Diana exhibition Vouba "Moscow. Empire" in a freak show INUTERO

[inutero_gallery]

-Panopticon INUTERO-

1 - July 30, 2011
Exhibition opening: June 30, 2011, 19:30



MOSCOW. EMPIRE.
Diana Vouba
Painting


 At the beginning of the hottest month of summer, when the city begins to reign scorching heat, the days stretch forever and the nights do not bring the desired relief, presents an exhibition of waxworks INUTERO Diana Vouba "Moscow. Empire "- a mature and an extraordinary artist in Moscow, had been unfairly overlooked the attention of the crowd and meinstrima, but passionately and devotedly loved his viewers and connoisseurs of art. Her portraits of extraordinary strength, great architecture and dynamic interpretation of abstraction immediately cling to its perfect geometry and a powerful energy, but an invisible glass does not see the secret recipe and pictures.
One of the main themes of her work is without doubt the city. Moscow - the heart and capital of the empire and the empire itself, created by generations of people for almost a thousand years, but living separate lives. In this city imprinted various times, virtually all architectural styles, the country's history and the fate of millions of people. Reaching into his consciousness city can not afford living in it man. And Vouba collects far from Moscow in the human dimension of the mosaic pictures.
Moscow in pictures Vouba deserted, but not lifeless. Giant City - a single organism, a living creature, the arteries that move people and cars on a daily basis. Domes, walls, streets, bridges, glitter and marble chipped brick up his body. Each picture Vouba, as part of a picturesque array, shows the hidden side of things. As an artist says about itself, its task -'videt invisible and make it visible to others.' Thus, the corner of my eye, almost by accident we are doing in the head photos, whiz past the industrial area in the car or subway car. Of these fragments is complicated by the artist hidden from the bustle of the inhabitants of the city's appearance a secret, a portrait of Moscow.
Conceptual complement to the exhibition will be the text accompanying each picture to Catherine Kravtsova, author of books on Moscow, which will give interesting historical facts and excerpts from literary works. At the exhibition opening June 30 will perform a duet extraordinarily charismatic jazz singer Christina Sofinoy and talented instrumental improvisation STRIKE PAINTS.





