Показать сообщение отдельно
Старый 03.02.2014, 14:48 Язык оригинала: Русский       #27
Banned
 
Регистрация: 17.09.2013
Сообщений: 432
Спасибо: 296
Поблагодарили 285 раз(а) в 178 сообщениях
Репутация: 572
По умолчанию

Цитата:
Сообщение от Maroussia Посмотреть сообщение
Well, what about this :



You can just speculate here without reading the theoretical justifications Ms. Ulemnovoy :

" Interesting layer of Tatarstan art that reflects the search for a new artistic language that conforms to the changing conditions of life, aspirations cocky young artists Kazan late 1910s - 1930s , formed first in the Kazan Art School , and then built on its base of Kazan free public art workshops.
...
For short term hardship Kazan artists was established enough to talk about Kazan forefront , as an integral phenomenon with its own specific features due to mutual influence and complex synthesis of Russian and European avant-garde forms , enriched Tatar national traditions. If the concept of " Russian Avant-Garde" is now known to all and involves a well-defined , has become traditional , a set of names and symbols , the Kazan Art 1910 - 1930 , presented at the exhibition demonstrates that the limits of its much wider outlined Moscow and St. Petersburg . "

http://forum.artinvestment.ru/showthread.php?t=230401

A significant article so that was published not only in the forum, but also on the site Art Investment
See no sedition ...

Цитата:
synthesis of Russian and European avant-garde forms , enriched Tatar national traditions
Synthesis of derivative .

But the process was going and active process .



annagavr вне форума   Ответить с цитированием
Этот пользователь сказал Спасибо annagavr за это полезное сообщение:
natalia-v (04.02.2014)