[Артём]

Сообщение от sergejnowo

This story should be happy, the bears should be similar to the bears, dawn itself mysterious thing.

The idea suggested to her Shishkin, KA Savitsky, but do not exclude the possibility that the impetus for the emergence of landscape paintings in 1888 served as the "Fog in a pine forest," written in all probability, as the "windfall", after a trip to Vologda forests.


Apparently, "Fog in a pine forest, has successfully exhibited in a traveling exhibition in Moscow (now in private collections in Czechoslovakia) gave birth to a Shishkin and Savitsky mutual desire to write a similar motives of landscape to include It kind of genre scenes frolicking with bears. After all, the leitmotif of famous paintings in 1889 is precisely the mist in a pine forest. Judging by the description caught in Czechoslovakia, the landscape, the background of his plot with a dense forest like a distant view full of oil sketch for the painting "Morning in a Pine Forest, owned by the State Tretyakov Gallery. And it once again confirms the possibility of the relationship of the two paintings. Apparently, on the design Shishkin (ie the way they were designed landscapes), Savitsky, and wrote the bears in the picture. These bears with some differences in attitudes and number (first there were two) appear in all the preparatory sketches and sketches Shishkin. And there were many. Only in one State Russian Museum, seven pencil sketches of options. Bears have turned a Savitzky so successful that he even signed with Shishkin in the picture. However, it has acquired P. Tretyakov removed signature, deciding to adopt for this picture only authorship Shishkin. After all, it "from conception and ending with the execution, everything speaks of the manner of painting, the creative method, proper to Shishkin".