[Кирилл Сызранский]

Сообщение от qwerty

it has the strongest impact on the artistic life of Munich

finds no support in official academia, and Jawlensky Verevkina decide to go to Europe, one of the "hot spots" in the development of a new art (In 1896, after his father's death, Marianne Verevkina begins to receive annual pension to which she and Jawlensky will live up to the First World War). Their choice stops at Munich, one of the main centers of artistic activity, the pole of attraction of the Scandinavian and Russian artists. Marianne Verevkina arrived in Munich with Alexei Jawlensky, Igor Grabar and Dmitry Kardovsky. In Munich salon Verevkina gather members founded the Brotherhood of St. Luke's it - various artists, including Wassily Kandinsky, Gabriel Munter and Paul Klee.
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Verevkina Theoretical Reflections on "abstract art" as "domestic art" (they are set out in "Letters to a stranger"), to influence the members of the Modern Art Society "and" Blue Rider "will be Kandinsky later developed in his books 1909-1911-ies.
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The break with Jawlensky meant not only a way out of his influence, but a renunciation of the circle in which Verevkina played the role of theorist. One, Verevkina gains independence, internal balance, reborn as an artist ...

(quotation from an article by Irina Khomenko "Marianne Verevkina in Ascona: adoption.
 style ".
http://www.russiskusstvo.ru/themes/artist/a709/)