[iside]

Returned in Cesena in 1951. The next period (to 1956) marks a transition from "social realism" to the "existential".

Some critics, who see his paintings of those years as depression and pain Alberto sugi replied: "Since my first show in Rome in the 50 years I have made an interesting discovery about my work said they were sad and depressing ... But I never used a gray color to make the sadness and pink for hope. When you paint, the mind and the hand act with purpose and determination. The purpose of painting is not pity, but to represent.

In those years it was customary to talk about Alberto sugi as a realist, Antonello Trombadori put it on a par with Edward Hopper.

Добавлено через 12 минут
In 1963, the realism of the artist begins to dominate the social issue.