[Pavel]

Сообщение от Sim

The debate seems to have faded away, never going out of the emotional framework (in the sense of categorical apparatus ).
I remember, 100 years ago, my friend came from Poland (may be during martial law, Jaruzelski, Solidarity, and so on). Ie in troubled times. She said that she saw on the wall in Krakow in a fairly public place with the inscription "Polonia - whore. We do then was amazing, but we then realized that this is a symptom of a social syndrome. In contrast to the discussion photos (convinced that the symptom of the same syndrome, as semantically - the same thing) the emotion is expressed verbally, and not figuratively. There should be treated no symptoms and syndromes, ie, conscious mind the circumstances of its social, political reality and learn to experience these circumstances with dignity, without any incidents or at least not participating in the excesses. Ie I'm what all this is set forth? And the fact that we should try to realistically analyze their deystvitelnst and see objectively, "whore" or not. And then you have somehow always the artist's fault. This is a bad symptom when the society instead of at yourself in the mirror to see the artist's fault.
Still there are some considerations of psychoanalytic character, but more on that later (maybe, see how the discussion turns).
Shl any country specifically do not want to offend. I hope, will understand correctly.

Imagine, this is every need to repeat this explanation
Imagine "The Dance" by Matisse, there must be something is explained? So much for the distinction of art and provocation. Then these shtuchka and recall will not be branded in one word and all

Added after 3 minutes

Сообщение от Vladimir

Bar to the question of the status of the artist and the situation Bratkov in contemporary art. In early March, "garage" (Daria Zhukova's Center) will be the exhibition "futurology" and "Utopia". Very good selection of personalities. And in "futurology" engaged Bratkov.

"Garage" minus Abramovich is just a garage.