Eighth Frieze Art Fair opens in London

[Тютчев]

Eighth Frieze Art Fair opens in London

14/10/201002: 25

LONDON, October 14 - RIA Novosti, Elena Pakhomov. A record number of galleries from around the world - 173 - will open on Thursday the stands for the audience at London's Regent's Park in the eighth Contemporary Art Fair Frieze Art Fair; Russia has traditionally represented Regina Gallery and XL.

If last year's Frieze was marked, if not the oppression of the financial crisis, this year's fair director Amanda Sharp and Matthew Slotover together have about a return to financial stability. Hence the number of applications from galleries to take part.

"So many have never had. And the list of galleries surprisingly strong," - said Sharpe and Slotover.

Total at the fair represented 29 countries and more than a thousand artists. To the residents of Fair White Cube, Gagosian Gallery, Lisson Gallery, David Zwirner, Paul Kasmin, and dozens more permanent participants in this year will add five newcomers - New York Bortolami and Elizabeth Dee, London Pilar Corrias, brussels Xavier Hufkens and Michael Lett in Auckland .

Frieze, of course, the event is commercial, aimed at finding buyers, but the number of programs to the public year on year increase. Expanding the program Frieze Talks - a discussion of artistic trends with artists, art experts, directors and curators. At several London venues will be a musical project Frieze Music, cinema and part of the fair this year includes a selection of film curator Sarah McCrory and specially taken under fair experimental works by four artists. Under the film program in the fair this year built a separate tent.

In addition, the third consecutive year, Fair continues its cooperation with the Royal College of Art (Royal College of Art) to create a children's educational program, which these days will take place not only in the pavilion, but in British schools.

Frieze and does not depart from its tradition of modern art and occupy the space of a classical English garden in Regent's Park - a park of sculptures, as always, quite discordant with the landscape, will take its place.

Annually at Frieze will be awarded one of the most prestigious awards in the field of contemporary art Cartier, the winner of which, as always, is known in advance. Ten thousand pounds to the creation of new work, a thousand pounds and commission the right to three months free to exhibit their work in a London gallery and the center of Gasworks get this time working in Mexico City and Berlin, the British-Japanese artist Simon Fujiwara (Simon Fujiwara).

The project is the winner of Cartier this year took an unprecedented large space at the fair. Fujiwara is a big component installation, broken throughout Frieze, Frozen - psevdoarheologicheskie excavations under the pavilion area of some ancient city, the former Centre for the Arts.

Russian galleries to Frieze

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Russian participation in the Frieze already include not just traditional but stable - Gallery XL arrives in London for the seventh time, "Regina" in the third. More from Russia is never anyone there.

However, according to art galleries, the stability is only apparent.

"Yes, we're coming for the umpteenth time, but it means nothing. Rotation can occur at any moment" - the director of XL Elena Selina.

XL, focusing on multimedia and installations, not to bring the Frieze or political contemporary Russian art, no clearly defined national artists. This year's booth picture presented Aristarchus Chernyshev and its art-project "Electroboutique" video of Anna Ermolaeva.

"Every time we tried something new to bring here." This time we brought Igor Mukhin, Alex Buldakova, which never brought to the Frieze ", - has told RIA Novosti Celina.

According to her, the annual success of the galleries at the fair is closely linked to interest in the arts, with whom she works - in Russian art, "understood in the international context that Western buyers was not necessary."

"Regina", which this year opened a branch in London, follows the same line. Gallery brought to the Frieze Jonathan Meese, Mary Serebrikovu, installation of a young German woman Yorinde Foyt (Jorinde Voigt), and others.

"The artists we work with, it already European names, bringing them to the fair, we do not need to prove that they are good artists," - told the London-based director of Regina Ann Makkessi.

This, first of all, talking about artists such as Sergei Bratkov, Simon Faibisovich Paul Pepperstein and so on. And if you stand in the gallery this year before a Ukrainian Stas Volyazlovskiy with psychedelic leaf "choreographer" of Boris Moiseev, surrounded by a vast number of cultural references - from the Torah and the elements of Russian folklore to rhinestones and lace - not necessarily that bought it will certainly Russian buyer .

