This paper suggests that counterfeiting is not only an integral part of the art market, but also necessary. Some kind of additional issue of works of art potential price increases that have not yet been exhausted, and works on the market anymore. In the case of a successful time of placement and quality, fake work accepted by the market and receive equal rights with the originals. In the case of failure of timing (the market is saturated), they are rejected.
In the film, Orson Welles, this idea is also present, in fact there is asked whether to be more valuable than the original forgery.
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