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Сообщение от sergejnowo
about me fufel last year at the schloss-ahlden, I showed it on the forum, and this work, one hand. They and the origin of "one - of a Berlin.
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Here I agree with you. But I judge differently, I do not see live, but I see what you can see even in poor reproduction - the idea and composition. I Shishkina one depended on another, it's all good masters so. He had an idea (in all jobs) the majesty of nature in general and the majesty of nature in Russia. And he did it through some kind of major figure, or rather, in his case, through some kind of large mass, a tree or group of trees and they are very expressive and always central. He has no boring tracks. He has a tree-king (oak in the middle of the field) or a group of compressed or greatness is expressed, as in the ship's wood. A discussion of the painting "from the Berlin" we have nothing. Boring composition - the division of the canvas almost in half, not the main "character" or group. A tree that could receive special attention of the viewer crooked!