"There is a kind of visual culture. This differs from the Russian foreign buyer - he was ready to buy something that it is not clear. Okay, I then translated this part of the text, I learned later, who is Boris Moiseev. But it (the buyer ) involves the way it looks, it's interesting, "- said the owner of Regina Vladimir Ovcharenko.

"It is different and the London crowd at the fair. It is more focused on the art of spectacle, a bit of a challenge, with some tension," - he explained.

Both Russian picture resulting from participation in the fair are traditionally satisfied. According to Selina, the closing day of the show before the official opening of the gallery had already sold two works.

http://www.rian.ru/culture/20101014/285343025.html

[Тютчев]

Frieze Art Fair

[Тютчев]

Frieze Art Fair .

[Konstantin]

The second picture is Leslie Vance - very good.
Well, of course, and skull - 5 balls.

[Евгений]

Konstantin, I agree with you, an interesting show, sorry for Russian, contemporary artists, virtually no ..

[Тютчев]

Keith Farkar - well done!
I do not understand what was happening, but can not tear myself away!
Thank you, Keith! ..

[NATA NOVA]

Сообщение от "Tiutchev

I do not understand what was going on,

In peypale, of course!

[Vladimir]

Сообщение от Eugene; 1332541"

interesting exhibition, sorry Russian, contemporary artists, virtually no ..

Involving two Russian Gallery: Regina and XL. Here is their card:
1. http://www.friezeartfair.com/yearbook/exhibitor/1000953
2. http://www.friezeartfair.com/yearbook/exhibitor/1000825

In addition, in a parallel program Frieze project is open Club21, ogranizovanny gallery Natalia Akhmerova. http://www.onemarylebone.com/There also works by Russian artists. So we are in London

[Тютчев]

Сообщение от NATA NOVA

In peypale, of course!

NATA NOVA, start to realize that the main thing here. The main thing here - the idea! A label can be very different. In English, many words. English is not enough, you can take words from other languages. You can write characters, all sorts of characters, draw the flags of States. It may seem that the idea is not new. After all, tattoos are applied to different parts of the body. But the use of stencils in this case I'm watching for the first time. Just think, what are the prospects! Now everyone can join the art! Would have been the foundation and the stencil. On the basis, I think, no problems. In the end, not someone else - you can use your own. With regard to the stencil, then, of course, it can be cut, but this takes time, but it usually is not! So it makes sense to manufacture stencils specifically for the art direction. And finally convince artists to buy stencils, so that's that for convenience they will be, on the one hand, covered with glue (which does not irritate the skin), which will facilitate their use. Well, of course, of course, stencils should be easily removed without leaving adhesive residue. You see, you can earn good money!? Of course, you somehow heated in the community interest in this direction. For example, to organize international competitions for the best product. Connect the major museums of contemporary art, to use the media finally Saatchi will help (and where he go?)! And, I think it will go!

[Евгений]

[QUOTE="Vladimir; 1333711]involving two Russian Gallery: Regina and XL.
Here is their card:[/QUOTE]

Judging by the cards, put two of work and all?

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Сообщение от Tiutchev

start to understand that the main thing here. The main thing here - the idea!

