Miro in the MMSI

[Konstantin]

Joan Miro in the MMSI

[QUOTE] MMSI, April 26 - June 9, 2013
Moscow, Gogol Boulevard , 10

Tonight, in the halls of the MMSI on Gogol Boulevard , 10, opens the exhibition " Joan Miro . Images of the "timed to the 120th anniversary of the birth of the world-famous Spanish painter , graphic artist and sculptor Joan Miró, the spiritual father of the modern avant-garde, one of the leaders of the abstract and surrealist trends in the art of the twentieth century.

Chodil the exhibition - amazing. One of the best and most interesting in recent memory. Very large , very interesting and high-quality framed - great.
A press conference was held on the stairs , the main and the only downside press conference - a quiet voice translator . As if its not. A large delegation of Spaniards emotionally and talked a lot , and here - op and silence. The mouth opened, but no sound .
The highlight of the exhibition - the artist's studio made ​​in the style of " Borodino panorama" with these tables and paint artist.

[Konstantin]

I repeat - a large exhibition , in Russia this has not been , and continues to educate the Russian public , which began exhibitions of Dali and Picasso. That is, the Spanish firm undertook familiarization us to perfect.
7. and 8 pictures - they started with figurative art in Miro. While he said that he did not like any figurative abstraction , it's all concrete things, objects and images.

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It is a pity that during our media tour in most of the pictures did not have signatures.
10-20 were no more and then mostly with the words "no name" and "undated" - well, they might just be easier to hang.

so let's enjoy the pure art of impurities without meaning.

[Konstantin]

It is a pity that during our media tour in most of the pictures did not have signatures.
10-20 were no more and then mostly with the words "no name" and "undated" - well, they might just be easier to hang.

so let's enjoy the pure art of impurities without meaning.

[Konstantin]

No pictures are hung haphazardly, but on the topics of creativity, I was shooting in a row, so that approximately the same and work.
What really surprised - curriculum vitae exhibitions. Suddenly, you see that in the complex for such a creative time 1937 - 1945 he managed to hold exhibitions in Spain and in the United States . If you recall the time of Nazi Germany and its relation to degenerative art , the Franco seems to appreciate and understand the art more.
Although not specifically the subject studied and correct if wrong .

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But actually surprised himself was not shocked some special power.
What is expected from these paintings and it's weird.
The pictures do not dazzle, do not attract and dip.
This does not mean that they are bad, not great, and get pleasure from their contemplation, but no more.

[Konstantin]

But actually surprised himself was not shocked some special power.
What is expected from these paintings and it's weird.
The pictures do not dazzle, do not attract and dip.
This does not mean that they are bad, not great, and get pleasure from their contemplation, but no more.

[Konstantin]

Moving on.

The exhibition has a chic location.
Yesterday it was released and heavily encrypted, so cheeky journalists rushed to beg for a freebie.
Nothing.

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The last series .
What advise those who , viewing these photos, suddenly decides that this is enough - be sure to go and see live.
At least in order to read the captions to the pictures of the same .
And they, apparently, and will add greatly to the sense and understanding of the artist and his work.
For example the last picture is called:
- A woman with disheveled hair because of the birds at dawn.
Huh? What ? And so the main thing is if you look closely .

[Konstantin]

The last series .
What advise those who , viewing these photos, suddenly decides that this is enough - be sure to go and see live.
At least in order to read the captions to the pictures of the same .
And they, apparently, and will add greatly to the sense and understanding of the artist and his work.
For example the last picture is called:
- A woman with disheveled hair because of the birds at dawn.
Huh? What ? And so the main thing is if you look closely .

[Кирилл Сызранский]

Сообщение от Konstantin; 2573311"

Suddenly you see that in difficult times for such creativity 1937 - 1945 he managed to hold exhibitions in Spain and in the United States. If you recall the time of Nazi Germany and its relation to degenerative art, the Franco seems to appreciate and understand the art more.

Frankiz only lane. floor. 40s once tried to create his official imperial style, but after the collapse of Hitler's was Spain's economic and political crisis, it became necessary to build a new ideology (" Spanish special way " <! - ~ 1 ~ -> yes) and flirt with the Western democracies.

None of the trends in the art has not been declared "objectionable" or "degenerative", Franco did not thugs "formalists" at the shows, it would seem revolutionary directions were not regarded as dangerous.
Of them even decided to make the most for the creation of a positive image.
Many artists have left after the defeat of the Republicans pokanuli Spain, of course, but other than Dali and Miro himself quite worked under Franco and Anthony Tapes, and Antonio Saura, and Eduardo Chillida and Jorge de Oteiza, and Antonio Lopez Garcia, and Francisco Lopez Hernandez and Amalia Avia.
T. b. some of the "iron curtain" in Franco's still not there, you can freely go /come, study and work outside of Spain.

[Jasmin]

Basically, Franco saved Spain from the present fascism and German Nazism.
Hitler really did not complain.
<! - ~ 9 ~ ->

[Кирилл Сызранский]

Сообщение от Jasmin

Basically , Franco saved Spain from the present fascism and German Nazism . Hitler really did not complain. <! - ~ 9 ~ ->

You are almost repeated the words of Dali. <! - ~ 1 ~ ->
Speaking of Dali
In 1964 he received the official recognition of the regime as a major national award of the country , Isabella the Catholic "[/URL], for " patriotic behavior of the great artist ".
Who handed him the order of the then Minister of Information and Tourism ( and future Deputy Prime Minister and Interior Minister in the first government of Spain, formed after the death of Franco ) Manuel Fraga Iribarne /Manuel Fraga Iribarne ( one thousand nine hundred twenty-two - two thousand and twelve ) said that his services involve not only " of his work ", but that " he remained faithful to the Spaniard in difficult times (...) and did not give up his passport ".
During both .