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Сообщение от Seriy
Allow me not to agree .. that's Kandinsky-3 than they differ from your first post in this topic?
What do you think, how it all happened? T e will simply be taken to resound in one palette? type sign of good form ... or a palette treated as a fashion? why the same palette yet?
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Differ
Not by the color and location of spots of color layers.
From Fauvism and cavalry, all more or less clear - was to see if write clean, unmixed colors, so we can see on their canvas, pure colors - but in the tubes, they are all the same.
Besides Mark, for example, has developed a system of symbolism of flowers.
As for the Russian, and not only Russian, sezannizma, the explanation lies in the peculiarities of the palette of Cezanne, which they exaggerated.
Now Cubists (analytical, OK? Later, they returned to the color). Why they had a weakness (criminal) for such a meager and dull color? I think that this "poor" palette was caused by a reaction to the light-color effects of the Impressionists, in which the size and structure have been "drowned" in the color-air-magma, and helped them focus on what interested them in the first place - make your own Space pictures out of a single point of view of the artist depicted, etc.
A? You think a plausible explanation?
I know, people lazy and so intuitive - I do not like to analyze