All right, here are the views and the classics: Joseph Kosuth argues that art exists more in the mind of the creator, rather than in themselves creations. His works are a paradox: as an artist, he has to create art but they thus lose their identity as objects and become abstract ideas. As he created the song "One and three chairs" (1965) used a photograph of Kossuth chair, this chair, and the dictionary meaning of the word "chair". It was shown the difference between the three aspects of perception of works of art: a visual representation of an object (picture a chair), the real object (the chair itself) and intellectual idea (dictionary meaning). Reality, image and idea - here are three of the perception of an object.
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In conceptualism concept works is more important than its physical expression, the purpose of art - in the transmission of ideas. Conceptual objects can exist in the form of phrases, text, charts, graphs, drawings, photographs, audio and video materials. The object of art can be any object, phenomenon, process, because conceptual art is a pure artistic gesture.
One of the founders of the flow, an American artist Joseph Kosuth, saw the value of conceptualism in the "radical rethinking of how the works of art - or how the culture itself ... art - it is the power of ideas rather than material." Conceptualism was a classic example of his song "One and three chairs" (1965), including a chair, his photograph and description of the object from the dictionary.
Conceptual art is not drawn to the emotional perception, and to the intellectual comprehension of what he saw.
1.Dzhozef Kossuth
2.Dzhozef Kossuth, the compositions of the One and three chairs "(1965)

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Сообщение от Tiutchev

I do not understand what was happening, but can not tear myself away! Thank you, Keith !..

That's Saul Levitt explains what and how, should read more respected Tiutchev ...
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Abstracts of conceptual art
1. Conceptual artists are mystics rather than rationalists. They come to their conclusions to which logic can not lead.
2. Rational judgments repeat rational judgments.
3. Irrational judgments lead to new experience.
4. Formal art is highly rational.
5. Irrational ideas should be consistent and logical.
6. If an artist changes the decision in the middle to complete the work, he reviews the result and repeats past results.
7. The will of the artist is secondary to it initiates the process from concept to completion. His willfulness comes from his ego.

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8. If you use words such as painting and sculpture, they imply the artistic tradition and involves a sequence of adoption of this tradition, thus limiting the artist, who are reluctant to make art, "going beyond".
9. The concept and idea are two different things. The concept sets the overall direction, the idea is a component of the product. Ideas can implement the concept.
10. Ideas can be works of art are included in the chain of development, which eventually may acquire the form below. Ideas should not necessarily be realized in the matter.
11. Ideas do not necessarily develop in accordance with logical principles. They can ask an unexpected direction, but the idea certainly has to get the end in mind, before there will be new.
12. For each product to have a physical form, there are many variations that were not embodied in matter.
13. The work of art can be viewed as a conduit between the artist's mind and intellect viewer. However, the product may never reach the viewer, or it can also never leave the mind of the artist.
14. Words of one artist against another may give rise to a chain of ideas, if both artists share a common vision.
15. None of the forms does not exceed the rest, so the artist can use any form - from verbal expression (written or expressed) to a physical object.
16. If words are used and they stem from ideas about art, then they are art, not literature, numbers are not mathematics.
17. All ideas are art if they are connected with art and fall within the norms of art.

18. Typically, the art of the past to understand, correlating it with the norms of the present understanding of why art of the past is wrong.

19. Works of art change the rules of art.

20. Successful art changes our understanding of the norms, changing our perception.

21. Perception of ideas leads to new ideas.

22. The artist can not imagine his art, and can not comprehend it until, until it is completed.

23. The artist may falsely perceive someone else's work of art (fine from the artist-author), but this confusion can initiate it's own chain of thought.

24. Perception is subjective.

25. The artist did not necessarily understand his own art. His perception is not better or worse than others.

26. An artist can take someone else's art is better than his own.

27. The concept of art can include a material in which the work is done, or the technique of its creation.

28. Once the idea of work was defined in the mind of an artist and decided the final form, the process is blind. There is a lot of side effects that the artist could not imagine. They can be used as ideas for new products.

29. The process is mechanical in nature, should not interfere in it. He must go his own way.

30. In a work of art involved many elements. The most important of them - the most obvious.

31. If an artist uses the same form in a series of papers and material changes, we can assume that the concept of an artist associated with the material.

32. Banal ideas can not save a great performance.

33. Difficult to spoil a good idea poor execution.

34. When an artist too to hone their skills, he will obtain a smooth art.

35. These abstracts are no comments for art, but art.

First published in the "0-9" (New York), 1969, and "Art-Language" (England), 1969.
http://xz.gif.ru/numbers/69/paragr-concept/