We are waiting for you at the address: Moscow, Nizhnyaya Syromyatnicheskaya 5 /7
Design Center «ARTPLAY on Yauza" Building 9, 3rd floor, freak show INUTERO
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Moscow ornament Diana Vouba
Imagine that you stand on the Kremlin embankment and watch now serving. But instead of a new church and bell tower of St. Sophia Hotel Baltschug Kempinski can see the white boat in a glittering sea of ​​glass. On the left, in place of River Tower, which pierces the sky over the House of Music, stands before the war came and stayed forever liner. On the horizon, black spots of marine caravan, and from all sides - weaving their endless unique pattern of the wave. This - Sukhumi. Sit on the bow-legged (pre-war yet?) Stool, grab a cup of black coffee. Look how the streets are woven into a breathable body of water as the city itself is breathing, rising and falling on the rim of the mountains. Sukhumi Abkhazia lives on earth along with mountains and sea, not overshadowing them with his weight. Moscow - is another matter. It is too vast to seem part of Russia, and too strict, to see life in it. But the artist who was born in Abkhazia Vouba Diana sees a living organism and Moscow, where she has lived for a long time.
Moscow in pictures Vouba deserted, but not lifeless. Giant city - one being, the arteries that move people on a daily basis. Domes, walls, streets, bridges, glitter and marble chipped bricks make up the body in Moscow, created by people, but living separate lives. Cover the entire body of the city can not afford living in it man. And Vouba collects far from Moscow in the human dimension of the mosaic pictures.
Similarly, as people on a parallel structure, looking at the city in the era of the triumph of industrialization. Constructivist views, which are input into the subway station Red Gate (work number 3 in a series of 'City') and the towers of the Kremlin and the Cosmos Hotel does not provide a human presence. Just the pictures of the new Moscow Rodchenko man enters the frame by accident, as an optional supplement to the building or punched through the thick city avenue. Compare 'ladder' of Diana Vouba and 'Stairway' Alexander Rodchenko, photograph '30 year. Where a photographer, a constructivist passer throws a shadow on a uniform course of steps, the strict Vouba alone rascherchivayut shadow stones. And it seems - these stones are alive.
This is a fundamental difference between the analytical view of pathos Vouba builders of a new life: whereas a constructivist city was a machine for Vouba it - a living creature. Of toxic-pink, crushed palette knife on a gray-blue, created an unprecedented man, but breathing and alive sky.
And in the living body that are organically linked dawn, the red towers of the Kremlin and hung in front of a transparent blue-urban landscapes: the church of St. Barbara and New Shopping Malls, type c Ozerkovskaya embankment to the distant spire of the illusion. Look at each other and the dome of St. Basil mausoleum, surrounded the hall of the gallery INUTERO as well as their counterparts held in Red Square Stone embraces.
The painting 'dome' of the series 'Red Moscow' does not have an Pokrovsky Cathedral dome, but its ornamental piece. And the mausoleum, and the Historical Museum on the opposite wall are also shown only its part. This facet gives sight to experience the vastness of Red Square and surrounding the germ in the charge and Zamoskvorechye urban masses. Urban mosaic Vouba composed on the basis of lomography. Mosaic LOMO-walls, built of thousands of random in terms of the professional photographer's shots, acquires a new quality and depth. And each picture Vouba, as part of a picturesque array, shows the hidden side of things. As an artist says about itself, its task -'videt invisible and make it visible to others.' Thus, the vertical composition of the industrial landscape 'City of number 10' with the clouds of the outgoing pipe and the two profiles (perhaps applicable here is the word) cooling towers can catch a corner of his eye, whiz past the industrial area in the car or subway car. Fragments of Vouba complex hidden secret of fussy people image of the city, a portrait of Moscow.
Urban scenes captured Diana Vouba peripheral vision. The artifact, which glides on without noticing, look, it becomes a painting Vouba noumenon; mass disintegrates into parts and in the fullness of his loneliness reveals a painter. Understandably the essence of nature is connected musical rhythm.
The world as it sees Diana Vouba is not only an object, but also a wave nature. The visual form of emotion is characteristic only of her rhythm, and the artist must capture and convey the music still, but still living. Careful attention to which Vouba wrote on meter canvas joints with rose petals in a series of 'Geometry rozy' - a lesson in visual analytics, design a flower unfolds in the weightless Suprematist blocks that are as close as can painting, bring the form to the movement of music. Items in the pictures Vouba migrate from space to space touch the world of dance, for a single flower, the human and the City.
In the rhythm created by Moscow and Diana Vouba stories. That 'spirit', which are looking for, drawing the city, many artists, is an inherent feature in the works Vouba who hears this music space. Series' Red Moscow ',' City ',' Moscow embankments' on show 'HHHH' - painting caught the rhythm of the city. Kremlin towers, the streets Charges Crimean bridge, skyscraper at Tinkers and just nameless wall paintings on the puzzle elements are Vouba that if the key is going into a single urban pattern. In his line strung herself an artist, and gallery INUTERO, and casual viewers.



Arseny Steiner

[inutero_gallery]

