carried with him a paper and pencil sketching with friends, artists and scientists, workers of the mills and factories. His incredible performance gave great results [3].

Already at this time, influenced by Rudolf Frents and Evsei Moiseenko, V. lackeys who have studied at the Academy of Arts [4], formed the style of the artist. Themes of the revolutionary struggle, and work, people he passed with expressive lines, major strokes, bright and yet harmoniously compiled in color stains. Historical subjects and portraits of heroes of labor distinguish the desire for a romantic compilation.

Within a few years of V. lackeys deserved reputation as a master of social themes, and in 1975 he was awarded the title of Honored Artist of Russia. The activities of the artist in Gorky (Nizhny Novgorod), where he moved at the invitation of the Gorky branch of the Union of artists contributed to the formation and subsequent flowering of the Nizhny Novgorod school of art. Under the influence of his work grew more than one generation of talented artists of Nizhny Novgorod [5].

However, there is another side of V. Holueva, which is rarely reflected in the union and republican exhibitions, so it is still the least known. Being a man of versatile, possessing an encyclopedic knowledge, he never ceased to be interested and admire the surrounding world, as reflected in the many lyrical images that the artist has created throughout his life. This romantic Volga landscapes and paintings of rural life, and still lifes, and portraits of women, which make it possible to take a fresh look at his work.

In these works confront us with the artist-philosopher, who in the silhouette of Russian churches, or in the vast clouds of heaven sees the basis of the universe. He looks to the past, but portrays him as a present, which we do not notice the bustle around him. Russia's image appears in the powerful architecture of ancient cities - Pskov, Novgorod, Moscow Kremlin. Nostalgia sounds kinds Petersburg.

Who was one of the most outstanding masters of the Soviet realist school of painting? Talented creator of large-scale paintings work, people of the Soviet people or fine lyricist and philosopher?

One thing is clear - the name of Vladimir Holueva is in line with the names of the leading Soviet masters: Alexander Deineka, Vladimir Serov, Tkachev brothers, Vyacheslav Zagoneka and other worthy disciple of Rudolf Frents and Evsei Moiseenko, Vladimir lackeys are not only fully implemented the covenants of the teachers, but and managed to create his own unique style of romantic socialist realism.

[1] This story is described in the memoirs of artist A. Kamanin, published in the book: Folk Artist AM Kamanin. To the 100 anniversary of his birth. Nizhny Novgorod, 2005. - S. 18.

[2] In the direction of the RSFSR Academy of Arts Vladimir lackeys about a year spent in the creative business trip in Italy, and also toured other European countries.

[3] Drawings and sketches B. Holueva made on the torn out of notebooks and notebooks, sheets are stored in the collection of the artist's family, and constitute one of the most brilliant art historians and unknown aspects of his creativity. Among them are portraits of famous scientists and artists.

[4] V. lackeys studied at the Institute of Painting, Sculpture and Architecture. IE Repin Academy of Arts of the USSR from 1951 to 1957 in a class of battle-painting under the guidance of RR Frents. In connection with his death in 1956, the overall management class through the PI Ivanovo, and a thesis ("Great Beginning" - the first clean-) V. lackeys have already written under the influence of his friend and teacher E. Moiseenko.

[5] V. lackeys of the only artists Gorky, who was twice elected to the post of Chairman of the Board of Gorky Union of Artists of the RSFSR (1975 - 1977, 1982 - 1983).

Source: Antique Review. № 1, 2007.

[Dogel]

Remember this book?


OH ...

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Exhibitions:

Since 1957 - a permanent participant of regional exhibitions. Exhibitor Area ("Big Volga", 1964, 1970, 1974, 1980), republican (Moscow, 1960, 1965, 1970)-Union (Moscow, 1957, 1967) art exhibitions.

 

Solo Exhibitions:

2003 - Nizhny Novgorod State fairgrounds,

2003 - Exhibition Hall of the Museum-apartment IA Brodsky, St. Petersburg,

2005 - Exhibition Hall of the Nizhny Novgorod State University,

2007 - Art Gallery of Liberty, St. Petersburg,

2007 - Exhibition Hall of the Museum-apartment IA Brodsky, St. Petersburg
 

His works are in timing, in the Nizhny Novgorod State Art Museum and private collections.

Добавлено через 2 минуты
How you?



I like

[Dogel]

Exhibitions:

Since 1957 - a permanent participant of regional exhibitions . Exhibitor Area ( " Big Volga " , 1964 , 1970 , 1974 , 1980 ) , republican (Moscow , 1960 , 1965 , 1970 ) -Union ( Moscow , 1957 , 1967 ) art exhibitions .

 

Solo Exhibitions :

2003 - Nizhny Novgorod State fairgrounds,

2003 - Exhibition Hall of the Museum - apartment IA Brodsky , St. Petersburg ,

2005 - Exhibition Hall of the Nizhny Novgorod State University ,

2007 - Art Gallery of Liberty , St. Petersburg ,

2007 - Exhibition Hall of the Museum - apartment IA Brodsky , St. Petersburg
 

His works are in timing , in the Nizhny Novgorod State Art Museum and private collections .

[Dogel]

How you?



I like

[I-V]

Сообщение от Dogel

How do you?

A powerful artist, of course ... Causes mixed feelings. To me it looks like this on Maxim Gorky: obvious talent, to avoid a clumsy poeticizing the Soviet system, but it definitely is not in this meet. Hence, perhaps, the appearance of a little sugary and simultaneously frightening female characters, as well as saturated recognizable "Russianness" Landscape "Mother Earth" ...

However, where the artist least trying to "think" and to identify in his works of literary component, he suddenly opens his true creative person, his melancholy (who would have thought?) And at the same time, an epic temper.

Here's my favorite work:

message#2 - № 1 (Flowers)

Post#4 - № № 2, 5 - (Business), (Portrait)

Post#5 - № № № 4, 5, 6 - (Plant) (Plant) (Work)

in the latter paper, there is something malyavinskoe, it would be interesting to see its larger image, to get the most significant impression.

[Dogel]

I-V, thanks ... well said, correctly

Name V. Holueva mentioned in several national catalogs, as well as in the handbook Russian and Soviet paintings 1900-1980's, published in London in 1998, 140 pages

Ladies and gentlemen, colleagues, friends, comrades - not count them for work - help to find out what is written in the handbook Russian and Soviet paintings 1900-1980's, published in London in 1998 on 140 pages of Vladimir Fedorovich - scan of this page will be as it is impossible to stati .... thanks

[fabosch]

Сообщение от Dogel

Ladies and gentlemen, colleagues, friends, comrades - not count them for work - help to find out what is written in the handbook Russian and Soviet paintings 1900-1980's, published in London in 1998 on 140 pages of Vladimir Fedorovich - scan of this page will be
as it is impossible to stati ....
thanks

With your glass!

[Dogel]

Сообщение от fabosch

Since you have a glass!

 
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but in the meantime, new in found ....

[I-V]

Dogel, I remembered the artist Israel Lizak (1905 - 1974 ) . Unfortunately, the web is very little of his work , but those that I saw in the album at times reminiscent of things Holueva . Especially his portraits of workers . But in the landscapes of something similar slips - in the coloring , the powerful broad strokes , in a composite " sweep " ... Lizak , of course , " podkublenny and avant-garde and , in general , far from Holueva , but nonetheless , I think the latter still has carefully examined his work .