[Art-lover]

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Subject Utopia today is one of the most pressing issues in order not only Russian, but also for world art, as the crisis-ridden world has lost a sense of vector directed into the future. In the early 20 th century, this vector is declared to European modernism and especially Russian avant-garde. Russian avant-obsessed new world reconstruction, plastic develops the theme of motion, flight, and the horizon of man's place in the world, trying to identify the basic universal elements that describe the relationship between man and cosmos.

Ideology and traditions of the Russian avant-garde force of restraint in the Soviet Union in the mid 1930's, were universal energy and the plastic base, feeding the world art, architecture and design throughout the 20 century. The fall of the Berlin Wall was a moment of loss of social and artistic utopias, and the crisis of 2008 ultimately articulates the tragedy.
Politicians, sociologists, economists, artists around the world, and finally each of us in the early 21 st century re-search motion vector and some new utopia that could fill a life with a new vital force. In this search for natural appeal to the traditions of Russian avant-garde early 20 th century.
Paul Pepperstein to be released worldwide primarily for his work related to both ironic and romantic traditions of the revision of Russian avant-garde in their new works presented at the exhibition "mutating utopia" using a visual dictionary of Russian Suprematism, refers to Greek mythology, which to date seems an ideal world harmony and sustainable world order. Looking for a future artist performs the audit of the past. Greek mythology and mythology of the Russian avant-garde at first glance not fundamentally joined by elements of the diametrically different conceptions of philosophy. However, at first sight absurd artistic game often became the golden key to the secret door swings open in the future.

Olga Sviblova
http://nl-nl.facebook.com/event.php?eid=156969517672739

Thus pillar of the exhibition is Pepperstein, etc. fastened to it.

In my opinion, it would be interesting to interpret the Russian avant-garde in the language of ancient Greek sculpture. >