Another significant and very thin fake. Unfortunately, it was only known to date, a statue of Queen Tetisheri, preserved in the British Museum (EA22558). She was recognized as a fake in 1984, after studies Vivian Davis, and even exhibited at a special exhibition of the best imitations of Egyptian art. The monument that is widely known. Questions to the statue emerged from behind the strange-shaped headdress "neret. Text, interestingly, was executed almost perfectly, taking into account the peculiarities of epigraphy beginning of the XVIII dynasty.
Not so long ago in the U.S. through the University of Rhode Island tried to legalize another "king's portrait, this time -" Tutankhamen ", limestone, sorry, totally old style and primitive.
Again, we wrote about it,
and I gave a special comment about it.
A rare case, with authors caught counterfeiting - a sensational case of the "Bolton Princess - Princess amarnskoy sculpture made of white alabaster, which suddenly appeared in the UK was in 2003 acquired Bolton regional museum for 440 thousand British pounds. It was false, that quickly established the British Museum. Manufacturers - father and son - quickly found. It turned out that they have established extensive production, however, dealt mainly forgery of works of art of Mesopotamia. The British Museum has long been suspected them of creating a number of scandalous forgeries. Bolton's problem was that they acquired a monument, not sent to a consultation with an experienced expert, and agreeing with the opinion of the custodian of the local museum with a very meager collection. Apparently, very much like to get a collection amarnsky masterpiece (his photo - a massive princess in profile, noticeably copied from the famous Torso of Nefertiti from the Louvre, is attached).
With all the bronze and easier and harder at the same time. Her most frequently counterfeited. That is why the whole bronze usually done immediately materialovedcheskyaa examination. On the other hand, patina poddelschiki make a rough, tough, lengthy, trying to hide its coarseness work. Almost never forge bronze inlaid with other metals, which had been circulated in Egypt, but very difficult to manufacture. It is not tailored to the so-called "black bronze", replacing its usual in cases where the reasons for the ritual can only special material. The market the false Egyptian bronzes, old style and primitive and the ridiculous - the sea.
It is more difficult with FANS and glass. It is now pouring in Egypt, mostly on the matrix with real objects. But poddelschikov severe problems with a layer of glazed porcelain and with the most weight. Weight yellowish, not white; icing fluid, in violation of colors taken from the matrix items are not reported, "hard", angular. I will not mention that are written as "hieroglyphic" texts on these things. Realizing that quality can not be glazed, recently began to do things with "damaged" icing, washing her almost white hot. But here, basically, very serious mistakes in coloring. What - will not speak
With glass, by the way, is connected one of the most famous forgeries of Egyptian art - the blue "head of Tutankhamun", which again caught the Louvre. Monument to a famous, very beautiful, went down in a lot of catalogs, appeared on the cover of the classic Sorbonne "History of Ancient Egypt" N. Grimalya, despite the apparent inconsistencies in the headdress. After a terrible scandal in 2002, he quietly disappeared from the exhibition and was "forgotten". In fact, it is the fruit of hysteria, the Louvre, which in 40-70 years. XX century with incredible speed buy amarnskie monuments, trying to quickly sformirovaat new hall on the "fashionable" topic around Akhenaten and Tutankhamun. By the way, has also been proved a forgery with the help of material science expertise, and there also was found in steel ...
Almost never fake papyrus, cloth (very difficult and probably not worth it). Tree false is not very much, but it happens much more frequently than papyrus. Separate topic - clay. Ceramic fakes, like pottery, in Egypt a lot. Most recently, in the Brooklyn Museum opened an exhibition of the imitation of the Coptic museum's collection. They are many. Been acquired were once in a great hurry, the whole collection. Problematical purchase to find out when a few years ago, the curator of the Egyptian collection of Brooklyn was Edna Rassmann, great art, kuotoraya not afraid to expose forgeries.
Details of the exhibition at the museum site large number of "Coptic" fakes because there is no "high style" art of the pharaohs which is very difficult counterfeited.
This is a kind of overview of the most egregious cases.
Here is a review of these cases and general impressions on the issue. probably would be correct if will be some questions on the topic. I will try to the best of its ability, to answer them.