Цитата:
Сообщение от Cyril Syzransky
Couple of names to give the correct orientation, please.
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Well I dyarevnya - only know its
, though .... yes same Kocheyshvilli,
Charyshnikov, Perevezentsev, Orlovsky, Gorokhovskiy, Vashchenko (those exhibited) ...
We are Volovich (the most successful artist in the city, strangely undervalued), Metelev (fully printed graphics on the existence of which few know), in Bortnikov Tagil, Chelyabinsk - Fokin, Cherkashin, Latfullin - although this is a bit later, but trend is close.
They are many and a lot of good in the regions. It's all "Khrushchev set" and the post-Khrushchev also
(sent to the major provincial cities in distribution, provided some comfort for the life and work)
Added after 9 minutes
Цитата:
Сообщение от Peter
wharf, And how you look at the opportunity to work with pictures of the period since the late 60's to late 80's, when artists are old or have retired from zhizni.Osobennuyu known they received and picturesque dignity and originality of their prisutstvuet.Kartin accumulated dostatochno.Vozmozhno whether the resurrection of their creativity of "nothingness" and the promotion of art market? Navernika in each region there are two or three of these "forgotten" talent.
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Very good attitude. And many are still alive and even cheerful.
We looked to these artists was in good shape - just Mosin, Brusilovsky, blizzard, Filonenko Antonov - the most notable artists in the city. This can be explained by the fact that the city has a faculty of art history and cultural studies and led by people indifferent to the subject, and not just talking shops. And maybe the fact that the Hermitage during the evacuation, we forgot containers with part of its collection of Russian avant-garde, so much so we gave them.
Constructivist architecture (a little, but very intersnaya).
The only pity is not enough all of these people
envy capital .