Цитата:
Сообщение от sergej74
Why do bad things: cool: there are good. Gharani like it here in the price of zakarpate poshel.potom Burcu good artist and we have to zakarpate expensive
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Nothing outstanding or in Gharani nor Burcu not, in my opinion. Of course, there they are very beautiful things, not argue. But, IMHO, this is - a clear example of quality, professional and nice paintings (and drawings, if you talk about the Guarani) to adequately low prices. Well, for what they pay, in fact? What their chip? When Burcu in Transcarpathia had become expensive, I wonder? :-) I have missed something, maybe ...
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Цитата:
Сообщение от Maikl
Moscow, too, was not built .... everyone needs to go its own way ... look at the last auction Odessa 12.10.08 ... course I do not Sotbys but a number of works have been very even ....
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Yes, and how many of these works was that? 3? 10? 20? Of course, I understand the burning desire of the organizers of the auction to increase the capitalization of its collections Odessa nonconformists by fixing some more or less high prices of these authors. But outside of Odessa is in most of unsaleable things en masse, and they will not, in contrast to the same zakarpattsev. I emphasize - not everything, but mostly. A pre-Soviet and Soviet academic period on this auction before it was disgusting. Shame on you, girl (s) O. Bender.
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Цитата:
Сообщение от Cyril Syzransky
sergej74, and who said that Transcarpathian-bad?
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There are others. Our first zakarpattsev "accused" in the secondary - in imitation Hungarians, Austrians, etc. It is clear that senior Transcarpathians not fall from the skies - but still every person found his in the end. Any work with the private signature stands immediately and without a doubt. But the baby boomers - there is repetition of teachers, followers so to speak, but they do not need anyone yet.