Quote:
Originally Posted by LCR
During the reproduction of works paying copyright holder. qwerty said that the works were sold with copyright.
Frosya, history, in my opinion, is really more mysterious. The size of the sums obtained by the investor - the tenth case, and they look not so extravagant, given that Wyeth was one of the most expensive and most reproduced artists in the world. But why did he have in the 1990's. sell their avtoriskie right? In any case, not because of lack of money  |
Certainly it was a prerequisite for buying the entire cycle as a whole, and this in my 247 works.
Added after 32 minutes
Well, it is, looking for information on prices for Wyeth in the mid 90's and find details of the transaction:
The buyer was the publisher of newsletters, bought the work in 1986 for 6mln. precisely because of their sexual scandal for some time before the Japanese thrashed the price of his watercolors to 1 million, Helga portraits appeared on the covers of Time and Newsweek, and in 1987 held an exhibition National Gallery in Washington that is very rarely carried out in their exhibitions of living artists, and the directory reproductions bestseller list, hence the price further and very quick sale.
For Wyatt's it all turned bad, the critics descended upon him with suspicion of being involved in this speculation. Not to mention the family welfare, which was also a serious blow. All subsequent exhibitions took place far quieter, and the artist had the wisdom and strength to continue their work in spite of ill-wishers.
Added after 34 minutes
Well, it is, looking for information on prices for Wyeth in the mid 90's and find details of the transaction:
The buyer was the publisher of newsletters, bought the work in 1986 for 6mln. precisely because of their sexual scandalous. Some time before the Japanese thrashed prices on watercolor Wyatt to a million, Helga portraits have appeared on the covers of Time and Newsweek, and in 1987 held an exhibition National Gallery in Washington that is very rarely carried out in their exhibitions of living artists, and catalog reproductions bestseller list, hence the price follow and very quick sale.
For Wyatt's it all turned bad, the critics descended upon him with suspicion of being involved in this speculation. Not to mention the family welfare, which was also a serious blow. All subsequent exhibitions took place far quieter, and the artist had the wisdom and strength to continue their work in spite of ill-wishers.