Jon Barladeanu /Ion Barladeanu

[Кирилл Сызранский]

He lived in Bucharest vagabond life he lived in poverty and had nothing to do, or at the call of nature art, collecting old magazine, he began the illustrations in them, make collages, mostly from magazine photographs and newspaper illustrations of the Ceausescu era.
His once found a young gallery owner Dan Popescu, has seen his interest in these collages, made in 2008, when the author was already in 1962 the exhibition and the artist-vagabond began a new life.
 Have a look at two rollers: the first - a movie trailer "The World through the eyes of Jon B. /The World According to Ion B." 2009 directed by Nana A.
 and a report on Euronews Romanian artist Yona Barladeanu


Please note that the promotion of this extraordinary artist literally on the street began with a film about it. Wisely!

Добавлено через 8 минут
Performed in the style of pop art work Barladeanu Yona, who at one time the author was forced to hide, have been exhibited in prestigious galleries in Paris and London next to the masterpieces of Andy Warhol and Marcel Duchamp, and the price of each of them, say in excess of € 1000.
So, Jon Barladeanu /Ion Barladeanu born in 1946.

[Кирилл Сызранский]

[fabosch]

Сообщение от Cyril Syzransky

Performed in the style of pop art work of Jon Barladeanu, who at one time the author was forced to hide, have been exhibited in prestigious galleries in Paris and London next to the masterpieces of Andy Warhol and Marcel Duchamp, and the price of each, say, in excess of € 1000.
So, Jon Barladeanu /Ion Barladeanu born in 1946.

Nothing particularly interesting about these collages are not found. It seems to me that it was "king for a day"

[Кирилл Сызранский]

Сообщение от fabosch; 1405481] I think it would be" king for a day "[/QUOTE]

Maybe, but the "hour" has already passed ", his show 2 years travel around the world, look at the network. Here, for example, or as follows:
 

[QUOTE][FONT="Arial Narrow

2010 Solo show, Galerie Anne de Villepoix, Paris

2009 COLLAGE, LONDON /NEW YORK, group exhibition, Fred London

2008 The Volta show, Basel

2008 Realpolitik, soloshow, Backyard Gallery, Copenhagen.

2008 Realpolitik, soloshow, H'art Gallery, Bucharest.[/FONT]

Added after 30 minutes
fabosch, and it is not so important now, when these collages from old magazines to pick out of dumpsters vytashennyh something or not anything there.
It seemed to me a curious two things: the fate of this old tramp in Bucharest and its change in its inclusion of these collages in the context of art.
After the collage shown in the trash that Jon and the same collage, but decorated on the wall in the gallery - things are different. No?
Yes, and I'm glad for the uncle, the cute guy that much, even enjoying life at the expense of the rich bourgeoisie of eccentrics. Huh?

[fabosch]

Сообщение от Cyril Syzransky

It seemed to me a curious two things: the fate of this old tramp in Bucharest and its change in its inclusion of these collages in the context of art.
After the collage shown in the trash that Jon and the same collage, but decorated on the wall in the gallery - things are different. No?
Yes, and I'm glad for the uncle, the cute guy that much, even enjoying life at the expense of the rich bourgeoisie of eccentrics. Huh?

Actually, it's already in the field of pure marketing. Business project, as Gapchinskaya, just a little in another sector. True, that, as I understand it all myself promoted.
But against guys absolutely nothing. Let him live and rejoice. Yes, she saves money while paying

[Кирилл Сызранский]

Сообщение от fabosch; 1405741"

business project, as Gapchinskaya, just a little bit in another sector.

Hello!
What does the business project? What does Gapchinskaya? It is something just makes his project for the money, came up and knocks, knocks a pretty penny, but it's Bucharest homeless make collages for many years and have no intention, of course, about any exhibition and sale of it, just did it, did pure art at the behest of the heart, or nothing better to do that, maybe the same thing.
No, I do not agree with you, Barladeanu was selfless and honest when kroil from old magazine pictures his pictures, which are now someone out there needed.

[Тютчев]

That in these collages is what makes them interesting for the collector or museum? Nothing! It may be interesting only deft naduvatelyam bubbles, which are already inflated by a lot of "magic wand" - the media! Pure marketing gimmick for the pseudo collectors. It sold a story about the homeless, the story of suddenly discovered talent, history has repeatedly beaten in the 20 st century. The first, which started around the subsequent farce, it's certainly not invented by the tragedy of Van Gogh's life. After her stories about misunderstood, unnoticed and even persecuted "genius" was thrown from the horn of plenty. Misunderstood genius? Oh yeah! Somewhere I heard it! This is so typical of the geniuses! Very attractive for surface-versed in the art collectors, investors: put a penny in the newly found nugget and get in a few years this coveted "a piece of cheese." And the omnipresence and the magic of the media make it possible to "catch" in huge amounts of grief-investors. Imagine the audience the internet, magazines, television, radio - millions! What is a thousand people on the planet! Nothing! But, nevertheless, a million already in his pocket! Magic of Large Numbers!

[Posav]

Me in this story mostly seemed the fate of this man.
First they hanged the Ceausescu "voting" for this other life, and this "new life" thrown them in the trash.
That's the main plot and irony.

[Glasha]

What is wrong with that? Christmas Tale (... then heard the bells ) that happened in reality.

Collectors, investors (calves unreasonable ...?) let themselves think, to invest a lot of money,
but if someone else, and just like - why not?
The magic of large numbers - so again, why were not glad, if someone has "gone"?

But first of all be glad for this romance, a specific person, a specific life event will raised from the bottom.

I think he is creative himself, sought refuge in it for the lack thereof, literally,
escaped (soul saved) from the hard realities, so honest.

[NATA NOVA]

Posav, (I realized), he and Ceausescu was an outcast ....

 In my-a phenomenon.
True (real) and sincere underground (in fact he could easily and with the life part)
historical and artistic phenomenon (fenomen. other words)
.. and now gallery owner! (More to such gallery owners and such discoveries!)

Added after 9 minutes

Сообщение от Tiutchev

That in these collages is what makes them interesting for the collector or museum?

Personal perception of reality and her personal artistic interpretation of the socio-historical context of the totalitarian regime.