1900 - Born in Rostov-na-Donu.
Since 1915 has participated in group exhibitions in Rostov-na-Donu.
1919 - moved from Russia to Austria, where he attended the Vienna Academy of Fine Arts.
1923 - moved to Italy. He opened his workshop.
1926 - participated in the Biennale in Rome and Venice.
1927 - exhibited at the Paris Salon and was preparing for a personal exhibition at the "Galleria Renaissance".
1930 - traveled to many countries and participated in exhibitions in Brussels, Berlin, London, New York.
1932 - returned to Italy, participated in exhibitions in Milan, Bologna, Florence and Venice Biennale.
1985 - died in Rome.
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Solo exhibitions:
1926 - in Rome.
1949 - "Galleria Camino", Milan.
1955 - "Palazzo Marignoli", Rome.
1956 - "Palazzetto Bucintoro", Venice.
1969 - "Venezia Palazzo", Rome.
Engaged in Scenery: "War and Peace" by Prokofiev (Maggio musicale, Florence).
"Mavra" by Stravinsky, "Bell" by Donizetti, "Abu Hassan" Weber, "The war in the family" Schubert, "Cardinal of Spain" by Henri de Monterlana.
He owns 118 illustrations of "Anna Karenina.
Shiltyanom was written 2 books: "Painting in reality," which was later reissued under the title "Reality Shiltyana, as well as the autobiographical book" My Adventures ".
His works are in the Museum of Modern Art (Paris), the Royal Museum of Brussels and Nyima, the National Gallery of Armenia, the state museums in Moscow, at the Academy of Carrara (Bergamo), as well as in numerous private collections in many countries around the world.
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"Today the goal of the agenda - the salvation of the values of Western civilization. Realism, it seems to me - the only path that must be adhered to in today's decadence. It is my duty, which I think is the mission of life and who dedicate their creativity."
Gregorio SHILTYAN
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Gregorio Shiltyan very expressive when the draws, said expressive when moving ...
Diligence, a desire that any exercise that inspire this artist, but are no happiness on earth other than to bring to completion his picture and turns it into one of the most original and worthy of respect for artists that know our age.
Giorgio de Chirico
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"Painting Shiltyana given to us as a true idealisation, which borders the truth dilate and all the really standing out in a dreamy space ... The artist takes the lessons from the masters of antiquity and the neo-classical, but presents things in a new way of thinking, it does not break with the past, but on the contrary - it occurrence of past to present as strong penetration in the future. "
Franco Miele
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"Gregorio Shiltyan artist-naturalist, who seeks to achieve a kind of absolute expression ... He looks into the essence of things and the means with which he enters the world of infinite art."
Carlo Kara
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"Painting Shiltyana stands out as a unique exception, and, finally, the general public may be pleased to exclaim:" Finally, a man who knows how to draw! "
Marciano Bernardi
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Each blade Gregorio Shiltyana - small world. Each placed motive - an allegory, every motive - the principle ...
Its form is as abstract as smart and ignored by Cubist artists. Shiltyan is aware. It takes cubism as science or the birth of construction tel. He banishes from the African spirit and satanic image. In contrast, retains a sense of communicative values and a secret desire, as he said Paul Cezanne, the forms of nature to the cone, the shaft, a pyramid. He argues that a work of art, no matter what style it is, the product of pure thought, and believes that this rule with no exceptions.
Waldemar George