Moscow ornament Diana Vouba
Imagine that you stand on the Kremlin embankment and watch now serving. But instead of a new church and bell tower of St. Sophia Hotel Baltschug Kempinski can see the white boat in a glittering sea of ​​glass. On the left, in place of River Tower, which pierces the sky over the House of Music, stands before the war came and stayed forever liner. On the horizon, black spots of marine caravan, and from all sides - weaving their endless unique pattern of the wave. This - Sukhumi. Sit on the bow-legged (pre-war yet?) Stool, grab a cup of black coffee. Look how the streets are woven into a breathable body of water as the city itself is breathing, rising and falling on the rim of the mountains. Sukhumi Abkhazia lives on earth along with mountains and sea, not overshadowing them with his weight. Moscow - is another matter. It is too vast to seem part of Russia, and too strict, to see life in it. But the artist who was born in Abkhazia Vouba Diana sees a living organism and Moscow, where she has lived for a long time.
Moscow in pictures Vouba deserted, but not lifeless. Giant city - one being, the arteries that move people on a daily basis. Domes, walls, streets, bridges, glitter and marble chipped bricks make up the body in Moscow, created by people, but living separate lives. Cover the entire body of the city can not afford living in it man. And Vouba collects far from Moscow in the human dimension of the mosaic pictures.
Similarly, as people on a parallel structure, looking at the city in the era of the triumph of industrialization. Constructivist views, which are input into the subway station Red Gate (work number 3 in a series of 'City') and the towers of the Kremlin and the Cosmos Hotel does not provide a human presence. Just the pictures of the new Moscow Rodchenko man enters the frame by accident, as an optional supplement to the building or punched through the thick city avenue. Compare 'ladder' of Diana Vouba and 'Stairway' Alexander Rodchenko, photograph '30 year. Where a photographer, a constructivist passer throws a shadow on a uniform course of steps, the strict Vouba alone rascherchivayut shadow stones. And it seems - these stones are alive.
This is a fundamental difference between the analytical view of pathos Vouba builders of a new life: whereas a constructivist city was a machine for Vouba it - a living creature. Of toxic-pink, crushed palette knife on a gray-blue, created an unprecedented man, but breathing and alive sky.
And in the living body that are organically linked dawn, the red towers of the Kremlin and hung in front of a transparent blue-urban landscapes: the church of St. Barbara and New Shopping Malls, type c Ozerkovskaya embankment to the distant spire of the illusion. Look at each other and the dome of St. Basil mausoleum, surrounded the hall of the gallery INUTERO as well as their counterparts held in Red Square Stone embraces.
The painting 'dome' of the series 'Red Moscow' does not have an Pokrovsky Cathedral dome, but its ornamental piece. And the mausoleum, and the Historical Museum on the opposite wall are also shown only its part. This facet gives sight to experience the vastness of Red Square and surrounding the germ in the charge and Zamoskvorechye urban masses. Urban mosaic Vouba composed on the basis of lomography. Mosaic LOMO-walls, built of thousands of random in terms of the professional photographer's shots, acquires a new quality and depth. And each picture Vouba, as part of a picturesque array, shows the hidden side of things. As an artist says about itself, its task -'videt invisible and make it visible to others.' Thus, the vertical composition of the industrial landscape 'City of number 10' with the clouds of the outgoing pipe and the two profiles (perhaps applicable here is the word) cooling towers can catch a corner of his eye, whiz past the industrial area in the car or subway car. Fragments of Vouba complex hidden secret of fussy people image of the city, a portrait of Moscow.
Urban scenes captured Diana Vouba peripheral vision. The artifact, which glides on without noticing, look, it becomes a painting Vouba noumenon; mass disintegrates into parts and in the fullness of his loneliness reveals a painter. Understandably the essence of nature is connected musical rhythm.
The world as it sees Diana Vouba is not only an object, but also a wave nature. The visual form of emotion is characteristic only of her rhythm, and the artist must capture and convey the music still, but still living. Careful attention to which Vouba wrote on meter canvas joints with rose petals in a series of 'Geometry rozy' - a lesson in visual analytics, design a flower unfolds in the weightless Suprematist blocks that are as close as can painting, bring the form to the movement of music. Items in the pictures Vouba migrate from space to space touch the world of dance, for a single flower, the human and the City.
In the rhythm created by Moscow and Diana Vouba stories. That 'spirit', which are looking for, drawing the city, many artists, is an inherent feature in the works Vouba who hears this music space. Series' Red Moscow ',' City ',' Moscow embankments' on show 'HHHH' - painting caught the rhythm of the city. Kremlin towers, the streets Charges Crimean bridge, skyscraper at Tinkers and just nameless wall paintings on the puzzle elements are Vouba that if the key is going into a single urban pattern. In his line strung herself an artist, and gallery INUTERO, and casual viewers.



Arseny Steiner