In 1912 Campendonk created his first Cubist work. In addition to Cubism, in works Campendonk chuvstvuetsyaya influence Bavarian lubok and Marc Chagall, and Mark Macke and Kandinsky.
In 1920-1922 gg. He traveled to Italy, Frasca Giotto and Ravenna mosaics made a tremendous impression on him. Returning to Germany, he began teaching at the School of Fine Arts, Krefeld, which he himself had graduated. Four years later, in 1926, he joined the Academy of Arts Dbsseldorfa. In 1920. Campendonk became very famous for his work with glass. He - by stained glass windows for churches and office buildings.
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Past the Nazis to power it, of course, kicked out, and in 1937 he emigrated to the Netherlands, where he lived until his death in 1957
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You probably understand: I am very enthusiastic to work Campendonk not feel, though, and I understand that he is a good artist - a matter of taste, without any doubt (that's me in the fact that this is my problem, not Campendonk) - not that Mac, for example, or Mark, or Nolde, which is very, very much. But since I came to this crazy idea - to do, so to speak, "group portrait of the" Blue Rider "- it would be unfair to ignore the unloved Campendonk, let them hang