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Сообщение от qwerty
Nik, that is to say, rather strange job. Subject crucifixion in general was not very popular among Russian artists (after all we have - not Catholics), especially among the avant-garde artists who were to religion, to put it mildly, skeptical. And here - on the one hand Jesus, suspiciously similar to Larionova, on the other hand - helplessly realistic Russian birch trees and a peasant woman, just some Irish stew for Jerome. Claimed estimate should correspond to a masterpiece, but here a completely different case. I'm not saying anything about the authenticity, because it does not see this thing "alive".
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Work is not the best, and you are absolutely right, not seeing the original, it is impossible to talk about its authenticity.
I do not quite agree with you about "a skeptical attitude toward religion avant-garde. Goncharova just an exception - since 1910, she often turns to Christian themes. Of course, to some extent, this obyasnyaktsya interest to the icon and splints, but in my opinion, not exclusively.
As for the resemblance of Christ with Larionov, on the back of the picture is the inscription "Larionov", so perhaps it is not by chance?
The peasant does not embarrass me too - witness its remarkable cycle krustyanskih works "(I love Goncharov).