Цитата:
Сообщение от qwerty
A few more illustrations in 1917 Notice of Gryshchenko, is not it, there's something in common with the late de Stael?
|
Indeed - surprisingly similar to the Steel 1949-50 gg. And pointless. And then, since 1951, when it was moved to objectivity, his painting lost pastoznost, the palette became brighter, in general, has changed, and the similarity was much lower.
It means that Gryshchenko stylistic characteristics inherent in 1949-50 he also became., Combined with stories that have appeared in steel after 1951, incredibly, is not it?