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In 1913, Mac moved to Switzerland, this period was extremely fruitful for him. He did not remain indifferent to cubism, especially the chromatic Cubism Delaunay (which Apollinaire called Orphism), but found his path: his work, filled with radiant color = atizmom chrome, full of peace: it rides on the lake, it woman, looked at the window of a fashionable shop , townspeople, drinking beer in a tavern in the suburbs. The freshness, delicacy and lyricism of this painting are inherent to it alone. Silhouettes of his graceful girls in the shade of the trees are inspired by artists postimpressmionizma, but the color and light in his works are not real, people often only identified, many studies have characters stand back or in profile to the audience. For Mac it is important not to portray some sort of domestic scenes, and identify her poetry. A certain primeval innocence, transparent stillness, calm, cloudless happiness - that's a world in which he lived, is the most (not to say "only") and harmonious of all the German artists of that time.