In matters of "like-dislike" it is difficult to argue arguments. Am convinced that Rothko could enjoy and at the second attempt. The idea that the secret of success only to be compatible with modern interior, unconvincing. If we continue the series, then get to the absurd:
I can only assume that Malevich good looks in a modern interior ...
I can only assume that Kandinsky good looks in a modern interior ....
I can only assume that Tatlin good looks in a modern interior ...
I can only assume that all American abstract impressionists might look nice in a modern interior.
They look chic in a modern interior with a three-meter ceilings - is understandable. But most of the works of modern-day salon art, too, interior, and how. And the Impressionists interior, but they are not worth much.
Power Rothko not only in the visual eksperssii, but also in the same riddle.
Here are snippets:
in mid-1940's, Rothko to simplify the structure of his paintings, expressive means of limiting the number of colorful blocks, forming a special composition. The intellectual basis of his work - it is almost always a question of interpretation. Rothko usually not give direct answers, counting on the complicity of the viewer in understanding the work. This is the only thing he definitely counted on - the emotional work of the viewer. His paintings are not for recreation, not for relaxation and not for "visual massage. They are designed for empathy. Some see them as a window, allowing the viewer to look into the soul, the other - the door to another world. There is a view (perhaps closest to the truth), that his color field - is the metaphorical image of God.
Generally, you must have the courage to draw well. And so to the first draw.
Today, works and image components (such as, I understand and I can buy Rothko Rothko). Possession Rothko prestige - a symbol of success. The famous White Center - it almost from the collections of the Rockefellers.
There is a BBC film series Power of Art Simon Shama (power of art) - it is a series about Rothko. Many punches, but a good visual number, àáî techniques, all of this helps to understand Rothko.
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