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Сообщение от Seriy
iside, thanks, very interesting!
On Bacon's little similarity-Bacon diametrically opposed attitude to work with color and composition. Closer to Auerbach.
Critic, probably right when referring to the blue and rose period Picasso. Yes, and later Picasso liked to write a great picture in three colors-white, black, ocher.
I liked very much how it works with chromium dioxide, velvety depths. The love of chromium is similar to Nesterovoj park write alike.
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As for Auerbach and Nesterova, I do not quite agree - both very important texture. The texture of Auerbach's very spontaneous and I like it, Nesterova "shapes relief", and I was a bit annoying, but in general I treat her well. A painting is flat - (just do not get me wrong - all that I want to say is that it is no relief!).
At Wyeth insist pikassinogo influence of something I do not see (for me it's a compliment!)
I would like to understand the chronology of sugi creativity - not yet quite clear: I would have taken his meals at the initial stage of his work, there are clearly observed the influence of all of this Italian metaphysical painting, but it turns out it is not so ... In short, we must understand
