Цитата:
Сообщение от Cyril Syzransky
And another thing: I know that some visitors did not rise higher in the main exhibition GTG art of the twentieth century, viewing rooms and the latest trends coming down and was surprised to among themselves to discuss the lack of CZK Malevich in the Tretyakov Gallery.
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Another add: climbing up the stairs from the hall the newest trends in visitor gets to the rooms of the sixties. Posh Plavinsky, good Yakovlev (gouache) and so-so Yakovlev (oil), Krasnopevtsev best period, Yankilevsky not the best period, Steinberg, stunning Rukhin and all-all-all. Even espressionistsky Timur Novikov. I remember, after visiting the museum with a collection of Zimmerly Norton Dodge, I am worried that all this beauty is not ours. Suffered in vain - in the collections of the Tretyakov Gallery with material on the post-war informal art all right. If desired, can show the class.
Spigo, you tried to photograph the work Zvereva (there hang impeccable provenance of the portrait Pauline Lobachevsky, donated the model itself, and crayfish, presented Nemukhin), but the frame will not work. Before the lobster stood for about 15 minutes. If it were not provenance, it would honestly doubted - is what brought in poddelschiki
In general, the conclusion is this: if you had to see shestidlesyatnikov was difficult (two are not the main museum and several galleries), but now this is no problem. You can start easily with the Tretyakov Gallery.